User manual
Blue Blackout Spark Vocal Broadcasting Kit

User Manual for Blue Blackout Spark Vocal Broadcasting Kit

• Product category: Large Diaphragm Condenser Blue
• Brand: Blue
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Blue Large Diaphragm Condenser

Product description

• Blue Blackout Spark SL XLR Condenser Microphone
  • Blackout Spark SL | XLR mic for game streaming and podcasting
  The Blackout Spark SL XLR Condenser Microphone from Blue is a large-diaphragm, cardioid condenser microphone with versatile switches and Class-A JFET electronics. It can be used to capture audio in broadcast and studio applications for podcasters, musicians, game streamers, and more. Featuring an XLR connector that integrates with USB audio interfaces and mixers, the Blackout Spark SL microphone has a 20 Hz to 20 kHz frequency response, a 100 Hz low-cut filter that increases clarity, and a -20 dB pad, which keeps your audio free of distortion when things get intense. This microphone is powered using 48V phantom power. Additionally, a wooden storage box and a custom shockmount are included.
  • XLR connection integrates with USB audio interfaces and mixers
  • Custom, large-diaphragm cardioid condenser capsule for detailed, focused sound
  • Blue's Class-A JFET electronics deliver rich harmonic audio
  • 100 Hz low-cut filter increases clarity and reduces rumble from your room or desk
  • -20 dB pad keeps your stream free of distortion when things get intense
  UPC: 836213000137
• ALVA Nanoface 12-Channel USB Audio/MIDI Interface
  • Blackout Spark SL | XLR mic for game streaming and podcasting
  The bus-powered and breakout cable equipped Alva Nanoface 12-Channel USB Audio/MIDI Interface affords an ideal combination of analog/digital connectivity, features, flexibility and mobility. It's the perfect tool for working musicians with a home or mobile studio. It also integrates seamlessly into a DJ setup or your home theater surround sound system. The Nanoface is equipped with a total of six audio inputs and six audio outputs. Plus, it's ultra-portable, weighs next-to-nothing, and is easy to operate. It even features a large multicontroller that facilitates simple adjustments and control over I/O features including management, monitoring and phantom power for microphones.The Nanoface was designed to work seamlessly with both Windows and Mac operating systems. Plus, it supports real analog hardware monitoring, as well as low latency drivers. The Nanoface really lives up to its name by hosting a variety of analog and digital interfaces. It supports dual RCA L/R audio analog inputs and dual RCA L/R analog outputs. It also features dual XLR analog mic inputs, which both come equipped with their own mic preamps, as well as phantom power. There's even a 1/4" Hi-Z instrument input and a 1/4" stereo headphones output. In fact, the stereo RCA outputs can even be routed through the stereo headphones output.The Nanoface affords a wide variety of digital connection points as well. These include a single MIDI input and dual MIDI outputs. There's also a digital optical S/PDIF input and a digital optical S/PDIF output. For any musicians or DJs that want to record directly onto their music production software of choice, the Nanoface features a USB 3.0/2.0 interface. This lets you use the Nanoface as a link between your analog or digital recordings and your computer. You'll easily be able to transfer any audio or MIDI data in and out of your Mac or windows computer - no matter if you're sitting at your desk or in the back of a tour bus. The Nanoface is designed to handle all situations.The USB 3.0/2.0 interface also doubles as the Nanoface's bus-power source, which means you won't need to drag around an external power supply. The Nanoface is free from any extraneous mixers or software option dialogs as well. This means it functions as a high-speed driver with most modern digital audio workstations (DAWs). All modern audio programs promote a low latency engine and an integrated mixer with plug-in support. Plus, they're also equipped with monitoring features. This allows the Nanoface to be as streamlined as possible. Plus, all device features are controlled by a single multicontroller called, the Encoder. With a wide variety of digital/analog inputs and outputs, a streamlined design and a single Encoder controller - the Nanoface promotes a simple learning curve and flexible usability for home musicians, road musicians, DJs and home theater aficionados with hi-fi surround systems.
  Portable & Functional
  • Sound quality, extraordinary features and ease of use with real analog hardware monitoring and low latency drivers for both Windows and Mac OS X - all together in a lightweight and portable housing
  Supports Six Audio Inputs & Six Audio Outputs
  • The Nanoface provides six audio inputs and six audio outputs - enough for a small home studio, a DJ setup or even a home theater surround sound setup. There's a MIDI input and two MIDI outputs, which forms a perfect combination to connect a keyboard and external synthesizers/samplers
  Analog Inputs x 4
  • The two analog XLR inputs are equipped with two high-quality mic preamps, which allow the simultaneous recording of different sources at the same time - like a microphone, electric guitar and synthesizer. Plus, there are stereo analog RCA Left and Right audio inputs as well
  Analog Outputs x 4
  • With stereo analog RCA Left and Right audio outputs, as well as a stereo two-channel headphone output jack, the four analog outputs provide a flexible setup for monitoring two stereo signals at the same time like main speakers and headphones. Plus, the RCA output signal can be routed to the stereo headphone output and individually adjusted
  Hi-Z Instrument Input Jack
  • There's even a 1/4" Hi-Z instrument input jack, which can be used alternatively instead of the RCA analog input second channel. When Hi-Z input is great for electrical instruments like guitar or bass. Plus, it features characteristics for direct recording and is routable to any of the four analog inputs. It's ideal for spontaneous jam sessions with a laptop or as a mobile recording input without the need for more equipment - live or with band rehearsals
  Digital Optical S/PDIF Input & Output
  • The digital input and output works in standard S/PDIF format, which makes the Nanoface a perfect partner for a digital signal from a CD player or an effect unit as a source for a surround sound receiver
  Analog Sound Quality
  • Alva has put years of experience into their development team in order to make sure they've integrated a very sophisticated circuit design that will result in excellent specification numbers and an extraordinary audiophile sound
  Mic Preamps
  • The Nanoface provides two mic preamps with very low noise specifications, low distortion specifications and switchable 48V phantom power for use with condenser mics
  Pocket Studio
  • The Nanoface lives up to its name; it measures only a quarter of the size of most bigger interfaces, while affording more inputs and outputs as well. This yields one of the lightest audio interfaces around
  USB 3.0/2.0 Interface
  • The Nanoface is the perfect solution for musicians and DJs that require a full recording studio not only at home, but also on the road for composing and mixing in high-quality no matter where they happen to be. The USB 3.0/2.0 interface allows you to listen with the best possible headphone quality as well. Most importantly, it affords transfer of all audio and MIDI data in and out of your Mac or Windows computer
  Bus-Powered via USB Connection
  • The Nanoface requires only the power from the USB connection to operate. This means no annoying power supply and the freedom to work in a park, cafe, train, bus, airport or even an airplane
  Partner to Modern Digital Audio Workstations (DAWs)
  • The Nanoface takes advantage of Alva's sensible downsizing without sacrificing total functionality. It's designed as a partner to modern DAWs. There are no software option dialogs or integrated mixers - just a high-speed driver. ASIO/WDM for Windows and Core Audio for Mac OS X. Plus, since all modern audio programs provide a low latency engine, integrated mixer with plug-in support, and monitoring features - they already emulate a complete studio workflow, which means the Nanoface can do more with less
  Simple Learning Curve & Easy Operation
  • All Nanoface features like management, monitoring and phantom power for the microphones is operated by a single multi-controller or "Encoder" located directly on the unit. The "Encoder" and an audio sequencer is all most musicians need. This results in a simple learning curve and extraordinary usability that's ideal for live situations
  Encoder Operation
  • The Encoder controls all four analog output gain; route RCA output to headphone output; output RCA on headphones output (gain); RCA input gain for microphone/instrument preamps; XLR input gain; 48V phantom power for both XLR inputs; switching an RCA input to Hi-Z input; hardware monitoring for RCA inputs; reset to default values
• Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
  • Blackout Spark SL | XLR mic for game streaming and podcasting
  The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.
  
  The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb. (2.27 kg). The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.
  
  The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.
  Versatile
  • Ideal for studios as well as home use
  Internal Springs
  • Internal springs provide smooth, noise-free positioning and clean and sleek profile
  Sturdy
  • Supports microphones up to 5 lb. (2.27 kg)
  Compatibility
  • The 5/8"-27 standard microphone thread is compatible with most shockmounts and microphone clips
  Precision
  • Extends up to 40" (101.6 cm) and rotates 360° allowing for precise microphone placement
  XLR Cable
  • The integrated 15-foot (457.2 cm) XLR cable provides a secure, locking connection and excellent signal transfer
  Extra Height
  • A 14" (13.6 cm) riser is included. It provides extra height to the broadcast arm for extending over computer or studio monitors
  Combo Mount
  • The heavy-duty combo mount is comprised of a C-clamp for clamping to a desktop up to 2.3-inch (5.8 cm) thick, and a detachable desktop mount for permanent attachment to a desktop with the included screws
  14" Riser
  • The included riser adds 14" of height to the broadcast arm so that it can easily extend over computer or studio monitors
  UPC: 847628578272
• AKG K240 MKII Professional Semi-Open Stereo Headphones
  • Blackout Spark SL | XLR mic for game streaming and podcasting
  The AKG K240 MKII are semi-open, circumaural headphones designed for audiophile use. They utilize patented Varimotion technology and extra-large transducers to deliver precise, detailed sound with solid low end, precise midrange, and clear highs.
  
  The headphones have a self-adjusting headband, as well as leatherette and velvet earpads for lasting comfort. A single-sided detachable cable is provided, along with a coiled cable, should that be your preference. The cables use gold-plated connectors for bolstered conductivity. Standard 3.5mm plugs provide wide compatibility, while an included 1/4" adapter allows you to connect to pro-level equipment.
  • Semi-open, circumaural design
  • Self-adjusting headband
  • Patented Varimotion speakers for crisp, detailed sound
  • Leatherette and velvet earpads
  • Stereo mini plug with 1/4" adapter
  UPC: 885038021193

• Blackout Spark SL XLR Condenser Microphone actttaqesfxbaxdsrd
• Custom Shockmount
• Wooden Storage Box
• Limited 2-Year Warranty

• ALVA - Nanoface 12-Channel USB Audio/MIDI Interface

• Auray - BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable

• AKG - K240 MKII Professional Semi-Open Stereo Headphones

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Technical parameters

• Blue Blackout Spark SL XLR Condenser Microphone

  Sound Field	Mono
  Operating Principle	Pressure Gradient
  Transducer	Condenser
  Polar Pattern	Cardioid
  Frequency Range	20 Hz to 20 kHz
  Signal to Noise Ratio	73 dB A-Weighted
  Equivalent Noise Level	16.4 dB A-Weighted
  Maximum SPL	136 dB SPL RMS
  Pad	-20 dB
  Impedance	50 Ohms
  Load Impedance	1 kOhms
  Sensitivity	34.9 mV/Pa at 1 kHz
  Low-Cut Filter	12 dB/Octave @ 100 Hz
  Dynamic Range	119.6 dB A-Weighted

  Output Connectors	1 x 3-Pin XLR
  Operating Voltage	48 V
  Weight	11.85 oz / 336 g

  Box Dimensions (LxWxH)	14.6 x 8.9 x 5.8"

• ALVA Nanoface 12-Channel USB Audio/MIDI Interface

  Max Sample Rate/Resolution	96 kHz / 24-Bit

  Host Connection	USB Type-B (USB 3.0)
  Analog I/O	1 x 1/4" (6.3 mm) TS Hi-Z Input 1 x 1/4" (6.3 mm) TRS Headphone Output 2 x XLR 3-Pin Input 1 x Stereo RCA Input 1 x Stereo RCA Output XLR and Stereo RCA I/O on Included Breakout Cable
  Phantom Power	+48 V
  Digital I/O	1 x TOSLINK / S/PDIF Input 1 x TOSLINK / S/PDIF Output
  MIDI I/O	1 x 5-Pin MIDI In (On Breakout Cable) 2 x 5-Pin MIDI Out (On Breakout Cable)

  Gain Range	Inputs: 50.5 dB

  Sample Rates	Up to 96 kHz
  Bit Depth	24-Bit

  OS Compatibility	Windows macOS 10

  Box Dimensions (LxWxH)	11.15 x 8.9 x 2.25"

• Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable

  Length	40" (101.6 cm)
  Weight Capacity	5 lb (2.27 kg)
  Microphone Mount	5/8"-27 standard microphone thread
  Clamping Range	2.3" (5.8 cm)
  Riser	14" (35.56 cm)
  Cable	XLR M to XLR F: 15' (457.2 cm)
  Weight	4.47 lb. (2.02 kg)

  Box Dimensions (LxWxH)	23.5 x 7.4 x 3.5"

• AKG K240 MKII Professional Semi-Open Stereo Headphones

  Driver Type	Dynamic
  Design	Over-Ear (Circumaural)
  Earcup Style	Semi-Open-Back

  Frequency Response	15 Hz to 25 kHz
  Sensitivity	104 dB
  Impedance	55 Ohms
  Maximum Power Handling	200 mW

  Audio Connector	1/8" (3.5 mm) TRS
  Connector Plating	Gold
  Adapter (Included)	1/4" (6.3 mm)

  Design	Single-Sided
  Detachable	Yes
  Cable Length	9.8' / 2.99 m 16.0' / 4.88 m (Coiled)

  Dimensions (W x H x D)	7.5 x 7.9 x 4.3" / 190.0 x 200.0 x 110.0 mm (Opened)
  Weight	8.5 oz / 240 g

  Box Dimensions (LxWxH)	9.3 x 8.8 x 4.35"

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