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Allen & Heath SQ-7 Digital Mixer

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User Manual for Allen & Heath SQ-7 Digital Mixer Kit with 6 Personal Monitor Mixers and In-Ear Monitors

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Allen & Heath SQ-7 Digital Mixer Kit with 6 Personal Monitor Mixers and In-Ear Monitors Contents of the user manual for the Allen & Heath SQ-7 Digital Mixer
  • Product category: Digital Mixers Allen & Heath
  • Brand: Allen & Heath
  • Description and content of package
  • Technical information and basic settings
  • Frequently asked questions – FAQ
  • Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
  • Authorized service for Allen & Heath Digital Mixers

User manual for the Allen & Heath SQ-7 Digital Mixer contain basic instructions that need to be followed during installation and operation. Before starting your appliance, the user manual should be read through carefully. Follow all the safety instructions and warnings, and be guided by the given recommendations. User manual is an integral part of any Allen & Heath product, and if it is sold or transferred, they should be handed over jointly with the product. Following the instructions for use is an essential prerequisite for protecting health and property during use, as well as recognition of liability on the part of the manufacturer for possible defects should you make a warranty claim. Download an official Allen & Heath user manual in which you will find instructions on how to install, use, maintain and service your product.

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Product description

This B&H Kit combines the Allen & Heath SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders with six Allen & Heath ME-500 16-Channel Personal Monitor Mixers and six sets of universal in-ear monitors to create a professional mixing and monitoring platform well suited for live sound and studio applications.
  • Allen & Heath SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders
    • Introducing SQ-7 a 33 fader 96kHz mixer from Allen & Heath
    The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer's 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.

    At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing. The SQ's DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer's inputs and mix channels, all without adding system latency or setup hassles.

    The front panel is centered around the mixer's 7" capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow. The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.

    The SQ-7 offers expansion options via Allen & Heath's stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies. SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer's SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
      • Compact digital mixer for live, studio, and installation
      • 48 input channels
      • 32 local mic inputs (XLR)
      • Two 1/4” stereo inputs (TRS)
      • One 1/8" stereo input
      • 36 total busses
      • 12 stereo mixes (Aux or Group) + Main
      • PAFL bus
      • 18 assignable local outputs (16 XLR + two 1/4” TRS)
      • AES digital output
      • Dedicated talkback mic input (XLR)
      • 1/4" TRS headphone out with dedicated control
      • SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64x64 channels)
      • I/O port for option card (including 3rd party protocols – Dante/Waves)
      • 8 mute groups
      • 8 DCA groups
      • 8 stereo FX with dedicated FX returns
      • DEEP processing ready
      • RackFX effects suite
      • 7" color touchscreen
      • 16 assignable SoftKeys
      • Eight assignable soft rotaries
      • Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
      • 32+1 faders with 6 layers for 192 assignable channel strips
      • Motorized faders for sends on faders, GEQ fader flip, and mix recall
      • 32 backlit LCD channel-strip displays
      • Chromatic channel metering
      • Integrated surface illumination
      • Single/dual footswitch control
      • Input channel linking for stereo sources
      • Patchable insert points
      • Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
      • Mix processing – PEQ, Graphic EQ, Compressor, Delay
      • Fully integrated Automatic Mic Mixing (AMM)
      • 31-band, real-time analyzer (RTA)
      • Quick copy/paste/reset for parameters
      • User permissions to restrict operator access
      • 300 scene memories per show
      • Channel safes, global and per-scene recall filters
      • FX, processing, and channel libraries
      • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
      • USB transfer of scenes, libraries, shows
      • 32x32 channel USB streaming to/from Mac/Windows
      • DAW control driver for MIDI control via USB or TCP/IP
      • Wireless remote mixing apps for iPad and Android
      • Compatible with ME personal-monitoring range
  • 6 x Allen & Heath ME-500 16-Channel Personal Mixer
    • Introducing SQ-7 a 33 fader 96kHz mixer from Allen & Heath
    The Allen & Heath ME-500 is a standalone digital personal mixer that receives up to 16 mono or stereo sources over a single Cat5 cable and offers a flexible and easy-to-operate solution for individual musicians, performers, and presenters who wish to control their own monitor sound whether on stage, in houses of worship, rehearsal rooms, studios, conferences, or live events.

    ME is a 48 kHz system compatible with most Allen & Heath mixers including the dLive, GLD, and Qu systems, as well as Aviom A-Net 16. Additionally, the unit will work with other devices with MADI, Dante, and EtherSound connectors via the optional ME-U hub. Mute or solo individual channels, adjust the tone using the on-board 2-band EQ, and set the limiter to prevent loud peaks. Once a mix has been created, simply save the set for recall at a later date. A USB port on the rear of the interface provides transfer settings and firmware updates via USB key. The Allen & Heath ME-500 ships with a power supply.
      General Features
      • 16-channel personal mixer
      • Plug-and-play compatible with dLive, GLD, Qu and Aviom A-Net 16
      • Compatible with Digico, Yamaha, Avid and other mixers via ME-U hub
      • Connect any number of ME devices to a system
      • Mix and match ME-500 and ME-1 devices
      • Can be powered via PoE or external PSU (included)
      • Stereo headphone outputs on 1/8" and 1/4" jacks
      • 1/4” TRS mono balanced line out for connection to stage monitor or IEM transmitter
      Application Specific Design
      • Compact and smart on stage
      • Easy to read display screen
      • Backlit keys for viewing in the dark
      • Surface, plinth, or mic stand mounting
      • Built-in top of stand mount
      • Optional side of stand bracket
      • Optional headphones hook
      Easy Operation
      • Press a Select key
      • Turn the rotary to adjust Level
      • Press and turn to adjust Pan
      • Hold shift and turn to trim all levels
      • Mute individual channels or master
      • Solo individual channels
      • Adjust tone using the master EQ
      • Use the Limiter to prevent loud peaks
      • Store and recall presets of your mix
      • Protect while away using Standby mode
      User Configurable
      • Patch outputs at the source console
      • Link outputs for single key stereo select
      • Use the label strip to identify keys
      • Transfer settings via USB key
      • Update firmware via USB key
      Convenient Connection
      • Connect using Cat5 cable up to 328'
      • Locking etherCON connectors
      • Daisy chain any number of ME mixers
      • Parallel connect using Ethernet switches
      • Direct connection to A&H mixers
      • Direct connection to Aviom A-Net 16
      • Connect to other networks via ME-U hub: 48 kHz Dante, MADI, EtherSound
      • Use the power unit or PoE via Cat5 cable
      • Optional touring-grade 10-port ME-U PoE hub available
  • 6 x Westone UM Pro20 Dual-Driver Universal In-Ear Monitors (Clear, First Generation)
    • Introducing SQ-7 a 33 fader 96kHz mixer from Allen & Heath
    The clear first-generation version of the Westone UM Pro20 Dual-Driver Universal In-Ear Monitors are designed for personal listening and professional stage monitoring applications. The monitors utilize dual balanced armature drivers in a passive crossover network to deliver a frequency response of 20 to 18,000 Hz at a sensitivity of 119 dB SPL at 1mW into a 27 ohms load. The included sound isolating star and true-fit tips provide a passive noise attenuation of 25 dB and the replaceable 50" EPIC cable is designed to fit over your ears to help reduce microphonics and secure the earphones in place. They come with premium comfort tips, a mini-monitor vault, and a cleaning tool. The earphones are handcrafted in Colorado Springs by Westone's team of artisans and lab technicians. UPC: 602353785155
In the Box
  • SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders sdezcxfcsrzrra
  • Power Cord
  • Limited 1-Year Warranty
  • 6 x ME-500 16-Channel Personal Mixer
  • 6 x Westone - UM Pro20 Dual-Driver Universal In-Ear Monitors (Clear, First Generation)
Table of Contents




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Technical parameters

  • Allen & Heath SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders
    Mic/Line Inputs Mic/Line Inputs: Balanced XLR, fully recallable
    Input Sensitivity: -60 to +0 dBu
    Switchable Pad: -20 dB
    Analog Gain: 0 to +60 dB, 1 dB steps
    Maximum Input Level: +30 dBu
    Input Impedance: >5 kOhms
    THD+N, Unity Gain (0 dB): 0.002% -92 dBu (20 Hz - 20 kHz, AES direct out, @ 0 dBu 1 kHz)
    THD+N, Mid-Gain (+30 dB): 0.003% -91 dBu (20 Hz - 20 kHz, AES direct out, @ -30 dBu input 1 kHz)
    Phantom Power +48V (+3V / -2V)
    Stereo Line Inputs ST1, ST2 Connectors: Balanced, 1/4" / 6.3 mm TRS
    ST3 Connector: Unbalanced, stereo 1/8" / 3.5 mm
    Input Sensitivity (ST1, ST2 / ST3): Nominal +4 dBu ST1, ST2 / 0 dBu ST3
    Trim: +/-24 dB
    Maximum Input Level (ST1,ST2 / ST3): +22 dBu / +18 dBu
    Input Impedance: >7 kOhms
    Analog Outputs Outputs 1-16: Balanced, XLR
    Outputs A and B: Balanced 1/4" / 6.3 mm TRS
    Source: Patchable
    Output Impedance: <75 Ohms
    Nominal Output: +4 dBu = 0 dB meter reading
    Maximum Output Level: +22 dBu
    Residual Output Noise: -90 dBu (muted, 20 Hz to 20 kHz)
    AES Digital Audio Outputs AES Digital Output: Balanced XLR, 2 channel
    96 kHz sampling rate (default with SRC bypassed)
    Switchable Output Sample Rates: 44.1, 48, 88.2, 96 kHz
    2.5 Vpp balanced terminated 110 Ohms
    Network Connections Connection: Neutrik EtherCON (RJ45)
    dsnake mode (48 kHz devices): 64 channels assignable, compatible with AR2412, AR84, AB168, ME, Qu
    dx mode (96 kHz Devices): 32 channels assignable, compatible with DX168
    gigaACE (96 kHz Devices): 128 channels assignable, compatible with dLive, SQ, and DXHub
    Inputs: Fully patchable
    Outputs: Fully patchable
    Sync/SRC: Assignable as master audio sync for all modes, SRC 64-channel
    I/O Expansion Module Multi-channel IO option module
    Inputs: Fully patchable
    Outputs: Fully patchable
    Sync/SRC assignable as master audio sync
    Audio Specifications Measured balanced XLR in to XLR out, 0 dB gain, 0 dBu input
    Dynamic Range 112 dB
    Frequency Response 20 Hz to 20 kHz (+0/-0.5 dB)
    Headroom +18 dB
    Operating Level Internal Operating Level: 0 dBu
    THD+N THD+N, Mic/Line Routed to Main L/R Out: Unity gain faders @ 0 dB, 0.006%, -84 dBu (20 Hz to 20 kHz)
    dBFS Alignment +18 dBu = 0 dBFS (+22 dBu at XLR output)
    Metering Accuracy Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu at XLR out)
    Metering Main Meter Type: 2 x 12-segment, fast (peak) response
    Channel Meter Type: Chromatic Channel Metering, fully programmable color/brightnesss
    Peak Indication: -3 dBFS (+19 dBu at XLR out), multi-point sensing
    Sampling Rate 96 kHz
    Bit Depth Uses XCVI core custom bit widths in algorithms, up to 96-bit
    Latency <0.7 ms, local mic input routed to main L/R. (direct, no EQ/effects)
    Faders 3.9" / 100.0 mm, motorized
    Touch Screen 7.0" / 178 mm, capacitive, 800 x 480 resolution, 24-bit RGB
    Softkeys Softkeys: 16
    SoftRotarys: 8
    Groups Mute Groups: 8
    DCA Groups: 8
    Network TCP/IP Ethernet for MIDI and control
    MIDI TCP/IP and USB Type-B
    Footswitch Single or dual, momentary or latching
    Source Channels 1-48: Fully patchable
    USB Global Source: SQ-Drive or USB Type-B streaming
    Polarity Normal/inverted
    Trim -24 to +24 dB
    High Pass Filter 12 dB/octave, 20 Hz to 2 kHz
    Insert Insert (Pre EQ/Comp): Fully patchable
    Input Delay Up to 341 ms
    Gate Gate: Patchable sidechain
    Sidechain Filter: Hi-pass (20 Hz to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz)
    Threshold / Depth: -72 dBu to +18 dBu / 0 to 60 dB
    Attack / Hold / Release: 50 μs to 300 ms / 10 ms to 5 seconds / 10 ms to 1 second
    Parametric Equalizer PEQ: 4-band fully parametric, 20 Hz to 20 kHz, ±15 dB
    Band 1, Band 4: Selectable shelving (Baxandall), bell
    Band 2, Band 3: Bell
    Bell Width: Variable Q, 1.5 to 1/9th octave
    Compressor Compressor: Patchable sidechain
    Sidechain Filter: Hi-pass (20 to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz), Q=1
    Threshold / Ratio: -46 dBu to 18 dBu / 1:1 to infinity
    Attack / Release: 30 μs to 300 ms / 50 ms to 2 seconds
    Knee: Soft/hard
    Detector Response: Peak/RMS switchable
    Parallel Path Compression: Dry/wet -infin to 0 dB
    Channel Direct Out Follow fader, mute, mute group, DCA (global all channels)
    Source Selection Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay
    Trim: -∞ to 10 dB per channel
    Insert Insert (Pre EQ/Comp): Fully patchable
    Delay Output: Up to 682 ms
    Graphic Equalizer 28 bands 31 Hz to 16 kHz, ±12 dB gain, constant 1/3 octave
    FX Internal FX: 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
    Types: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser
    8 x Dedicated Stereo FX Returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
    PAFL PFL or stereo in-place AFL, 0 to -24 dB trim, PAFL
    Delay up to 682 ms
    Talkback Dedicated input, assignable to any mix, Gain, Pad, 48 V, 12 dB/oct HPF
    Signal Generator Assignable to any mix, (sine/white/pink/bandpass noise)
    RTA Real Time Analyzer 31-bands, 1/3 octave 20 Hz to 20 kHz, follows PAFL source
    Recorder SQ-Drive: USB Type-A
    Stereo Record: 2-channel, WAV, 96 kHz, 24-bit, source fully patchable
    Stereo Playback: 1/2-channel, WAV, 44.1, 48, 96 kHz, 16-/24-bit, source fully patchable
    Multitrack Record: 16-channel, WAV, 96 kHz, 24-bit, track sources fully patchable
    Multitrack Playback: 16-channel, WAV, 96 kHz, 24-bit fully patchable
    USB Audio USB Audio Streaming: USB Type-B, Core Audio compliant, ASIO/WDM for Windows
    Send (Upstream): 32-channel, 96 kHz, 24-bit
    Return (Downstream): 32-channel, 96 kHz, 24-bit
    Automatic Mic Mixing AMM: 2 x 24 channels or 1 x 48 channels, freely assignable
    Mode: Gain sharing
    Sidechain Filter: 12 dB/octave
    HPF: 20 Hz to 5 kHz
    LPF: 120 Hz to 20 kHz
    Priority: -15 dB to +15 dB per channel
    Power 100 to 240 VAC, 50 / 60 Hz
    Maximum Power Consumption: 110W
    Operating Temperature 32 to 104°F / 0 to 40°C
    Dimensions (W × H × D) 31.7 x 20.3 x 7.8" / 805 x 516 x 198 mm
    Weight 39.3 lb / 17.8 kg
    Box Dimensions (LxWxH) 38.25 x 27.3 x 14.0"
  • 6 x Allen & Heath ME-500 16-Channel Personal Mixer
    Stereo Output Connector: Stereo 1/4" / 6.35 mm and 1/8" / 3.5 mm
    Headphones: >16 Ohms, power 300 + 300 mW into 100 Ohms load, or line out max +21 dBu
    Mono Output Connector: 1/4" / 6.35 mm balanced TRS
    Nominal: 0 dBu
    Maximum: +18 dBu
    Residual Output Noise -95 dBu (level min)
    Frequency Response 10 Hz to 20 kHz (+0/-1 dB)
    AD/DA Conversion 24-bit Delta/Sigma, 48 kHz
    Presets 8 user presets
    Compatibility Direct Connection: dLive, GLD, and Qu systems
    ME-U Hub: MADI, Dante, and EtherSound
    Aviom A-Net 16
    Data Port USB: Individual presets or config transfer, firmware update
    CAT5 Audio and PoE: Link In and Link Out, locking etherCON connectors
    Power Mains: 100 to 240 VAC, 50 / 60 Hz In, 12 VDC 1.25 A Out
    Power over CAT5 Cable (PoE): 10 W (Requires 15 W from PoE switch; optional PoE switch available separately)
    Dimensions (W x D x H) 9.1 x 6.3 x 2.8" / 230.0 x 160.0 x 70.0 mm
    Weight 2.4 lb / 1.1 kg
    Box Dimensions (LxWxH) 13.4 x 11.3 x 6.5"
  • 6 x Westone UM Pro20 Dual-Driver Universal In-Ear Monitors (Clear, First Generation)
    Driver Dual balanced armatures in passive crossover network
    Sensitivity 119 dB SPL at 1 mW
    Frequency Response 20 to 18,000 Hz
    Impedance 27 Ohms at 1,000 Hz
    Noise Attenuation Passive: 25 dB
    Cable Length 50" (128 cm)
    Weight 0.445 oz (12.7 g)
    Box Dimensions (LxWxH) 8.0 x 5.0 x 2.5"

Rating

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