User Manual for Focal Press Book: Single-Camera Video Production Click to enlarge the picture
Contents of the user manual for the Focal Press Book: Single-Camera Video Production
- Product category: Film, Video & TV Production Focal Press
- Brand: Focal Press
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
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Product description In the book Single Camera Video Production (6th Edition) from Focal Press Taylor & Francis Group and written by Robert B. Musburger, PhD and Michael R. Ogden, you will learn about producing with a single-camera video, from pre-production planning to setting up, rehearsing, shooting, editing, and delivering. The purpose of this book is to help to teach you how to understand lighting, audio, and editing techniques which will enhance the quality of your video projects.
Whether you're just learning the basics of video production or you're a veteran who needs a refresher, this book provides you with a toolkit for understanding and implementing single-camera workflows, as well as how to use the single-camera format to its best advantage by emphasizing the importance of goals, audience analysis, and technology. This new edition has been updated to include:
Expanded sections on digital workflows, field and studio production, pre-production planning, audio, lighting, distribution, and editing techniques
Detailed gear lists covering the latest camera, recorder, audio, lighting, and stabilization equipment used in the industry today
Fresh tips on creating video for your target audience and exhibition platform and shooting for the editing process
Insider career advice, including tips on how to get an internship, interviewing, finding a job, and earning a promotion
About the Authors
Robert B. Musburger is a Professor Emeritus and former Director of the School of Communication at The University of Houston. The owner of Musburger Media Services, he has worked for 20 years in professional broadcasting, serving as camera operator, director, producer, and writer.
Michael R. Ogden is a Professor and Director of the Film and Video Studies Program at Central Washington University. He is a member of the Academy of Television Arts and Sciences with over 20 years experience in the television and film industry as a cinematographer, editor, producer-director, and scriptwriter. Contents Introduction Additional Comments on the Sixth Edition Acknowledgments - Chapter One
- Production Philosophy
The Production Process
Importance of Goal, Objectives, and Audience Analysis
Importance of Workflow
Difference between Studio and Field Production
Importance of Technology - Chapter Two
- Aesthetics in Media Production
Importance of Aesthetics
Criticism and Critics
Cultural Differences
Reality
Summary - Chapter Three
- The Technology
Connecting the Read World to the Digital World
Limitations of Equipment
Audio and Video Signals
Changing Light into Electrons
Scanning Systems, Formats, and Frame Rates
Measuring Video Signals
Video Compression - Chapter Four
- Equipment Development
Cameras and Camera Types, Viewfinder and Camera Controls
Image Sensors and Optics
CCD and CMOS Chips
Camera Supports: Tripods, Mounts,Cranes, Dollies, Pedestals, and Handholding the Camera
Digital Recording
Audio: Microphone Types, Electronic Impedance, and Non-microphone Audio Sources
Connectors and Plugs: Power, Audio, Video and Digital Connectors
Lighting - Elements of Lighting - Chapter Five
- The Production Process: Preproduction
Preliminary Forms: The Proposal, The Treatment, Legal Considerations
Script Formats: Scene Script, Shooting Script, Single Column Format, Dual Column Format
Organizing Forms
Storyboards
Location Scouting
Sire Survey
Organizing Equipment and Crew - Chapter Six
- The Production Process: Production
Setting Up, and Field Equipment Considerations
Audio, Video, Prompting, and Camera Setup and Devices
Sets and Properties
Lighting Preparation - Controlling Color Temperature, Light Intensity, and Contrast Range
Basic Three-Point Lighting - Backlight, Key Light, and Fill Light
Multiple or Moving Subjects
Creative Lighting - Mood Lighting, Lighting for Time, Date, and Location
Directing, Rehearsing, Shooting and Framing
Movement - Subject Movement, Camera Movement, Movement through Zooms, Z-Axis Movement, Graphic Force Movement
Editing: Shoot to Edit
Continuity of: Action, Direction, and Location
Cover Shots, In-Camera Effects, and Logging and Striking - Chapter Seven
- The Production Process: Postproduction, The Soul of Production
The Mind of an Editor: Equipment, Technique, and Aesthetics
Editing Workflow and Interface
Process Background
Nonlinear Film, Linear Electronic, and Digital Nonlinear
Editing Equipment and Interface
Hardware/Software, and Accessories
Technical Choices and Editing Workflow
Transitions, Titles, Adding audio and Rendering
Aesthetics of Editing
Finishing, Output and Distribution - Chapter Eight
- Your Future
Introduction
Internship
Resume Writing
Composing a Cover Letter
The Portfolio
The Interview
Summary Further Reading Glossary Index Table of Contents
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Technical parametersFocal Press 9780415822589 Specs | Subject | Single-Camera Video Production | | Author | Robert B. Musburger, PhD and Michael R. Ogden | | Edition | 6th edition | | Hard/Soft Cover | Paperback | | Pages | 316 | | ISBN Number | 9780415822589 | | Publisher | Focal Press
Taylor & Francis Group | | Date Published | June 2014 | | Dimensions | Not specified by publisher | | | | Package Weight | 1.0 lb | | Box Dimensions (LxWxH) | 8.9 x 6.0 x 0.5" |
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