User manual
Canon Cinema EOS C300 Mark II

User Manual for Canon Cinema EOS C300 Mark II Zacuto ENG Package

• Product category: Digital Cine Cameras Canon
• Brand: Canon
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Canon Digital Cine Cameras

Product description

• Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)
  • Introducing the Canon EOS C300 Mark II
  The EF-mount Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews. Canon's Log 3 Gamma supports 14 stops of dynamic range.The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to CFast 2.0 cards. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.
  Firmware v.1.0.4.1.00
  • Firmware v.1.0.4.1.00 adds the following features:
    • Canon Log 3 achieves a dynamic range of 1600% with 14 stops of dynamic range, and can be ideal for middle end users that have a limited budget for post-production, and need quick turnaround.
    • A reduction in the dark noise level when shooting in Canon Log 2 mode. Streaking and black sun spots have been reduced in all modes by changing the CMOS sensor control.
    • ACES 1.0 Output via SDI/HDMI
    • Magnify Function During REC
    • Additional lens functionality is now available with the Cine -Servo 50 to 1000mm, Cine-Servo 17 to 120mm, Compact-Servo 18 to 80mm, and Dual Pixel Focus Guide has been added to the EF mount Canon Cinema prime lenses. Please note that you may need to also upgrade the firmware in your lens to access this functionality.
  Dual Pixel CMOS AF Technology
  • It provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.
    
    Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.

  Main Features

  Canon Super 35mm CMOS Sensor
  • Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080)
  Canon Log Gamma
  • Canon Log Gamma 2/ACES/REC.2020 support
  Dual Canon DIGIC DV 5 Image Processor
  • The camera features Dual DIGIC DV 5 processors to handle the internal data processing.
  XF AVC Codec
  • To create digital files robust enough for major postproduction, the EOS C300 delivers the highest image quality with its XF AVC Codec - an H.264 format wrapped in the widely-supported MXF wrapper
  Designed with Filmmakers in Mind
  • A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera.
  Compact & Modular Design
  • The EOS C300 body is compact and easily handheld at just over 3 lb. There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4", 1.23 Megapixel monitor and control panel. The camera also has a removable handgrip with a control dial and function buttons for handheld shooting in DSLR style, or remove it and use the supplied thumb rest for completely stripped-down shooting. The EOS C300 has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras.
  Rugged, Durable & Quiet
  • The EOS C300's dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 also features a built-in silent cooling system with a heat-dissipating duct in the center of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean.
  Ultra-High-Resolution EVF
  • The EOS C300 features a 0.46", 1.17 Megapixel color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort. EVF adjustments include brightness, contrast, color, and backlight (Normal or Bright).
  Rich Audio Controls
  • When mounted to the EOS C300 Mark II camera, the included control unit provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring.
  CFast Memory Card Recording
  • The camera records to CFast 1 cards through two slots.
  High-Speed, Slow-Motion, Time-Lapse & Stop-Motion
  • Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion.
  Connectivity
  • To connect to external monitors, switchers, VTRs, and NLE systems with SDI inputs, the EOS C300 features industry-standard HD-SDI output, genlock, and timecode terminals, plus audio terminals with linear PCM recording. Timecode and genlock enable synchronized multiple camera capture, perfect for multiple-camera shots, 3D acquisition, and more. The HD-SDI sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite.
  Full Manual Control & Focusing Aids
  • The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well.
  UPC: 013803262681
• Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount)
  • Introducing the Canon EOS C300 Mark II
  The Cine-Servo 17-120mm T2.95 with EF mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.
  
  With a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. For ENG-style shooters the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.

  Broadcast-Style Shooting

  Suitable for Shoulder Mounted Camera Operation
  • The CN7x17KAS S features the form factor and control layout of typical ENG lenses, and is designed to be friendly for a single camera operator to control while using the camera shoulder mounted. The zoom servo is controlled by rocker with the right hand and focus and iris can be operated manually with the left hand
  Support for Standard Broadcast Lens Controllers
  • The lens is compatible with many 20-pin zoom and focus controllers, allowing the lens to be operated comfortably in a studio tripod or pedestal configuration or remotely, say while mounted on a jib or crane. Compatible controllers include the Canon FPD-400D focus control and the Canon ZSD-300D zoom control
  Variable Speed Servo
  • High speed servo-driven zoom and iris is available for critical situations such as while filming sports or fast action. Meanwhile, slower speed settings are available for more expressive work. With this variability, the zoom duration can be set to last anywhere from 0.5 to 300 seconds
  Immediate System Startup
  • The drive unit features a high-performance encoder so that the lens requires no initialization. This means the system can be used immediately without any delay waiting for it to boot up
  Supports Virtual Image Data Output
  • Via three 20-pin connectors below the servo it is possible to connect an external system to collect 16-bit virtual image data
  Standard Broadcast 12-Pin Camera Interface Cable
  • The lens features the same 12-pin camera interface for power and serial data as found on regular Canon broadcast lenses
  Broadcast Lens-Style Focus Ring
  • In addition to servo zoom, focus, and iris another ENG-derived feature is the knurled focus ring, which is limited to a 180° rotation
  Angle of View Shift Suppression
  • The lens features a three-group inner focus system that is designed to minimize angle of view shift (breathing) that occurs when focusing the lens to ensure stable framing even during rack focus
  Flange-Back Adjustment
  • The flange back may be adjusted in the same manner as on broadcast lenses to simplify the transition between different camera systems with different flange focal distances
  Macro Function
  • The zoom ring features a broadcast lens-style release allowing the lens to quickly set to macro or back again
  Fully Closing Iris
  • The iris may be closed fully for setting camera black balance or other calibration procedures

  Cinema-Style Shooting

  Detachable Drive Unit
  • The motor unit housing the servo motors and zoom rocker may be removed for cinema style shooting where full manual control is preferred
  Supports Super 35mm Image Sensors
  • The CN7x17KAS S provides a sufficiently large image circle to cover a Super 35mm sensor
  Easier-to-Read Ring Markings
  • The lens incorporates the following features designed to make the markings easier to read:
    • The focus ring markings are placed on an angled surface so that they can be seen even by an operator sitting behind the camera
    • Each ring marking is printed on both sides of a lens allowing focus-pullers or camera assistants to operate the lens from various positions. Additionally, the markings on one side of the lens have a luminous coating so that they can be read even in the dark
    • The focus ring features both metric and imperial scales (meters and feet) so that you do not have to replace the lens ring to suit users accustomed to different units of measure
  Support for Cinema Lens Accessories
  • The lens is compatible with a wide array of accessories common in the cine industry, including matte boxes, follow focuses, and electronic and wireless controllers. The focus ring features both a 0.8mm pitch cine standard gear ring as well as a 0.5mm Canon pitch ring, the zoom feature a 0.5mm Canon pitch, and there is also a 0.4mm pitch iris gear
  Compatible with Lens Support
  • Because of the weight of the lens it is often deemed helpful or necessary to support the lens using a 15mm or 19mm rod system. This lens makes that possible by allowing you to attach a lens support
  Lens-to-Camera Metadata Transmission
  • The lens communicates directly with Cinema EOS camera through the lens interface. This allows lens metadata such as zoom setting and iris to recorded in the camera. Note that a firmware update may be required for proper communications between the lens and the camera.
    
    In addition the lens features a standard 12-pin broadcast camera interface and can also transmit zoom, focus, and iris data to a camera or other device via this connection
  11-Blade Aperture Design
  • The lens features 11 aperture blades to make lens flares and orbs causes by the bokeh effect as close to round as possible. With fewer blades it is often possible to see the geometric shape of the aperture. Additionally, using an odd number of blades helps prevent diffraction effects that can cause pin-points of light to produce an unwanted "staring" effect

  Lens Design

  Aspherical Lens Technology
  • Since spherical lenses refract more in the periphery than the center it is essentially impossible for an image to be sharp across the entire frame. Aspherical lenses, on the other hand, are able to maintain much more even focusing across the image area for more uniform focusing. In addition, it means less elements are required in the lens design helping make it not only sharper, but reducing the size and weight as well
  Canon Fluorite Coating
  • Because glass lenses can never be totally free from chromatic aberration Canon applies a special coating, fluorite, which has an anomalous dispersion characteristic effectively reducing the aberration below what is possible with glass alone
  UD and Hi-UD Glasses
  • In addition to fluorite, the use of ultra-low dispersion (UD) glass helps reduce the chromatic aberration that is a normal part of glass lenses. Additionally Hi-UD offers high refraction in addition to low dispersion to help combat spherical as well as chromatic aberration, including the aberration fluctuation normally caused by zooming
  UPC: 013803248074
• Canon Zacuto ENG Rig for C300 Mark II
  • Introducing the Canon EOS C300 Mark II
  The Zacuto ENG Rig for C300 Mark II from Canon outifts your C300 Mark II camera for ENG-style productions. It includes a custom VCT Pro baseplate with a sliding top for additional balance adjustment, the Zacuto C300 Mark II Helmet Kit, Axis Mini, and Gratical HD EVF. The ENG kit also includes a Cheesebox Counterweight, which provides a V-mount battery plate and comes with two wireless plates for mounting optional wireless receivers. The Cheesebox helps balance the camera and provides power distribution options to power the camera and Gratical HD EVF.
  C300 Mark II Helmet Kit
  • Featuring the C300 Mark II Helmet, a 3" Z-Rail, and a Zacuto Recoil Top Handle, this kit provides a simple yet flexible system for handling your camera. It can be adjusted by sliding the recoil handle along the length of the 3" Z-rail to achieve comfortable operating balance. The helmet also adds multiple 1/4"-20 and 3/8"-16 threaded accessory mounting threads, while the handle adds two cold shoe mounts.
  VCT Pro Baseplate
  • The Zacuto VCT Pro Baseplate features a sliding camera platform, a built-in curved shoulder pad, a V-lock tripod connector, removable and extendable 6.5" (16.5 cm) rods, and rows of 1/4"-20 mounting threads along the sides for accessories. The V-lock tripod connector offers compatibility with VCT-14 tripod adapter plates and 1/4"-20 and 3/8"-16 threads for direct connection to your tripod quick release plate.
  VCT Lens Support
  • The VCT Lens Support was designed specifically for the Servo Zoom Lens in this package. It attaches directly to the VCT Pro and then to the lens, instead of mounting to support rods.
  Gratical HD EVF
  • The Gratical HD uses a micro OLED panel no bigger than your thumbnail that is packed with more than 5.4 million dots to deliver 720p resolution images with true blacks. It features SDI and HDMI inputs/outputs and supports cross-conversion as well as custom LUTs on both the viewfinder's display and the downstream video. Additionally, it is packed with all the professional scopes and video assist functions you'd expect from a professional viewfinder, and offers a variety of mounting options, including an ARRI compatible rosette and 1/4"-20 threaded holes.
  Axis Mini
  • The Zacuto Axis Mini is an adjustable ENG-style mount for rosette-mounted EVFs. It enables full 360° motion with four adjustment points. Designed to attach to the top of your camera set up, it leaves sufficient room at the lens area for focusing and will work even with the wider lenses. It can easily be adjusted with one hand while the rig is on your shoulder.
  Cheesebox Counterweight with V-Mount Battery Plate
  • This adjustable counterweight box attaches to the back of the baseplate using two 3" long 15mm rods. It includes three counterweights and features a V-Mount battery plate with two D-Tap outputs and one LEMO connector to power the camera. The box features multiple 1/4"-20 and 3/8"-16 screw holes to mount additional accessories. It also features attachment points for Zacuto wireless plates. Two plates are included, allowing you to attach optional wireless video transmitters.
  Additional Items
  • • LP-E6 to D-Tap power cable to power Gratical HD
    • D-Tap to 12-pin Hirose cable to power a Cine-Servo lens
    • 6x Cable ties
• Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor
  • Introducing the Canon EOS C300 Mark II
  The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
  
  The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
  
  In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.
  
  Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.
  Monitor
  • • 1920 x 1200 resolution
    • 10-bit FRC monitoring processing
    • 1500 cd/m² brightness
    • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
    • Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
    • High Bright mode for Rec. 709 viewing
    • Supports custom 3D LUTs (.cube format)
    • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • UHD 4K downscale for HD monitoring
  Input/Output
  • • 4K HDMI and 12G-SDI inputs/outputs
    • Four 3G-SDI inputs (or single 12G-SDI)
    • SDI/HDMI cross conversion
    • Genlock/LTC input
    • Audio breakout cable for XLR audio input
  Recording
  • • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
    • 1080p recording up to 240 fps
    • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
    • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
    • ProRes Raw and ProRes Raw HQ
    • Record up to 5.7p30, 4Kp60, HDp240
    • Pre-roll record (HD 8 seconds, 4K 2 seconds)
    • Custom time-lapse mode
    • Ten metadata fields
  Additional Features
  • • Dual Sony L-series battery slots support hot swapping for continuous power
    • Built-in armor with silicone-covered corners
    • Audio level meters and mic level adjustment
  UPC: 814164020718
• Atomos Accessory Kit for Shogun/Ninja Inferno & Flame
  • Introducing the Canon EOS C300 Mark II
  The Atomos Accessory Kit includes everything you'll need for a complete workflow with your Shogun/Ninja Inferno and Flame monitors/recorders.
  Kit Contents
  • • HPRC hard flight case
    • 2.5mm female to dual 2.5mm male control cable
    • Two NP-F750 5200mAh batteries
    • Fast charger
    • USB 3.0 docking station
    • Coiled DC barrel to D-Tap cable
    • Four Master Caddy II drive caddies
    • AC power adapter
    • HDR sunhood
  UPC: 814164020749

• Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount) seztacqdrc
• Monitor Unit
• Handle Unit
• Handle Bracket
• Expansion Unit Attachment
• BP-A30 Battery Pack For EOS C300 Mark II, C200, and C200B
• Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
• CA-A10 Compact Power Adapter for EOS C300 Mark II, C200, and C200B Camcorders
• Shoulder Strap
• Eye Cup
• Viewfinder Cap
• Thumb Rest
• TB-1 Tripod Adapter Base
• Measure Hook
• 2 x Cables for Monitor Unit
• 10 x Cap Head Socket Screws
• Allen Key
• Limited 1-Year Warranty

• CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount)

• Zacuto ENG Rig for C300 Mark II seztacqdrc

• Atomos - Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

Includes Free

• Atomos - Accessory Kit for Shogun/Ninja Inferno & Flame

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Technical parameters

• Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)

  Image Sensor Size	24.6 x 13.8 mm (Super35)
  Sensor Type	CMOS
  Sensor Resolution	4206 x 2340 (9.84 MP)
  Effective Sensor Resolution	4096 x 2160 (8.85 MP)
  Pixel Pitch	6.4 µm
  Color Filter	Bayer
  ISO	160 to 25,600 (Native) 100 to 102,400 (Expanded)
  Gain	-2 to 44 dB (Native) -6 to 54 dB (Expanded)

  Lens Mount	Canon EF
  Lens Communication	Yes, with Autofocus Support
  Shutter Speed	1/24 to 1/2000 sec
  Shutter Angle	11.25 to 360 Rating 90% users recommend this product to others. And what about you? This product has already been rated by 96 owners. Add your rating and experience with the product. Discussion Ask our technicians if you have a problem with your settings, or if anything is unclear in the user manual you have downloaded. You can make use of our moderated discussion. The discussion is public and helps other users of our website who may be encountering similar problems. The discussion is empty - enter the first post Post a new topic / query / comment: Items marked with * are required. Your name *: E-mail : Subject *: Message *: Your email address will not be displayed. Do not forget to fill it in if you want to receive a reply to your enquiry/contribution. Processing of personal data in accordance with GDPR