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Behringer C1 and ART USB Dual

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User Manual for Behringer C1 and ART USB Dual Pre Vocal and Podcasting Kit

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Behringer C1 and ART USB Dual Pre Vocal and Podcasting Kit Contents of the user manual for the Behringer C1 and ART USB Dual
  • Product category: Large Diaphragm Condenser Others
  • Brand: Others
  • Description and content of package
  • Technical information and basic settings
  • Frequently asked questions – FAQ
  • Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
  • Authorized service for Others Large Diaphragm Condenser

User manual for the Behringer C1 and ART USB Dual contain basic instructions that need to be followed during installation and operation. Before starting your appliance, the user manual should be read through carefully. Follow all the safety instructions and warnings, and be guided by the given recommendations. User manual is an integral part of any Others product, and if it is sold or transferred, they should be handed over jointly with the product. Following the instructions for use is an essential prerequisite for protecting health and property during use, as well as recognition of liability on the part of the manufacturer for possible defects should you make a warranty claim. Download an official Others user manual in which you will find instructions on how to install, use, maintain and service your product.

And do not forget – unsuitable use of a Others product will considerably shorten its lifespan!



Product description

The Behringer C1 and ART USB Dual Pre Vocal and Podcasting Kit from is ideal for anyone looking for the tools needed to record vocals for music or podcasts on their Mac or PC. It includes a Behringer C1 condenser microphone, an ART USB Dual Pre preamp and USB interface, a suspension shockmount, a tabletop microphone stand, a pop filter with gooseneck, and a microphone cable.

The C1 condenser mic has a cardioid polar pattern and is designed for vocals as well as piano and guitar. The ART USB Dual Pre has dual XLR/TRS inputs and can be powered by USB bus power, a 9-volt battery, or an optional power supply. It can provide audio resolutions up to 16-bit/48 kHz and is compatible with both Mac and PC.

The included shock mount has a spring-clamp holder that helps prevent vibration noise from being picked up by the C1 mic. The nylon pop filter is attached to a 13.5" gooseneck to allow for flexible positioning on the tabletop mic stand. It is designed to eliminate plosives and pops in speech.
  • Behringer C-1 Studio Condenser Microphone The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
      Cardioid Polar Pattern
    • The cardioid polar pattern minimizes off-axis noise and feedback.
      Wide Frequency Response
    • The C-1 features a 40 Hz to 20 kHz frequency response for accurate reproduction of vocals and instruments.
      Condenser Element
    • The sensitive condenser element captures signal accurately and with low noise.
    UPC: 689076149112
  • ART USB Dual Pre - USB 1.1 Digital Audio Interface with Dual Microphone Preamps The USB Dual Pre from ART is a combination portable preamplifier and computer interface, housed in a compact rugged case. The unit is suitable for a wide variety of applications including remote field work to desktop/studio recording. The 2 input channels can accept either a microphone or line input and provide up to 48dB of gain. Phantom power is available for use with condenser microphones even when running from the USB bus or any of the other powering options. Those include using an optional external power supply, or an optional internal 9V battery. When running off the battery, operational hours are in excess of 50 hours with phantom power off. A stereo mini headphone jack is provided for monitoring and the rear level and monitor mix controls allow for latency-free recording. The monitor mix is also routed to the main outputs. The USB interface is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for record.
    • Portable USB interface with dual microphone preamps
    • Low-noise, fully balanced XLR and 1/4" TRS combi inputs
    • Preamps provide up to 48dB of gain and feature independent gain controls
    • Built-in, low-noise phantom power supply
    • Signal present and clip LED indicators
    • Latency free monitoring with mix and level controls
    • Includes Audacity recording and production software
    • 3-way powering options - via the USB bus, an optional external power supply, or with an optional 9V battery
    UPC: 804040201904
  • Auray SHM-UC2 Clamping Suspension Shockmount for Side-Address Microphones Designed for use with side-address cylindrical microphones, the SHM-UC2 Clamping Suspension Shockmount for Side-Address Microphones from Auray helps prevent shock and vibration that often travel through your stand from affecting your mic's performance. It features all-metal construction with a felt-lined cylinder that protects your mic's finish in addition to providing added noise elimination. The shockmount has a 5/8"-27 thread for compatibility with most mic stands, and includes a 3/8"-16 adapter for further compatibility.
      Eliminates Noise
    • The SHM-UC2 prevents unwanted vibrations that can travel through a mic stand and affect the performance of the microphone
      Clamp-Style Holder
    • The clamp-style holder fits many large studio condenser microphones and maintains a firm and secure hold on the microphone
      Metal 5/8"-27 Mic Stand Adapter
    • A metal mic stand adapter assures a durable and secure connection between the shock mount and mic stand. The standard 5/8"-27 thread fits any mic stand with a 5/8" stud
      Felt-Lined Cylinder
    • The felt-lined cylinder adds to the attenuation of unwanted vibrations from external noise, and protects the microphone's finish
      Locking Knob
    • The angle of the shock mount can be locked into position with the locking knob
      All-Metal Construction
    • The SSM-UC2 is a durable studio accessory that is built to last. The all-metal construction assures microphone security
      Heavy-Duty Elastic Band
    • The heavy-duty elastic bands suspend the microphone in the center of the basket, and prevent shocks and vibrations that can radiate through the mic stand from reaching the microphone
      3/8"-16 Adapter
    • A 5/8"-27 to 3/8"-16 threaded adapter is included for added compatibility
    UPC: 847628585232
  • Auray TT-6110-BL Desktop Microphone Stand (Black) The black TT-6110-BL Desktop Microphone Stand from Auray features a round-cast metal base and has a fixed 5.5" height. It can be used for podcasting, voice-overs, video conferencing, and other home- or project-studio applications. With five non-slip rubber feet to ensure that the stand doesn't move or shift on smooth or polished surfaces, the desktop microphone stand is designed with a thicker shaft to support heavier condenser microphones. Built with a 5/8"-27 threaded mount, it is compatible with most shockmounts and microphone clips.
      Compact
    • The compact mic stand is ideal for tabletop audio applications such as podcasts, voice-overs, and video conferences—this mic stand is small enough to take with you to remote locations and easily fits into a gear bag or briefcase
      Standard 5/8"-27 Mount
    • The microphone mount features a 5/8"-27 thread, which is compatible with most microphone clips and shockmounts
      Fixed-Height Shaft
    • At a fixed height of 5.5", the mic shaft is the ideal height for desktop applications, and is suitable to support heavy, studio condenser microphones
      Weighted Base and Non-Slip Rubber Feet
    • Built for stability, the round-cast metal base provides steadiness for a microphone and shockmount, and the five non-slip rubber feet ensure the mic stand won't move, even when placed on smooth, highly-polished surfaces
    UPC: 847628598409
  • Auray PFSS-55 Pop Filter with Gooseneck The Auray PFSS-55 Pop Filter with Gooseneck features double-layered nylon to greatly reduce noise from aspirated plosives like "p" and "b" sounds. The PFSS-55's double-layered nylon filter gently disperses the explosive rush of air from speaking and breathing, while protecting your microphone from corrosive moisture. The flexible gooseneck makes it easy to position the filter exactly where you need it, the spring-loaded clamp provides fast and easy mounting and the locking bolt holds the PFSS-55 firmly into place. These features make the PFSS-55 Pop Filter ideal for desktops and also compatible with microphone stands. UPC: 847628569249
  • Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 6' (1.8 m), Black The black Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable (6') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise. While the cable's color-coding affords the ability to quickly differentiate between multiple connections on stage, it provides a pleasant aesthetic quality at the same time.

    Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
    • 95% dual-spiral shielding offers protection from EMI and RFI noise
    • Twin conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core
    • 24-AWG oxygen-free stranded copper inner core provides the best possible conductivity
    • Cotton yarn reduces electrostatic and microphonic noise
    • All solder points shrink-wrapped for protection
    • Neutrik XX silver connectors offer high conductivity
    • Caged type contact and improved ground contact
    UPC: 847628558267
In the Box
  • C-1 Studio Condenser Microphone dqvfuvfqvzcarcxseawxsuewbzcx
  • Swivel Mount
  • Custom Case
  • Limited 10-Year Warranty
  • ART - USB Dual Pre - USB 1.1 Digital Audio Interface with Dual Microphone Preamps
  • Auray - SHM-UC2 Clamping Suspension Shockmount for Side-Address Microphones
  • Auray - TT-6110-BL Desktop Microphone Stand (Black)
  • Auray - PFSS-55 Pop Filter with Gooseneck
  • Kopul - Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 6' (1.8 m), Black dqvfuvfqvzcarcxseawxsuewbzcx
Table of Contents




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Technical parameters

  • Behringer C-1 Studio Condenser Microphone
    Operating Principle Pressure Gradient
    Transducer Condenser
    Diaphragm 0.63" / 16.0 mm
    Polar Pattern Cardioid
    Frequency Range 40 Hz to 20 kHz
    Maximum SPL 136 dB SPL
    THD 1%
    Impedance 100 Ohms
    Load Impedance 1000 Ohms
    Sensitivity -33 dB
    Output Connectors 1 x 3-Pin XLR
    Operating Current Consumption 2.5 µA
    Operating Voltage 36 to 52 V
    Length 7.09" / 180.0 mm
    Diameter 2.13" / 54.0 mm
    Weight 0.93 lb / 0.42 kg
    Box Dimensions (LxWxH) 12.05 x 5.2 x 3.4"
  • ART USB Dual Pre - USB 1.1 Digital Audio Interface with Dual Microphone Preamps
    Max Sample Rate/Resolution 48 kHz / 16-Bit
    Host Connection USB Type-B (USB 1.0)
    Analog I/O 2 x Combo XLR / 1/4" TRS Input
    2 x 1/4" (6.3 mm) TRS Balanced Output
    1 x 1/8" (3.5 mm) TRS Headphone Output
    Digital I/O None
    MIDI I/O None
    Frequency Response 20 Hz to 20 kHz +0/-1 dB
    THD+N < 0.01%
    Sample Rates 44.1 and 48 kHz
    Bit Depth 16-Bit
    OS Compatibility macOS 9.1
    macOS
    Windows 2000
    Windows XP
    Windows Vista
    Required Hardware Available USB 1.1 Port
    Power Requirements AC/DC Power Adapter (Not Included), USB Bus-Power
    AC/DC Power Adapter 9.5 to 12 V (Not Included)
    Battery Type 1 x 9V
    Box Dimensions (LxWxH) 9.3 x 6.2 x 3.7"
  • Auray SHM-UC2 Clamping Suspension Shockmount for Side-Address Microphones
    Material All-metal construction
    Thread Size 5/8"-27
    Dimensions (HxWxL) 3.0 x 4.0 x 4.5" (7.6 x 10.2 x 11.4 cm)
    Weight 0.4 lb (181.4 g)
    Box Dimensions (LxWxH) 4.6 x 4.6 x 3.6"
  • Auray TT-6110-BL Desktop Microphone Stand (Black)
    Material of Construction Steel
    Base Type Round cast-metal base
    Thread Size 5/8"-27 thread for microphone mounts
    Base Diameter 6.0" (15.2 cm)
    Height Range 9" (22.9 cm) with base
    Weight 2.1 lb (0.95 kg)
    Box Dimensions (LxWxH) 7.3 x 7.15 x 1.8"
  • Auray PFSS-55 Pop Filter with Gooseneck
    Box Dimensions (LxWxH) 14.3 x 6.8 x 2.3"
  • Kopul Premium Performance 3000 Series XLR M to XLR F Microphone Cable - 6' (1.8 m), Black
    Connector 1 3-Pin XLR Male
    Connector 2 3-Pin XLR Female
    Cable Length 6' / 1.8 m
    Shielding 95% Spiral
    Wire Gauge 24 AWG
    Contact Plating Silver
    Box Dimensions (LxWxH) 3.5 x 0.9 x 0.2"

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