User Manual for Behringer SD16 - I O Stage Box with 16 Preamps Click to enlarge the picture
Contents of the user manual for the Behringer SD16 - I O Stage
- Product category: Digital Mixer Accessories Behringer
- Brand: Behringer
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for Behringer Digital Mixer Accessories
User manual for the Behringer SD16 - I O Stage contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any Behringer product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official Behringer user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a Behringer product will considerably shorten its lifespan!
Product description The Behringer SD16 - I/O Stage Box with 16 Preamps is designed to connect the onstage talent to the Front of House (FOH) console. The stagebox provides 16 remote-controlled Midas-designed preamplifiers as well as eight servo-balanced analog XLR outputs. Two of the programmable inputs are compatible with Hi-Z sources so you can connect keyboards, acoustic, and bass guitars, etc. A USB port is included for fast and easy system updates via your PC.
An integrated 2-port Ultranet distribution hub is included for direct connection to the company's P16-M personal monitor mixers without the need for any additional hard wire. The compact unit features rugged protective bumpers and the option to be rack mounted using the included rack ears.
A single Cat 5e cable connects the stagebox, and up to three stageboxes can be cascaded together for a total of 48 inputs and 24 balanced outputs. An onboard Ultranet distribution hub provides power and 16 channels of audio to two of the company's Powerplay P16-M personal monitor mixers.
- Remote Controllable Preamps
- Includes award-winning Midas-designed microphone preamplifiers with +48V phantom power and destination routing
- Servo-Balanced XLR Outputs
- Allows you to connect to your amp racks, active loudspeakers, or monitors using Cirrus Logic 24-bit converters
- Transmits up to 16 independent channels of 24-bit digital audio and control data via a single Cat 5e cable between compatible digital devices
UPC: 748252154149 In the Box Behringer SD16 - I/O Stage Box with 16 Preamps Power Cord Rack Ears Protection Bumpers Limited 10-Year Warranty Table of Contents
- Klark Teknik AES50
- 48 bidirectional audio channels over Cat 5e cable (48 kHz)
- 24 bidirectional audio channels over Cat 5e cable (96 kHz)
- Single cable duplex interconnection for audio and sample clocks
- Ethernet physical layer audio data transmission
- High channel count and low deterministic latency
- Accurate phase-aligned clock distribution.
- Comprehensive error detection and management
- Provision for redundant networking
- Minimal configuration - total ease of deployment and use
- Ethernet TCP/IP protocol-compatible auxiliary data channel
- Royalty-free implementations available as Xilinx FPGA cores
- OEM modules available from developer partners
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Behringer SD16 Specs
| A/D and D/A Conversion || 24-bit at 44.1/48 kHz, 114 dB dynamic range |
| Latency || 1.1 ms |
| Preamps || 16 (Programmable mic preamps, designed by Midas, balanced XLR/TRS combo) |
| Line Outputs || 8 (balanced XLR) |
| Networking || AES50 SuperMac Networking, Neutrik etherCON: 2 |
| USB || 1x type B port (for system updates) |
| Inputs || 48 |
| Outputs || 24 |
| RJ45 Connector || Ultranet: 4x |
| Design || Midas |
| THD + N || <0.005%, A-weighted (20 dB gain, 0 dBu out) |
| Phantom Power || +48 V, switchable per input |
| Equivalent Input Noise || -128 dB, A-weighted, XLR (input shorted) |
| CMRR || At 20 dB gain (typical): >60 dB |
At 40 dB gain: >65 dB
| Frequency Range || 10 to 22,000 Hz |
| Dynamic Range || Analog mic in to analog out (typical): 105 dB |
A/D Dynamic range, mic preamp to converter (typical): 109 dB
D/A Dynamic range, converter and output: 108 dB
| Crosstalk || 90 dB at 1 kHz, adjacent channels |
| Impedance || Mic input XLR jack, unbalanced/balanced: 5 kOhms |
Hi-Z input TRS jack, unbalanced/balanced: 1 MOhm
Line input impedance TRS jack, unbalanced/balanced: 20 kOhms
| Input Level || Non clip maximum level, TRS: +21 dBu |
| Output Impedance || 50 ohms, XLR, unbalanced/balanced |
| Output Level || +4 dBu, XLR, nominal/maximum |
| Residual Noise || XLR: -88 dBu, A-weighted |
| Networking || AES50 SuperMac networking at 48 or 44.1 kHz, 24-bit PCM: 2x 48 channels, bidirectional |
AES50 SuperMac Cable Length: Up to 328' (100 m)
Ultranet networking at 48 or 44.1 kHz, 16-bit PCM: 1x 16 channels, unidirectional
Ultranet Cable Length: up to 246' (75 m)
Ultranet Phantom power for P16-M personal mixers: 2x powered outputs
| Power Supply || 100 to 240 V (50/60 Hz) |
| Power Consumption || 45 W |
| Operating Temperature || 41 to 104°F (5 to 40°C) |
| Dimensions || 13.1 x 5.9 x 5.5" (333 x 149 x 140 mm) |
| Weight || 7.1 lb (3.2 kg) |
| Package Weight || 9.7 lb |
| Box Dimensions (LxWxH) || 15.1 x 8.4 x 7.8" |
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Post new comment to Behringer SD16 - I O Stage Box with 16 Preamps
|Subject: Distorted sound on output 7 - 8|
|Date: 24.05.2022 04:15:45||Name: Bjørn Alexander Solfjeld|
|Hey, I'm setting up my SD-16 to send 4 stereo busmixes for an IEM setup. My mixer is a X32 Rack. I routed and tested each pair of outputs 1-2, 3-4 and 5-6 all worked flawlessly! But when I get to output 7-8 there are some distortions when I play loud on the drum toms, and where the sound seems to lower in volume, and shift to one side, and doesn't normalise before I give a good hit on the kickdrum. I used the same cables for all the testing, and switched back to earlier outputs, and the problem only occurs in output 7-8. Could it be a fault with the MIDAS preamps, or is there some difference in settings for 7-8!? |
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