User manual
Audio-Technica AT2020 Personal Studio Vocal Recording

User Manual for Audio-Technica AT2020 Personal Studio Vocal Recording Kit

• Product category: Large Diaphragm Condenser Audio-Technica
• Brand: Audio-Technica
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Audio-Technica Large Diaphragm Condenser

Product description

• Audio-Technica AT2020 Cardioid Condenser Microphone The AT2020 Cardioid Condenser Microphone from Audio-Technica is designed for vocal and general instrument capturing in project and professional studio environments. The capsule features a low-mass, side-address diaphragm with a cardioid polar pattern for rejecting ambiance and noise at the off-axis sections of the microphone capsule. A linear frequency response of 20 Hz to 20 kHz enables the flexibility to accurately reproduce signals from a wide variety of sources. High SPL handling and wide dynamic range allow the AT2020 to capture loud signals with minimal noise and distortion. The microphone includes a pivoting, threaded stand mount for accurate positioning.
  • Suitable for project/home-studio applications
  • High SPL handling and wide dynamic range provide maximum versatility
  • Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
  UPC: 042005134953
• ALVA Nanoface 12-Channel USB Audio/MIDI Interface The bus-powered and breakout cable equipped Alva Nanoface 12-Channel USB Audio/MIDI Interface affords an ideal combination of analog/digital connectivity, features, flexibility and mobility. It's the perfect tool for working musicians with a home or mobile studio. It also integrates seamlessly into a DJ setup or your home theater surround sound system. The Nanoface is equipped with a total of six audio inputs and six audio outputs. Plus, it's ultra-portable, weighs next-to-nothing, and is easy to operate. It even features a large multicontroller that facilitates simple adjustments and control over I/O features including management, monitoring and phantom power for microphones.The Nanoface was designed to work seamlessly with both Windows and Mac operating systems. Plus, it supports real analog hardware monitoring, as well as low latency drivers. The Nanoface really lives up to its name by hosting a variety of analog and digital interfaces. It supports dual RCA L/R audio analog inputs and dual RCA L/R analog outputs. It also features dual XLR analog mic inputs, which both come equipped with their own mic preamps, as well as phantom power. There's even a 1/4" Hi-Z instrument input and a 1/4" stereo headphones output. In fact, the stereo RCA outputs can even be routed through the stereo headphones output.The Nanoface affords a wide variety of digital connection points as well. These include a single MIDI input and dual MIDI outputs. There's also a digital optical S/PDIF input and a digital optical S/PDIF output. For any musicians or DJs that want to record directly onto their music production software of choice, the Nanoface features a USB 3.0/2.0 interface. This lets you use the Nanoface as a link between your analog or digital recordings and your computer. You'll easily be able to transfer any audio or MIDI data in and out of your Mac or windows computer - no matter if you're sitting at your desk or in the back of a tour bus. The Nanoface is designed to handle all situations.The USB 3.0/2.0 interface also doubles as the Nanoface's bus-power source, which means you won't need to drag around an external power supply. The Nanoface is free from any extraneous mixers or software option dialogs as well. This means it functions as a high-speed driver with most modern digital audio workstations (DAWs). All modern audio programs promote a low latency engine and an integrated mixer with plug-in support. Plus, they're also equipped with monitoring features. This allows the Nanoface to be as streamlined as possible. Plus, all device features are controlled by a single multicontroller called, the Encoder. With a wide variety of digital/analog inputs and outputs, a streamlined design and a single Encoder controller - the Nanoface promotes a simple learning curve and flexible usability for home musicians, road musicians, DJs and home theater aficionados with hi-fi surround systems.
  Portable & Functional
  • Sound quality, extraordinary features and ease of use with real analog hardware monitoring and low latency drivers for both Windows and Mac OS X - all together in a lightweight and portable housing
  Supports Six Audio Inputs & Six Audio Outputs
  • The Nanoface provides six audio inputs and six audio outputs - enough for a small home studio, a DJ setup or even a home theater surround sound setup. There's a MIDI input and two MIDI outputs, which forms a perfect combination to connect a keyboard and external synthesizers/samplers
  Analog Inputs x 4
  • The two analog XLR inputs are equipped with two high-quality mic preamps, which allow the simultaneous recording of different sources at the same time - like a microphone, electric guitar and synthesizer. Plus, there are stereo analog RCA Left and Right audio inputs as well
  Analog Outputs x 4
  • With stereo analog RCA Left and Right audio outputs, as well as a stereo two-channel headphone output jack, the four analog outputs provide a flexible setup for monitoring two stereo signals at the same time like main speakers and headphones. Plus, the RCA output signal can be routed to the stereo headphone output and individually adjusted
  Hi-Z Instrument Input Jack
  • There's even a 1/4" Hi-Z instrument input jack, which can be used alternatively instead of the RCA analog input second channel. When Hi-Z input is great for electrical instruments like guitar or bass. Plus, it features characteristics for direct recording and is routable to any of the four analog inputs. It's ideal for spontaneous jam sessions with a laptop or as a mobile recording input without the need for more equipment - live or with band rehearsals
  Digital Optical S/PDIF Input & Output
  • The digital input and output works in standard S/PDIF format, which makes the Nanoface a perfect partner for a digital signal from a CD player or an effect unit as a source for a surround sound receiver
  Analog Sound Quality
  • Alva has put years of experience into their development team in order to make sure they've integrated a very sophisticated circuit design that will result in excellent specification numbers and an extraordinary audiophile sound
  Mic Preamps
  • The Nanoface provides two mic preamps with very low noise specifications, low distortion specifications and switchable 48V phantom power for use with condenser mics
  Pocket Studio
  • The Nanoface lives up to its name; it measures only a quarter of the size of most bigger interfaces, while affording more inputs and outputs as well. This yields one of the lightest audio interfaces around
  USB 3.0/2.0 Interface
  • The Nanoface is the perfect solution for musicians and DJs that require a full recording studio not only at home, but also on the road for composing and mixing in high-quality no matter where they happen to be. The USB 3.0/2.0 interface allows you to listen with the best possible headphone quality as well. Most importantly, it affords transfer of all audio and MIDI data in and out of your Mac or Windows computer
  Bus-Powered via USB Connection
  • The Nanoface requires only the power from the USB connection to operate. This means no annoying power supply and the freedom to work in a park, cafe, train, bus, airport or even an airplane
  Partner to Modern Digital Audio Workstations (DAWs)
  • The Nanoface takes advantage of Alva's sensible downsizing without sacrificing total functionality. It's designed as a partner to modern DAWs. There are no software option dialogs or integrated mixers - just a high-speed driver. ASIO/WDM for Windows and Core Audio for Mac OS X. Plus, since all modern audio programs provide a low latency engine, integrated mixer with plug-in support, and monitoring features - they already emulate a complete studio workflow, which means the Nanoface can do more with less
  Simple Learning Curve & Easy Operation
  • All Nanoface features like management, monitoring and phantom power for the microphones is operated by a single multi-controller or "Encoder" located directly on the unit. The "Encoder" and an audio sequencer is all most musicians need. This results in a simple learning curve and extraordinary usability that's ideal for live situations
  Encoder Operation
  • The Encoder controls all four analog output gain; route RCA output to headphone output; output RCA on headphones output (gain); RCA input gain for microphone/instrument preamps; XLR input gain; 48V phantom power for both XLR inputs; switching an RCA input to Hi-Z input; hardware monitoring for RCA inputs; reset to default values
• Samson SR 450 On-Ear Studio Headphones The Samson SR 450 On-Ear Studio Headphones utilizes a 40mm rare earth magnet driver with a closed-ear design to deliver a wide full-range reference frequency response for tracking, mixing, and mastering. Intended for extended listening sessions, the headphones feature memory foam cushioned earcups and an adjustable headband for a secure comfortable fit. An 1/8" to 1/4" adapter is included. UPC: 809164017660
• Auray MS-5230F Tripod Microphone Stand with Fixed Boom The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport. UPC: 847628015586
• Auray PFNY-6 Nylon Pop Filter with Gooseneck Designed for use with microphones, the Auray PFNY-6 is a pop filter that minimizes vocal plosives and reduces errant breath noise. It's suitable for home and pro studios alike, and lends itself to all sorts of recording applications, including sung vocals, voice-overs, broadcasts, and podcasts.
  
  The PFNY-6 utilizes a double-layered nylon screen, affording a clear view of the capsule; thus, the PFNY-6 won't impede a vocalist from giving a robust-sounding performance, captured on-axis. Additionally, this screen protects your microphone capsule from corrosive moisture.
  
  Its 13" flexible gooseneck will give you plenty of room to maneuver, allowing you to place the screen as close to the capsule as you'd like. A sturdy C-clamp with a thumbscrew fastener protects against slippage, while a rubber grommet and padding protect your mic stand's finish.

  General Features

  Prevents Vocal Plosives
  • Anyone who has recorded vocal tracks knows what the sound of p and b can do to the take when a microphone is left unprotected. This double-layered nylon screen dissipates the rush of air caused by vocal plosives, thus minimizing the popping sounds that can compromise your recording.
  Robust Vocal Tracks
  • By minimizing vocal plosives, vocalists can move closer to the microphone and train their voice directly on the mic capsule for a more rich, centered, warm, and robust track.
  Protects Against Corrosive Moisture
  • In addition to protecting your take from vocal plosives, the PFNY-6 protects your mic capsule from corrosive moisture.
  Easy to Attach
  • The PFNY-6 is outfitted with a sturdy C-clamp that attaches easily to a mic stand or mic boom. Its thumbscrew fastener adjusts to most sizes, and the rubber grommet won't scratch your mic stand's finish.
  UPC: 847628000858
• Pearstone PM Series XLR M to XLR F Professional Microphone Cable - 10' (3.0 m) The Pearstone PM Series XLR M to XLR F Professional Microphone Cable (10') features 24-gauge oxygen-free copper conductors, spiral shielding to protect against EMI and RFI noise, and professional grade cast-zinc Rean connectors with silver-plated contacts. The twin conductive PVC shield reduces electrostatic noise, and distinguishes the PM series from the rest of its class.
  • Professional quality, field-serviceable, cast-zinc Rean connectors with silver-plated contacts
  • Twin conductive PVC shield reduces electrostatic noise
  • 24-gauge oxygen-free copper conductors
  • Spiral shielding to protect against EMI and RFI noise
  UPC: 847628557710

• AT2020 Cardioid Condenser Microphone yvfdzcvfbavwttyfcdczyzydrvtbsefdy
• Stand Mount for 5/8"- 27 Threaded Stands
• 5/8"-27 to 3/8"-16 Threaded Adapter
• Protective Pouch
• Limited 1-Year Warranty

• ALVA - Nanoface 12-Channel USB Audio/MIDI Interface

• Samson - SR 450 On-Ear Studio Headphones

• Auray - MS-5230F Tripod Microphone Stand with Fixed Boom

• Auray - PFNY-6 Nylon Pop Filter with Gooseneck yvfdzcvfbavwttyfcdczyzydrvtbsefdy

• Pearstone - PM Series XLR M to XLR F Professional Microphone Cable - 10' (3.0 m)

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Technical parameters

• Audio-Technica AT2020 Cardioid Condenser Microphone

  Transducer	Condenser
  Polar Pattern	Cardioid
  Frequency Range	20 Hz to 20 kHz
  Signal to Noise Ratio	74 dB
  Equivalent Noise Level	20 dB
  Maximum SPL	144 dB SPL
  THD	1%
  Impedance	100 Ohms
  Sensitivity	14.1 mV/Pa
  Dynamic Range	124 dB

  Output Connectors	1 x 3-Pin XLR
  Operating Current Consumption	2.0 µA
  Operating Voltage	48 V
  Length	6.38" / 162.0 mm
  Diameter	2.05" / 52.0 mm
  Weight	12.17 oz / 345 g

  Box Dimensions (LxWxH)	9.7 x 9.6 x 2.8"

• ALVA Nanoface 12-Channel USB Audio/MIDI Interface

  Max Sample Rate/Resolution	96 kHz / 24-Bit

  Host Connection	USB Type-B (USB 3.0)
  Analog I/O	1 x 1/4" (6.3 mm) TS Hi-Z Input 1 x 1/4" (6.3 mm) TRS Headphone Output 2 x XLR 3-Pin Input 1 x Stereo RCA Input 1 x Stereo RCA Output XLR and Stereo RCA I/O on Included Breakout Cable
  Phantom Power	+48 V
  Digital I/O	1 x TOSLINK / S/PDIF Input 1 x TOSLINK / S/PDIF Output
  MIDI I/O	1 x 5-Pin MIDI In (On Breakout Cable) 2 x 5-Pin MIDI Out (On Breakout Cable)

  Gain Range	Inputs: 50.5 dB

  Sample Rates	Up to 96 kHz
  Bit Depth	24-Bit

  OS Compatibility	Windows macOS 10

  Box Dimensions (LxWxH)	11.15 x 8.9 x 2.25"

• Samson SR 450 On-Ear Studio Headphones

  Driver Size	1.6" / 40 mm
  Driver Type	Dynamic
  Design	On-Ear (Supra-aural)
  Earcup Style	Closed-Back

  Audio Connector	1/8" (3.5 mm)
  Adapter (Included)	1/4" (6.3 mm)

  Material of Construction	Foam

  Box Dimensions (LxWxH)	9.0 x 6.7 x 2.9"

• Auray MS-5230F Tripod Microphone Stand with Fixed Boom

  Height	36.2 to 63" / 91.9 to 160 cm
  Base Type	Tripod
  Base Dimensions	25.6 x 25.6" / 65 x 65 cm

  Length	31.5" / 80 cm

  Material	Steel
  Weight	4.5 lb / 2 kg

  Box Dimensions (LxWxH)	33.5 x 4.0 x 4.0"

• Auray PFNY-6 Nylon Pop Filter with Gooseneck

  Diameter	Screen: 6" / 15.2 cm
  Gooseneck Length	13" / 33 cm
  Total Length	22" / 55.9 cm
  Weight	0.45 lb / 204.1 g

  Box Dimensions (LxWxH)	14.4 x 6.4 x 0.4"

• Pearstone PM Series XLR M to XLR F Professional Microphone Cable - 10' (3.0 m)

  Connector 1	3-Pin XLR Male
  Connector 2	3-Pin XLR Female
  Cable Length	10' / 3 m
  Shielding	Copper Spiral
  Conductor Material	Oxygen-Free Copper (OFC)
  Wire Gauge	24 AWG
  Contact Plating	Silver
  Jacket Type	Polyvinyl Chloride (PVC)

  Box Dimensions (LxWxH)	6.5 x 5.7 x 0.6"

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