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Focal Press Book: Make the Cut:

User Manual for Focal Press Book: Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV

• Product category: Post Production Training Focal Press
• Brand: Focal Press
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Table of Contents
• • The Plan
  • From Dailies to Online
  • How the Assistant's Job Varies in Different Venues from Features to Reality TV
  • Protocol
  • Planning Ahead
  • Q&A from Hollywood Editors
  • Appendix

About the Authors
• Lori Jane Coleman, A.C.E. began her career assisting Danford Greene, A.C.E. and Lou Lombardo, A.C.E. on films such as Fun with Dick and Jane, Which Way Is Up? and Up in Smoke. She has won two Eddie Awards from A.C.E. for The Deliberate Stranger (directed by Marvin Chomsky) and Chicago Hope - the Pilot (directed by Michael Pressman and written by David E. Kelley) and has one Emmy nomination. She has worked as an editor on a range of feature films and shows including Dawson's Creek, The Practice, and The Shield. Lori Jane got her 'break' while assisting Bud Isaacs, A.C.E., on Thou Shalt Not Commit Adultery (directed by Delbert Mann (Academy award for Marty 1955)) and moved up to editor at the age of 24. She worked as Assistant Editor at American International Pictures (A.I.P) in 1973 and joined the Film Editors Guild in 1974 with the help of Salvatore Billiterri (Head of Post Production) and James Honore (Assistanthead of Post). After four films, Ebony, Ivory and Jade, Sheba Baby (Pam Grier), Cooley High (Michael Schultz' directorial debut), and Return to Macon County Line, Lori took an apprentice job at Columbia Studios for Danford B. Greene, A.C.E., on Fun With Dick and Jane (George Segal, Jane Fonda), followed by assisting Greene on Outlaw Blues (Susan St. James and Peter Fonda), and Which Way Is Up? (Richard Pryor, directed by Michael Schultz). Diana Friedberg A.C.E. was born in South Africa and began her film career after graduating with a degree in drama from the University of Cape Town in 1967. On-the-job training as a film editor soon led her to England where she interned at Pinewood Studios on feature film productions. After returning to South Africa at the end of 1969 she edited over 21 feature films, hundreds of hours of episodic television, animation series, documentary series and commercials. She has the distinction of being the first women to direct a feature film in South Africa. A Master of Fine Arts degree in Cinema from the University of Southern California (USC) followed in 1976. She returned to South Africa to teach a course in filmmaking which she initiated at the University of the Witwatersrand in Johannesburg and continued producing television documentary series and dramatic series with her husband, Lionel Friedberg. In 1986 she relocated to Los Angeles with her family where she successfully pursued a career as a film editor and a producer. Feature films, educational films for companies such as Disney and National Geographic and many groundbreaking shows for cable followed. She was invited to become a member of the distinguished American Cinema Editors (A.C.E.) and has continued to be active on the Intern Program, training young students in the art and craft of editing. Her latest contribution to the film world has been a five-part documentary series entitled World on a String. As a labor of love, Diana picked up a camera and traveled to some of the remotest parts of the planet in over 30 countries to realize her dream of telling the amazing anthropological story of role of beads in society over the period of 100,000 years. The series has already garnered worldwide recognition and won 29 awards adding to her list of awards for other films in various genres.

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