User manual
Blackmagic Design 4K Studio Kit

User Manual for Blackmagic Design 4K Studio Kit

• Product category: Studio & EFP Cameras Blackmagic Design
• Brand: Blackmagic Design
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Blackmagic Design Studio & EFP Cameras

Product description

• 3 x Blackmagic Design Blackmagic Design Studio Camera 4K 2 The Blackmagic Design Studio Camera 4K 2 is an updated compact and lightweight broadcast camera designed for live production. This is version 2, which removes the internal battery, making for a studio camera that is both lighter and simpler to ship to locations without running afoul of airline shipping restrictions. Constructed from a magnesium alloy body, the camera is light even for travel, yet durable enough for use in the field. It has a large 10" LCD screen with detachable sunshade and an active Micro Four Thirds lens mount for compatibility with a wide range of lenses. The camera also provides features you'd expect to find in larger studio cameras, such as tally indicators, talkback, XLR audio connections, 12G-SDI inputs/outputs, and even optical fiber via an optional module.
  
  The camera offers Ultra HD resolutions at frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60. It also offers 1080i and 1080p resolutions at frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60, as well as 720p at 60, 59.94, and 50. It outputs 10-bit 4:2:2 video via its 12G-SDI output. For power, the camera has a standard 4-pin XLR power input for external power sources. The camera control buttons have been placed right below the viewfinder, letting you easily make adjustments without taking your eyes off your subject. The camera can also be controlled via ATEM switchers with a future update. The update will be available as a free download for both the camera and the ATEM switchers, and will send camera control commands down the SDI program feed to the camera to control focus, iris, gain, and more straight from your ATEM production switcher.
  Compact and Lightweight Design
  • The Blackmagic Studio Camera features a compact magnesium allow chassis that is both lightweight and strong, making it well suited for use in the studio or in the field. The camera body features a rubberized coating that gives extra grip when changing lenses. It's lightweight and compact size makes it easy to transport and be used in tight spaces.
  Integrated 10" LCD Screen
  • The large 10" screen has a resolution of 1920 x 1200, letting you easily view your shots while operating the camera. The large detachable sunshade protects the screen from glare and creates your own private viewing space. With a wide viewing angle, you'll have a clear view of your image even when panning to extreme angles.
  Control Panel
  • For easy operation, all of the most important control buttons are placed right below the LCD screen, letting you make adjustments without having to scroll through complicated menus. You can instantly turn on overlays, adjust focus and iris settings, activate talkback, and even select return program video.
  Micro Four Thirds Lens Mount
  • The Blackmagic Studio Camera uses an active Micro Four Thirds lens mount. Choose from available MFT lenses, or use third party adapters to mount anything from common DSLR lenses to PL-mount cinema lenses, or even B4 ENG broadcast lenses.
  Broadcast Connections
  • Connections are grouped on both sides of the camera with video in and out (12G-SDI and optical fiber) and power on side, and XLR audio inputs, headphones, and LANC on the other. This lets you quickly setup and change cables as needed, while keeping them out of the way and protected during your production.
  Optional Bi-Directional Optical Fiber Module
  • With the addition of an optional and user-upgradeable optical fiber module, you can use standard, low cost fiber optic cable to connect the camera to a switcher over large distances, even at the largest outdoor venues. The optical fiber connection is bi-directional and carries HD or Ultra HD video with embedded audio, talkback, tally, and even camera remote control.
  Built-In Talkback
  • Built-in talking lets the camera operator and crew communicate at all times during production. The Blackmagic Studio Camera is compatible with general aviation headset connections, letting users choose from a wide range of available headsets. And because talkback is embedded in the optical or SDI video connection to the camera, you don't have to run separate talkback cables.
  Illuminated Tally
  • The Blackmagic Studio Camera supports the tally SDI standard used on the ATEM range of live production switchers. This means that tally from the switcher is broadcast to all cameras from all video outputs of the ATEM switcher and it's sent to the camera via the program video connection. Tally lights illuminate automatically when your camera is live, and will stay illuminated during multiple cameras transitions. With a light on the front for talent, and a light above the viewfinder for the operator, cast and crew can easily see which cameras are on air.
  View Program Video
  • View program video from your live production switcher at the press of a button. Simply press the camera's PGM button and the viewfinder will display the program video feed from your switcher, turning the viewfinder into a large SDI monitor. You can even use the program SDI input to view playback from a local HyperDeck recorder when using the Blackmagic Studio Camera for recording.
  Multiple Mounting Points
  • A variety of mounting points lets you customize your rig to suit your product needs. The Blackmagic Studio Camera includes two 3/8"-16 mounting points on the bottom, and ten 1/4"-20 mounting points on the side and the top.
  4-Pin XLR Power Input
  • There is a standard 4-pin XLR power connector for external 12 to 24V power supplies.
  ATEM Camera Control Update
  • This update, which will be available as a free download for both the ATEM switchers and Blackmagic Studio Camera, allows for control of the camera from any ATEM production switcher. It works by sending the camera control commands down the SDI program feed to the camera and lets you adjust focus, iris, gain, and more. Blackmagic has also taken the primary color corrector from DaVinci Resolve and built it into the camera, which can be controlled from the ATEM switcher. This means you can control a full primary color corrector from the camera itself, letting you do more creative corrections than simple color balancing.
• 3 x Camplex Duplex LC to Duplex LC Singlemode Fiber Optic Patch Cable (Yellow, 98.42') Transmit your data at high speeds and at longer distances with the Duplex LC to Duplex LC Singlemode Fiber Optic Patch Cable from Camplex. This 98.42' cable comes with an orange OFNR jacket that covers a 9μm core along with 125μm of cladding. Camplex has outfitted this cable with two LC duplex connectors, providing a pull-proof design. Furthermore, ceramic ferrule is used to offer precise alignment of the fiber cable as well as increased reliability.
  • Features a 9μm core and 125μm cladding
  • Duplex Singlemode Fiber
  • Ideal for patching singlemode backbones to high-speed network devices
  • Ceramic ferrules for long-lasting reliability and precision alignment
  • Used to connect patch panels and/or network devices
  • OFNR jacket complies with stringent building codes
• Blackmagic Design SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors The Blackmagic Design SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors is a monitoring solution for studio and location productions, displaying video with resolutions up to 3840 x 2160 at 30p. It features two 8" monitors each with a loop-through SDI input and output. The inputs are auto-sensing/selecting so you don't have to worry about matching the input format; the monitor will display any supported format that you feed it. You can choose to select to display either the input video or one of six scope displays, while the input video passes through the monitor to downstreamed devices.
  
  You use the USB connector to initialize the monitor on your network; after that you can control the monitors using the supplied software via the Ethernet connector. This allows you to adjust the monitors' brightness and color as well as select the monitors display mode - video or scope view. The SmartScope Duo 4K also incorporates a Tally display around the border of the image, which works with industry standard Tally systems. The unit takes up three rack height units, but is less than two inches deep (including the connector depth), which makes it well suited for use in production trucks where space is at a premium. The unit also automatically flips the image if you need to install the unit upside down.Note: SmartScope Duo v1 and v2 are functionally identical, with v2 containing a slightly different internal component set.
  Monitors SD/HD/3G/6G-SDI Signals
  • The SmartScope Duo 4K allows you to monitor SD, HD, 2K, and UHD 4K (3840 x 2160) video. The inputs are auto-sensing/switching to match the supported input video format. Each monitor features one 6G input and one reclocked loop-through 6G output.
  Video or Scope View
  • You can select from either the video feed or one of six scope views of the video signal:
    
    • Waveform: Displays the luminance component of the video signal on an IRE scale.
    • Vectorscope: Allows you to accurately measure colors in the video signal, and is a valuable tool when matching cameras, or when you need to align the hue on the output of decks.
    • Parade: You can choose to display either RGB or YUV Parade. RGB Parade lets you check for illegal colors, plotting them against an IRE Scale. The YUV Parade display shows the YUV component video as it is transmitted down the SDI cable.
    • Audio Views: allows you to monitor 16 channels of audio, checking the levels and the audio phase. You can monitor the levels of all 16 channels at the same time, or monitor the stereo phase of SDI audio pairs. The stereo phase meter plots left and right audio as an XY scope display, and out of phase audio can be seen as either a left or right leaning display.
    • Histogram: The Histogram view lets you see where the pixels are in your video, and how they are distributed from black to white. You can see where the overall exposure is, and if you are exposing the brighter areas of your image with enough detail.
  Software Control
  • The monitor features an Ethernet in and an Ethernet out port, and you set up the unit using the USB 2.0 port. After that, you use the included free control utility with either a Mac or Windows computer via the Ethernet connection to select your views and make any adjustments to the monitor for brightness and color.
  Tally
  • Each monitor supports the Tally function with different colored borders indicating the Tally condition: preview, on air, and recording. The tally connector is compatible with switchers and automation systems.
  Reversible
  • SmartView monitors may be installed in the extreme top or bottom of equipment racks. The SmartView monitor will automatically sense the rotation angle of the screen and flip the image to the correct rotation. You can even remove the front panel and rotate it 180 degrees if required.
• Blackmagic Design HyperDeck Studio Pro 2 The Blackmagic Design HyperDeck Studio Pro 2 is a file-based deck that features the same functionality and control of professional tape decks. It records uncompressed video with 4:2:2 color sampling at 10-bit in .mov format, and also records video using either ProRes or DNxHD codecs. With two SSD slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other. The Studio Pro features one 6G-SDI input & output for 4K signals, and three SD/HD/3G-SDI inputs & outputs. It supports Ultra HD 4K via HDMI. It also features analog component in & out, with analog audio in & out, and timecode in & out.
  
  The Studio Pro 2 is a 1RU rack mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control. You can also control the unit using either the USB port or over ethernet via the RJ45 connector. An integrated LCD on the front panel allows you to monitor the video, and display timecode and transport information. The unit also incorporates a Thunderbolt port, for connecting the HyperDeck Studio Pro 2 to a computer.
  File-Based Recording
  • The HypeDeck Studio Pro 2 records to uncompressed Quicktime at 10-bit with 4:2:2 color sampling. It also records to ProRes 422(HQ), ProRes 422, ProRes 422 (LT), ProRes 422 (Proxy), as well as Avid DNxHD and Avid DNxHD MXF.
  Two SSD Bays
  • The Unit incorporates two 2.5" SSD slots, that allow you to record almost endlessly as recording seamlessly switches from one SSD to the other as the first one fills up.
  Thunderbolt
  • The built-in Thunderbolt port allows you to connect the unit to a computer, and it is independent of the SSD drives. This allows you to record to an SSD in the unit, while simultaneously feeding a computer via Thunderbolt. You can also play back from a computer over Thunderbolt into the unit, and the signal will be available via the SDI or HDMI outputs.
  Video Signals
  • The HyperDeck Studio Pro 2 supports SD, HD, and 3G signals over SDI and HDMI. In addition to NTSC and PAL signals, 720 x 480p and 720 x 576p signals are supported over HDMI, while 4K video is supported via 6G-SDI and HDMI.
  Outputs
  • All outputs are active at all times, so play back is available from all outputs simultaneously, no matter what the original input. This applies to playback from a computer or the SSDs. The exceptions are that 4K output is only available over the 6G-SDI and HDMI connectors, while 480p & 576p are only available as HDMI output.
  VTR Style Controls
  • The HyperDeck Studio Pro 2 features VTR style front panel controls for record and playback. With illuminated buttons, for working in dim locations or settings, while a built-in jog/shuttle wheel provides analog style control over your playback.
  Remote
  • The unit is controllable via RS-422 control and over the Ethernet or USB port.
  Built-In LCD Monitor
  • The unit's front panel also features a built-in LCD screen that allows you to monitor input or playback video as well as timecode, format, and audio levels.
  Included Software
  • The HyperDeck Studio Pro 2 includes HyperDeck Utility, Media Express, Disk Speed test, Blackmagic System Preferences and Blackmagic driver software.
• Blackmagic Design Smart Videohub 12 x 12 6G-SDI The Smart Videohub 12 x 12 6G-SDI from Blackmagic Design is a mixed format router with 12 6G-SDI inputs and 12 6G-SDI outputs for routing any combination of SD, HD, Ultra HD 4K, and DCI 4K video. It supports 4:2:2 and 4:4:4 color sampling and 10-bit processing for smoother gradations. Housed in a 1RU frame, the Smart Videohub ideal for use in both large broadcast systems or portable mini racks for live productions. A built-in LCD lets view your sources directly on the router itself, with simple push buttons and spin knob provided for control. Routing can also be controlled using dedicated remote panels or over Ethernet using the included software for Mac OS X and Windows. You can even use the available iPad app to change routing over your wireless network.
  
  Note: IEC power cable is not included.
  • • 12x 6G-SDI inputs / 12x 6G-SDI outputs
    • Auto-detects between SD, HD, Ultra HD 4K, and DCI 4K and instantly switches standards
    • Built-in SDI reclocking on every SDI input
    • Supports 8-bit, 10-bit, and 12-bit 4:2:2 and 4:4:4 signals
    • 4:2:2 or 4:4:4 color sampling with 10-bit processing
    • UHD 4K (3840 x 2160) up to 30p
    • Supports DCI 4K (4096 x 2160) at 24p
    • HD Video Resolutions up to 1080p60
    • Supports 16 channels of embedded audio on each SDI signal
    • Genlock
    • Reference input compatible with black burst and tri-sync
    • Built-in video monitoring and spin knob control
    • Push buttons on front panel
    • On-screen labels support Unicode so they work in non-Roman character sets such as Chinese, Japanese, Korean, Russian, German, French, Spanish, and more
    • Videohub control software included for control over Ethernet
    • Ethernet control allows direct connection to the computer network and is compatible with Videohub Smart Control and Videohub Master Control panels
    • Apple iPad control panel app available
    • Create your own custom router control with free software developer kit
    • Machined aluminum 1RU chassis
    • IEC power cable required
• Blackmagic Design ATEM 1 M/E Production Studio 4K The Blackmagic ATEM 1 M/E Production Studio 4K is a live event multi camera production switcher with 10 individual Ultra HD inputs built into a 1RU chassis. Supporting NTSC/PAL/HD and Ultra HD video formats, the switcher connects to a wide range of cameras and sources, delivering a single program stream in SD, HD, or Ultra HD video. All this is done live and in real time with no rendering required. The switcher features a reference video input for synchronizing the switcher to other equipment using tri-level or blackburst sync. Each input also features its own frame synchronizer, which allows you to use cameras that do not feature Genlock as well as input video from computer sources.
  
  The switcher provides 8 video outputs that are always active. It features two SDI and one HDMI Program output, both of which deliver SD/HD/Ultra HD, with one aux SD/HD/Ultra HD output that can deliver a clean program feed without any downstream effects. The switcher also features a down-converted HD output for monitoring on an SDI-equipped HD monitor. Multi view monitoring is 1080i only, over dedicated SDI or HDMI output, and multi view allows you to view the program, preview, and eight live sources at the same time. The switcher features built-in luma and chroma keyers for real time effects and composites in Ultra HD, with 10-bit processing. Two downstream keyers allow you to use two graphics/logos/titles/lower thirds from up to twenty stored graphics in a wide variety of formats.
  
  A built-in twelve-channel audio mixer handles the embedded HDMI and SDI audio from the 10 active video inputs as well as audio from the balanced or unbalanced analog audio inputs to provide you flexibility and creative audio options. Audio output is embedded in the SDI and HDMI stream, as well as available via balanced audio outputs. Either a Mac or PC running the included ATEM Software controls the switcher's operation and settings. For those who like the feel of a physical control panel, available ATEM ME 1 and ME 2 Broadcast Panels, connected via the Ethernet port, also control all the features of the switcher. Illuminated front panel buttons allow you to locally select the aux output, while a 2-inch LCD screen built into the front of the unit allows you to see the aux output for instant confirmation of the correct output.

  Video

  • The ATEM 1 M/E Production Studio 4K switcher supports 4K Ultra HD video (3840 x 2160), which is four times the resolution of Full HD. The video format is set by the user and must be the same across each input, as the switcher cannot scale different input formats to match the project format.
  • The switcher features ten single link 6G-SDI and one HDMI 4K input, which allows you to connect SD/HD/Ultra HD and computer-based signal to the switcher. However, the HDMI input is shared with one of the SDI inputs, so you can only have a maximum of ten inputs.
  • The switcher takes reference video in for sync timing, either blackburst or tri-level sync, so that it can interface with other post production equipment.
  • Each input incorporates its own frame synchronizer, which enables you to use cameras that do not have genlock capability or to input computer sources such as Keynote or PowerPoint Presentations.

  Audio

  • The switcher includes a built-in 12 channel audio mixer that lets you manually mix sources or you can set mixer inputs to "audio follow video" so your audio crossfades as you switch between sources.

  Video Outputs

  • The switcher features two program outputs for the final video, delivering SD/HD/Ultra HD via two 6G-SDI port and one HDMI 4K connector.
  • Multi view output is available via an SDI or HDMI connector.
  • The switcher features an SDI aux output that is capable of delivering the program out feed with or without the downstream keyer effects in SD, HD and Ultra HD. Control of the Aux output is by front mounted panel buttons, and built-in 2-inch LCD screen for immediate confirmation of the Aux output.
  Multi View Monitoring
  • The Multi view output features four selectable screen layouts that show eight inputs or six inputs and the two internal media players, plus Preview and Program outputs, on one screen at the same time.

  Effects

  • Transitions
    The ATEM 1 M/E Production Studio 4K switcher features four built-in transitions.
    • Cut: ATEM instantly changes from current program source to the preview source precisely at the moment you hit the button. Cuts can be performed by directly selecting sources on the program bus or more commonly by pressing the cut button to transition to the next source lined up on the preview bus.
    • Mix: Dissolves from one image to another. You can program a pre-set transition rate, or use the included software control panel or available hardware panels to manually transition from one shot to another.
    • Dip: Is similar to the mix/dissolve, except it first it transitions to a color/graphic or video source and then to the next shot.
    • Wipe patterns: With 18 built-in wipe patterns, you can create over 100 differnet transitions, and the patterns can be inverted or softened and you can customize the color of the border. You can also insert up to three live video streams into the borders.
    
    Key Frameable Transitions
    The built-in DVE allows you to create key frame based DVE moves, flying graphics and animated stingers.

  Keyers

  • The switcher features four upstream keyers and a DVE, alowing you to layer live video, title, graphics and animation over live video. You can choose from chroma, luma, linear, and pattern keys at Ultra HD resolution with 10-bit processing.
  • Two downstream keyers allow you to add graphics, lower thirds, titles and logos for a polished live production.
  • The DVE allows you to create a picture-in-picture effect.

  Control Interface

  • The switcher features back lit Front panel control buttons for manual control.
  • The ATEM 4K switcher uses an Ethernet connection to interface with control surfaces such as the optional ATEM 1 M/E and 2 M/E Broadcast Panels.
  • You can also control the switcher by using the included ATEM Software Control software from a Mac or Windows computer over Ethernet. You can control all production settings of the switcher as well as directly import graphics from your computer into the switcher's media pool.
  • You set the format for each project you are working on, from SD to HD to Ultra HD, selecting resolution and frame rate. This is accomplished by using either the included software for Mac/PC, or via the ATEM 1 M/E or ATEM 2 M/E Broadcast Panel.
  • Using the Ethernet port on the switcher allows you to connect control surfaces directly to the switcher or you can control the switcher across a network.
  • The switcher features a USB port that is used for software updates and to set the switcher's chassis IP address, which can only be done by using a computer running the ATEM Switcher Utility connected to the switcher's USB port.

  Rack Mount

  • The switcher is a single RU in height and has built-in rack mount ears, for mounting in a production road case or in a post production facility.
• Blackmagic Design ATEM Studio Converter 2 The Blackmagic Design Studio Converter 2 inputs video signals transmitted over optical fiber and converts the signals to SDI for use with video switchers. When used in conjunction with the Blackmagic Design ATEM Camera Converter, you can send video signals up to 28 miles between camera and switcher using available optical fiber cables. By comparison, sending an HD-SDI signal over traditional copper cable is usually limited to about 300 feet, depending on the quality of the cable.
  
  A typical set up using the Studio Converter 2 is to connect it between the switcher and up to four ATEM Camera Converter units. This setup allows the Converter 2 to receive the signals from the fiber cable, convert the signals to SDI using 10-bit processing, and send the signals to the switcher. The Converter 2 supports SD/HD signals, and when using the available ATEM Camera Converter you can use any camera with an SDI/HDMI output.
  
  The Converter 2 can also be used as 4 independent simultaneous bidirectional SD/HD-SDI to optical converters. The Converter 2 features a built-in mic input, speaker and headphone jack that provides talkback audio for communicating with camera operators. The Converter 2 passes tally signals embedded in the SDI program stream. You can cascade multiple ATEM Studio Converter 2 units together when using more than 4 cameras. The Studio Converter 2 features a 1 RU design with built in rackmount ears for easy integration into existing studio configurations or production cases.

  Optical Fiber Connectors

  • The ATEM Studio Converter 2 uses standard single mode optical fiber cable with standard LC connectors to allow you to transmit SD and HD video signals up to 28 miles away. Standard copper wire SDI cables have a limit of several hundred feet before the signal breaks up, converting the SDI signal to optical, and sending it along optical cable greatly increases the distance of your cable runs.

  Talkback and Tally

  • The unit features a built-in speaker and mic inputs, as well as a headphone jack for when you need privacy, or if the area is too loud. When connected to the ATEM Camera Converter, you can talk to your camera operators no matter how far away they are, without needing to worry about walkie talkies. Using the talkback feature, the unit uses audio channels 15 and 16 of the SDI stream for talkback communication.
    Camera operators can be selected individually if desired, and communication can be controlled by a push button, or locked open. Mute and un-mute buttons on the front of the unit allows you to control who hears what.
    The unit passes SDI Tally signal information back to the cameras along with any SDI Program signal from available switchers.

  Multiple Units

  • Each ATEM Studio Converter 2 connects to up to four ATEM Camera Converter units, allowing you to communicate with up to four camera operators at a time. Multiple Studio Converter 2 units can be cascaded together when more than 4 cameras are needed.

  Precision Signal Processing

  • The unit features chips that use 10-bit processing, and are switchable between SD and HD, for a clean signal.
    The unit features four independent simultaneous SDI to optical and optical to SDI converters
    When used in conjunction with the ATEM Camera Converter the unit can also be used as four independent SDI or Fiber to HDMI converters
• Blackmagic Design SmartView 4K The Blackmagic Design SmartView 4K is a professional 15.6" TFT LCD monitor with a native resolution of 3840x2160 and two multi-rate 12G-SDI inputs. The inputs automatically switch between SD, HD, and 4K formats, including Ultra HD (3840x2160) at 60 fps and DCI 4K (4096x2160) at 24 fps. The machined metal frame provides built-in control buttons for access to advanced broadcast features, including 3D LUTs, H/V delay, blue channel only, and customizable frame markers. The chassis is rack-mountable (6 RU) and also has VESA mounting holes for installation on articulating arms.
  
  When monitoring SD, 720p, or 1080p SDI sources, the built-in Teranex processor uses Blackmagic's patented and proprietary PixelMotion algorithms to automatically de-interlace and scale video to the native Ultra HD resolution of the LCD. This gives users optimum image quality, even when working with lower resolution images. In addition to the front panel buttons, the monitor can be controlled remotely via the rear Ethernet connection with loop output using the included software for Mac and Windows. With both AC power as well as 12V DC power inputs, the SmartView 4K is well suited for use in the studio or on set.
  Ultra HD Resolution
  • The 15.6" active-matrix TFT LCD screen provides bright viewing with wide viewing angles. Its native 3840x2160 resolution displays every pixel from your Ultra HD resolution footage, even at 60p frame rates. It also provides high-quality upscaling of SD and HD footage, letting the SmartView 4K fit into existing and future workflows.
  Connections
  • The SmartView 4K features two multi-rate 12G-SDI inputs, letting you select between two different sources with the push of a button. The connections automatically detect and re-clocks between single link SD, HD, 3G, 6G, and 12G SDI formats, supporting resolutions from SD all the way to Ultra HD (3840x2160) at 60 fps and DCI 4K (4096x2160) at 24 fps. A 12G-SDI loop output is provided for sending your input signal to an additional device. There is also a SMPTE-compatible optical fiber socket for adding a module to connect via optical fiber cable, as well as an Ethernet port with loop through, AC and DC power inputs, tally input connector, and a USB port for updates.
  Local and Remote Control
  • The back-lit front panel buttons are great for use in dimly lit studios or locations, letting you set input selection, brightness, selection of 3D LUTs, and other advanced features such as H/V delay, blue channel only, and frame guides. The settings can also be adjusted remotely via a Mac or PC connected over Ethernet, using the included software.
  3D LUT Support
  • Dual 3D LUT support lets you customize color for on set grading and monitoring. Combined with the 12G-SDI input, the SmartView 4K is able to display Ultra HD 60p footage from high-end cameras such as the Blackmagic URSA, letting you view native LOG gamma color spaces with Rec. 709 or custom colorspaces using the 3D LUTs.
  Additional Features
  • • Built-in Teranex processor automatically de-interlaces and scales SD and HD video up to Ultra HD resolution for improved quality on lower resolution video inputs
    • Optional optical fiber SDI module
    • Machined metal chassis
    • 19" rack-mountable; 6RU
    • VESA mount holes for using on articulating arms or other mounts
    • AC and DC power inputs for mains and battery operation
• 3 x Blackmagic Design 6G SFP Optical Module Add an LC fiber optic connection to your Blackmagic Studio Camera, Teranex Converter, ATEM hardware, or any other professional device that supports SFP cages with this Blackmagic Design 6G SFP Optical Module. 6G data rates support SD, HD, and 4K resolutions, and the fiber optic communication allows for long-distance transmission without quality loss.

• 3 x Blackmagic Design Studio Camera 4K 2 cbcwebacceeucyweqwf
• Sun Shield and Attaching Screws
• Turret Dust Cap
• 12 VAC Adapter
• Limited 1-Year Warranty

• 3 x Camplex - Duplex LC to Duplex LC Singlemode Fiber Optic Patch Cable (Yellow, 98.42')

• SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors

• HyperDeck Studio Pro 2 cbcwebacceeucyweqwf

• Smart Videohub 12 x 12 6G-SDI

• ATEM 1 M/E Production Studio 4K

• ATEM Studio Converter 2

• SmartView 4K

• 3 x 6G SFP Optical Module

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Technical parameters

• 3 x Blackmagic Design Blackmagic Design Studio Camera 4K 2

  Sensor Size	13.056mm x 7.344mm
  Lens Mount	Micro Four Thirds (active), with auto iris control button
  Shutter Speed	1/50 to 1/2000 second
  White Balance	Six presets: 3200K, 4500K, 5000K, 5600K, 6500K, and 7500K
  Resolution	3840 x 2160p: 60/59.94/50/30/29.97/25/24/23.98 1920 x 1080p: 60/59.94/50/30/29.97/25/24/23.98 1920 x 1080i: 50/59.94/60 1280 x 720p: 50/59.94/60

  Type	Integrated TFT-LCD
  Size	10.1" (25.7 cm)
  Resolution	1920 x 1200

  SDI Video Output	1 x 12G-SDI, 10-bit 4:2:2
  SDI Video Input	1 x 12G-SDI
  Reference Input	1 x Reference input
  Optical Fiber Compatibility	12G Optical Fiber input and output (via optional optical fiber module)
  Analog Audio Input	2 x XLR analog, switchable between mic and line levels; Phantom power support
  Analog Audio Output	Aviation headphone (Fixed Wing Plugs) output for talkback and audio monitoring
  SDI Audio Output	2 channels in 12G-SDI 48 KHz and 24-bit 2 channels for talkback on channel 15-16
  Remote Control	1 x 2.5 mm LANC for iris and focus control SDI CCU control from ATEM
  USB	1 x USB 2.0 Mini-B port for software updates

  Microphone	Integrated stereo microphone
  Mounting Options	2 x 3/8" tripod mount 10 x 1/4"-20 threaded holes (4 on top of the camera, 3 on left, 3 on right)
  Controls	Push button controls for navigating menus
  Operating Systems Supported	Mac OS X 10.8 Mountain Lion or later Windows 7 or later
  Power Requirements	11 to 30 VDC
  External Power Input	1 x 4-pin XLR
  Operating Temperature	32 to 104°F / 0 to 40°C
  Storage Temperature	-4 to 113°F / -20 to 45°C
  Relative Humidity	0 to 90%, non-condensing
  Dimensions (W x H x D)	10.05 x 7.66 x 4.47" / 25.53 x 19.46 x 11.35 cm

  Box Dimensions (LxWxH)	12.2 x 10.1 x 8.4"

• 3 x Camplex Duplex LC to Duplex LC Singlemode Fiber Optic Patch Cable (Yellow, 98.42')

  Connectors	Duplex LC to Duplex LC
  Fiber Type	9/125µm Singlemode
  Length	98.42' (30 m)

  Box Dimensions (LxWxH)	11.7 x 5.4 x 2.1"

• Blackmagic Design SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors

  Panel Type	TFT LCD
  Display Size	8.0" / 20.3 cm
  Screen Resolution	800 x 480
  Bit Depth / Color Support	8-Bit (16.7 Million Colors)
  Image Controls	Image Flip, Waveform

  Video	2 x BNC (6G-SDI) Output 2 x BNC (6G-SDI) Input
  Embedded Audio	SDI: 16-Channel
  Audio	None
  Built-In Speaker	None
  Other I/O	2 x LAN (RJ45) 1 x USB 2.0 (USB Type-A) 1 x Tally (DE-9/DB-9)
  Card Slot	None

  Video Format	SDI (4:4:4) UHD 4K: 23.98/24/25/29.97/30 DCI 2K: 23.98/24/25 1080p: 23.98/24/25/29.97/30/50/59.94/60 1080PsF: 23.98/24/25/29.97/30 1080i: 50/59.94/60 720p: 50/59.94/60 NTSC PAL

  DC Input Power	12 to 15 VDC
  Battery Type	None
  Power Consumption	20 W (Maximum)

  Rack Form Factor	3 RU

  Operating Humidity	0 to 90%
  Operating Temperature	32 to 104°F / 0 to 40°C
  Storage Temperature	-4 to 113°F / -20 to 45°C

  Dimensions (W x H x D)	19 x 5.2 x 1.3" / 48.3 x 13.3 x 3.2 cm
  Weight	3.37 lb / 1.53 kg

  Box Dimensions (LxWxH)	19.3 x 6.6 x 2.9"

• Blackmagic Design HyperDeck Studio Pro 2

  Video Input	Digital Video 3 x SDI (10-bit SD/HD/3G switchable) 1 x SDI (10-bit SD/HD/3g/6G Ultra HD switchable) 1 x HDMI 1.4 type A (supports Ultra HD 4K) Analog Video 1 x Component YUV (3 x BNC) SD/HD
  Video Output	Digital Video 3 x SDI (10-bit SD/HD/3G switchable) 1 x SDI (10-bit SD/HD/3G/6G Ultra HD switchable) 1 x SDI Monitor Output (10-bit SD/HD/3G switchable) 1 x HDMI 1.4 type A (supports Ultra HD 4K) Analog Video 1 x Component YUV (3 x BNC) SD/HD
  Audio Input	Analog 2 x 3-pin XLR balanced connectors 2 x RCA jacks for unbalanced audio Digital SDI 16 x channels embedded in SD and HD in QuickTime files. 2 x channels in Avid DNxHD MXF files. HDMI 8 x channels embedded in SD and HD in QuickTime files. 2 x channels in Avid DNxHD MXF files.
  Audio Output	Analog 2 x 3-pin XLR balanced connectors Digital SDI 16 x channels embedded in SD and HD in QuickTime files. 2 x channels in Avid DNxHD MXF files. HDMI 8 x channels embedded in SD and HD in QuickTime files. 2 x channels in Avid DNxHD MXF files.
  Computer Interface	1 x Thunderbolt (for video/audio) 1 x USB 2.0 mini B-type for initial setup, software updates and HyperDeck Utility software control
  SSD Interface	2 x 2.5" SATA 3Gb/s
  Sync Input	Blackburst or Tri-Sync
  Device Control	Sony compatible RS-422 deck control port
  Recorder	Recorder control: 12 buttons and jog wheel for local control / or use either RJ45 Ethernet or USB 2.0 high speed interface Recorder configuration: use USB 2.0 high speed interface
  Format Support	SD NTSC/PAL 525 29.97 / 625 25 (525 59.94i / 625 50i) 480p60 and 576p50 via HDMI only HD 720p 50/59.94/60 1080i 50/59.94/60 1080PsF 23.98/24/25/29.97/30 1080p 23.98/24/25/29.97/30/50/59.94/60 4K 3840 x 2160p 23.98/24/25/29.97/30
  SDI Compliance	SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M
  SDI Metadata Support	HD RP188 and closed captioning
  Sampling	Video: 4:2:2 Audio: 48kHz/24-bit
  Color Precision	10-bit
  Color Space	REC 601 REC 709
  Multiple Rate Support	SDI and HDMI switchable between SD, HD and Ultra HD. SDI switches between 270 Mb/s standard definition SDI, 1.5G-SDI HD, 3G-SDI and 6G-SDI. Analog SD/HD
  Copy Protection	HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
  Codecs Supported	Uncompressed QuickTime Apple ProRes 422 (HQ) QuickTime ProRes 422 QuickTime ProRes 422 (LT) QuickTime ProRes 422 (Proxy) QuickTime Avid DNxHD QuickTime Avid DNxHD MXF
  Display	Built-in LCD for video, audio and timecode monitoring
  Rack Size	1RU / less than 7" deep (approx. less than 18 cm)
  Power Supply	Built-in international AC power supply with IEC C14 inlet 110-240V, 50-60Hz Note: AC power cord is not included

  Box Dimensions (LxWxH)	19.2 x 7.4 x 2.4"

• Blackmagic Design Smart Videohub 12 x 12 6G-SDI

  SDI Video Input	12 x 10-bit SD/HD/6G-SDI
  SDI Video Output	12 x 10-bit SD/HD/6G-SDI
  Reference Input	Blackburst and TriSync for SD, HD and UHD 4K
  Multi-Rate Support	Auto detection of SD, HD, or 6G-SDI. Simultaneous routing of 4K, HD, SD video and DVB-ASI
  Updates	USB 2.0 high speed (480 Mb/s) interface or via Ethernet
  Control	12 buttons for local control of Videohub 6 buttons and scroll wheel for control of LCD display 1 x RJ45 Ethernet 1 x RS-422 input for controlling router crosspoint switching
  Configuration	Via front panel LCD or use either RJ45 Ethernet USB 2.0 for setting IP address only
  Reclocking	On all SDI outputs, auto switching between SD, HD, or 6G-SDI video

  Format Support	SD Format Support 625/25 PAL 525/29.97 NTSC 525/29.98 NTSC HD Format Support 720p 50/59.94/60 1080i 50/59.94/60 1080PsF 23.98/24/25/29.97/30 1080p 23.98/24/25/29.97/30/50/59.94/60 2K Format Support 2048x1080p 23.98/24/25 2048x1080PsF 23.98/24/25 4K Format Support 3840x2160p 23.98/24/25/29.97/30 4096x2160p 24
  SDI Compliance	SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 310M, SMPTE 425M Level B, ITU-R BT.656, and ITU-R BT.601
  SDI Video Rates	SD-SDI: 270 Mb/s HD-SDI: 1.5 Gb/s 3G-SDI: 3 Gb/s 6G-SDI: 6 Gb/s
  SDI Video Sampling	4:2:2 and 4:4:4
  SDI Color Precision	4:2:2 and 4:4:4 10-bit
  SDI Audio Sampling	48 kHz and 24-bit
  SDI Color Space	YUV or RGB
  SDI Metadata Support	Video payload identification ancillary data as per SMPTE 352M

  Software Control	Router control included free for Windows and Mac OS X
  Internal Software Upgrade	Via included updater application

  Display	LCD for video and menu settings
  Power Supply	IEC power cable required 90 to 240 VAC input
  Power Fail Protection	Router connections preserved and restored instantly at power on
  Operating Temperature	32 to 104°F (0 to 40°C)
  Storage Temperature	-4 to 113°F (-20 to 45°C)
  Relative Humidity	0 to 90% non-condensing
  Rack Space	1 RU
  Dimensions (W x H x D)	19.00 x 1.73 x 6.30" (48.26 x 4.39 x 16.00 cm)
  Weight	4.14 lb (1.88 kg)

  Box Dimensions (LxWxH)	19.4 x 7.6 x 3.4"

• Blackmagic Design ATEM 1 M/E Production Studio 4K

  Ultra HD Support	SDI 3840 x 2160p 23.98/24/2529.97/30 HDMI: Computer Input Resolutions 3840 x 2160 23.98/24/25/29.97 Hz
  HD Format Support	SDI 720p 50/59.94 1080i 50/59.94 1080p 23.98/24/25/29.97/50/59.94 HDMI: Computer Input Resolutions 1280 x 720 50/59.94 Hz 1920 x 1080 50/59.94 Hz
  SD Format Support	SDI NTSC: 525/29.97 - 4:3/16:9 PAL: 625/25 - 4:3/16:9 HDMI: Computer Input Resolutions 720 x 480i 59.94 Hz 720 x 576i 50Hz
  SDI Compliance	SMPTE 259M, 292M

  Video Inputs	10 x SDI (10-bit SD/HD/Ultra HD switchable) 1 x HDMI 4K(10-bit SD/HD/Ultra HD switchable) 2 Channel embedded audio
  Audio Input	Digital 20 x Embedded audio via SDI or HDMI Analog 2 x XLR 2 x RCA
  Sync Input	1 x SDI: Tri-Sync or Blackburst
  Frame Synchronizer	10 x Internal frame synchronizers (all inputs)
  Program Output	2 x SDI (10-bit SD/HD/Ultra HD 4K switchable) 1 x HDMI Type A (10-bit SD/HD/Ultra HD 4K switchable) 1 x SDI (Ultra HD 4K to HD only)
  Auxiliary Output	3 x SDI (10-bit SD/HD/Ultra HD 4K switchable)
  Multi View Output	1 x SDI (HD-SDI) 1 x HDMI (HD)
  Preview (PVW) Output	1 x SDI (10-bit SD/HD/Ultra HD 4K switchable)
  Multi View Output	1 x SDI 1 x HDMI
  SDI Audio Output	2 Channels embedded into SDI output
  Analog Audio Output	2 x XLR
  Ethernet	1 x 10/100/1000 BaseT input. Allows direct connection between control panel and chassis, or via network
  Serial Communication	RS-422
  Tally Output	Added via Ethernet connection Note: GPI and Tally Interface product are optional and are not included
  GPI	Added via Ethernet connection Note: GPI and Tally Interface product are optional and are not included
  Software Update	Using USB connection directly connected to Mac OS X or Windows computers. Includes ATEM Switcher Utility
  Configuration	Set via ATEM Software Control Panel, excluding ATEM chassis IP address, which is set via the ATEM Switcher Utility connected via USB to chassis

  Color Space Conversion	Hardware based, real time
  Processing Delay	<2 lines
  Video Sampling	4:2:2
  Color Space	REC 601 REC 709 REC 2020
  Color Precision	10-bit

  Quantity	2
  Channels	2 x per Media Player (fill and key)
  Still Image Capacity	32 with fill and key
  Clip Capacity	Quantity 2 with fill and key Maximum Clip Length Ultra HD 4K: 180 frames 1080: 720 frames 720p: 1600 frames NTSC/PAL: 3600 frames
  Image File Formats	Still PNG, TGA, BMP, GIF, JPEG, and TIFF Video TGA sequence Audio WAV, MP3, AIFF

  Display	Minimum monitor resolution: 1366 x 768
  Number of Windows	1 Multi-view display with 10 x windows for: Preview Program 8 x assignable displays
  Tally	Red for program and green for preview indication Note: requires optional Blackmagic Design GPI and Tally interface product
  Window Source Labels	Yes

  Buttons	Illuminated button control Aux output settings
  LCD Display	1 x 2" LCD display of Aux output

  Software	ATEM Software Control Panel for both Mac and PC Mac OS x 10.7 Lion or later OS x 10.8 Mountain Lion or later Windows Windows 7 64-bit Windows 8 32/64-bit Note: software included with purchase of ATEM Production Studio 4K
  Hardware	ATEM 1 M/E Broadcast Panel ATEM 2 M/E Broadcast Panel Note: hardware panels are optional not included

  Keyers	4 x Upstream 2 x Downstream 7 x Linear/Luma 4 x Chroma 1 x Stinger 1 x DVE
  Generators	7 x Pattern 2 x Color

  Input Voltage	110/240 V AC, 50/60 Hz Note: IEC power cord required, not included
  Power Consumption	100W
  Redundant Power	No

  Temperature	Operating Temperature 32 to 104°F (0 to 40°C) Storage Temperature -4 to 140°F (-20 to 60°C)
  Relative Humidity	0 to 90% non-condensing
  Dimensions (HxWxD)	1.7 x 19.0 x 9.25" (43.2 x 482.6 x 235 mm) 1RU-sized unit with built-in rack mount ears
  Weight	5.73 lb (2.6 kg)

  Box Dimensions (LxWxH)	19.2 x 10.9 x 3.4"

• Blackmagic Design ATEM Studio Converter 2

  Format Support	4K DCI 4096 x 2160p: 60/50/30/29.97/25/24/23.98 UHD 3840 x 2160p: 60/59.94/50/30/29.97/25/24/23.98 2K 2048 x 1080p: 25/24/23.98 2048 x 1080PsF: 25/24/23.98 HD 1080p: 60/59.94/50/30/29.97/25/24/23.98 1080PsF: 60/59.94/50/30/29.97/25/24/23.98 1080i: 60/59.94/50 720p: 60/59.94/50 SD NTSC 525i: 59.94 PAL 625i: 50

  SDI Video Input	4 x 10-bit SD/HD switchable camera inputs 1 x 10-bit SD/HD switchable program input from switcher, including Tally information embedded in the SDI signal
  SDI Compliance	SMPTE 259M, SMPTE 292M
  Video Sampling	4:2:2
  Color Precision	10-bit
  Color Space	REC 601 REC 709
  Optical Fiber Video Input	4 x single mode SD/HD switchable camera inputs with LC connector
  Optical Fiber	Input 4 x single mode LC connectors for video with embedded audio Channels 1 & 2 are camera audio Channels 15 & 16 are talkback audio Output 4 x single mode LC connectors for video with embedded audio Channels 1 & 2 are camera audio Channels 15 & 16 are talkback audio

  Audio Sampling	48 kHz 24-bit A/D conversion
  Analog Audio Output	4 x 3-Pin XLR Balanced Audio Pairs (1 x pair per fiber input) 2 x RCA jacks provide a L/R stereo pair
  Talkback	1 x 1/4" TRS headphone jack 1 x .206" TRS mic input for use with aviation style headset 1 x 3-pin XLR connector for talkback microphone 1 x Integrated speaker
  Talkback Control	8 x Front panel buttons for camera operator selection, lock, mute and un-mute
  AES/EBU Talkback Loops	Input 1 x BNC mic input 1 x BNC headphone input Output 1 x BNC mic output 1 x BNC headphone output

  OS Compatibility	Mac OS X 10.7 Lion and later OS X 10.8 Mountain Lion and later Windows Windows 7 Windows 8
  Computer Interface	1 x mini-B type USB 2.0 connector for initial setup, firmware updates and Converter Utility software control
  Temperature	Operating 32 to 104°F (0 to 40°C) Storage -4 to 113°F (-20 to 45°C)
  Power Requirements	110 - 220 VAC, 50/60 Hz 12 - 31 VDC redundant input Note: IEC power cord is required/not included, redundant power supply not included
  Dimensions (H x W)	1.7 x 18.9" (44 x 482 mm) 1 RU size with built-in rackmount ears
  Weight	4 lb (1.81 kg)

  Box Dimensions (LxWxH)	19.2 x 7.5 x 3.4"

• Blackmagic Design SmartView 4K

  Panel Type	TFT LCD
  Display Size	15.6" / 39.6 cm
  Screen Resolution	3840 x 2160
  Contrast Ratio	1000:1
  Bit Depth / Color Support	8-Bit (16.7 Million Colors)
  Response Time	25 ms
  Real-Time LUT Monitoring	SDR

  Video	1 x BNC (SDI) Output 2 x BNC (12G-SDI) Input
  Audio	None
  Built-In Speaker	None
  Power	1 x IEC Input
  Other I/O	2 x LAN (RJ45) 1 x Tally (DE-9/DB-9)
  Card Slot	None

  Video Format	SDI 720p: 50/59.94/60 1080i: 50/59.94/60 1080PsF: 23.98/24 1080p: 23.98/24/25/29.97/30/50/59.94/60 DCI 2K: 23.98/24/25 UHD 4K: 23.98/24/25/29.97/30 DCI 4K: 24

  AC Input Power	90 to 240 VAC, 50 / 60 Hz
  DC Input Power	12 to 15 VDC
  Battery Type	None
  Power Consumption	25 W (Maximum)

  Operating Humidity	0 to 90%
  Operating Temperature	32 to 104°F / 0 to 40°C
  Storage Temperature	-4 to 140°F / -20 to 60°C

  Dimensions (W x H x D)	18.98 x 10.47 x 2.75" / 48.21 x 26.59 x 6.96 cm
  Weight	8.81 lb / 4 kg

  Box Dimensions (LxWxH)	20.7 x 12.3 x 3.6"

• 3 x Blackmagic Design 6G SFP Optical Module

  Form Factor	SFP cage
  Fiber Connector	Duplex LC Connectors Compatible with Singlemode Fiber

  Box Dimensions (LxWxH)	6.1 x 4.0 x 0.2"

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