User Manual for iZotope RX 7 Standard Audio Restoration and Enhancement Software Click to enlarge the picture
Contents of the user manual for the iZotope RX 7 Standard Audio Restoration
- Product category: Virtual Processor Plug-Ins iZotope
- Brand: iZotope
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for iZotope Virtual Processor Plug-Ins
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User manual for the iZotope RX 7 Standard Audio Restoration contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any iZotope product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official iZotope user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a iZotope product will considerably shorten its lifespan!
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Product description Available for download, iZotope RX 7 Standard is the latest update to iZotope's audio repair software, which is considered a staple for recording, mastering, and audio-for-video post-processing. The software can operate either as a standalone application or as a plug-in for both Mac and Windows based DAWs and NLEs. From fixing common audio problems like noises, distortions, and inconsistent recordings to repairing severely damaged audio using Spectral Repair, RX can transform previously unusable audio into something usable.The standard edition of RX 7 takes nearly all the modules provided in RX 6 Standard and implements a graphic overhaul more in line with iZotope's current aesthetic. You'll also find several new processes sure to help out in audio-restoration contexts, including Variable Time, Variable Pitch, Music Rebalance, and the Repair Assistant. Variable Time lets you change the time stretch of an audio selection without affecting its pitch, while Variable Pitch does the opposite, allowing you to adjust the pitch of an audio selection without negatively impacting its duration. Previously, these processes were combined into one module. Music Rebalance analyzes a full mix of music and allows you to rebalance the levels of its bass, vocals, drums, and harmonic content, doing so with four dedicated sliders. Do you have a bit of background music whose vocal line interferes with the dialogue? Use the Music Rebalance module to lower the offending vocal. Need to beef up the bass in an anemic mix that came your way? Use this tool to emphasize the bass with the bass slider. Repair Assistant takes the concept behind iZotope's Mixing and Mastering Assistants and applies them to the restoration of audio. Simply select the audio you need to process, click on the Repair Assistant button, and let the program analyze your audio. It will offer you three options for processing (light, medium, and aggressive), and you can choose among them after auditioning each one. Next, hit render, and the Repair Assistant will automatically fix the issue.All the tools work as they did in earlier versions of RX, allowing you to paint away audio problems on the spectrogram, as does the Module Chain, which reduces the number of mouse clicks required for using a series of processes. Many algorithms which did not provide real-time preview now do, which makes working a bit faster. High-quality re-sampling and dithering are once again provided, as is batch processing. A detailed spectrum analyzer detects peaks automatically, and a suite of automatic, intelligent modules reduces manual tasks in the audio production workflow. RX 7 can be used as a standalone audio editor (including standalone but connected to your host via RX Connect, or as your DAW's audio editor, in the case of Logic Pro), and much of it can be used as a suite of plug-ins. New Modules and Features - Variable Time
- Adjust the time-stretch amount of an audio selection without altering its pitch.
- Variable Pitch
- Adjust the pitch of an audio selection while preserving the time and length.
- Music Rebalance
- Identify vocals, bass, percussion, and other instruments in a mix, and adjust the gain for each element. Isolate or remove vocals. This module is also available as an AudioSuite plug-in.
- Repair Assistant
- Repair Assistant is an intelligent tool that detects noise, clipping, clicks, and more, allowing you to solve audio-restoration issues quickly and effectively. After analyzing any snippet of audio you select, it will provide three different options for processing, and let you make the ultimate choice.
General Features - Composite View
- Composite View allows you to edit and apply processing to 16 individual audio tracks as if they were one, easily addressing audio issues that appear across multiple microphones.
- De-bleed
- Working across multiple tracks, the De-bleed module reduces the leakage of one signal into another. De-bleed can help reduce or eliminate bleed from headphones, click tracks, multiple mics with small amounts of cross bleed, and even some drum bleed issues.
- De-ess
- The De-ess plug-in and module attenuates or reduces sibilance (the harsh high-frequency sounds that come from S, F, X, SH, and soft C sounds). Two modes for handling sibilance are provided. Classic Mode detects sibilants and attenuates them with a broadband gain envelope. Spectral Mode is more transparent, intelligent, and frequency-specific and only attenuates the high frequencies where sibilance is most active, leaving the lower frequencies untouched.
- Mouth De-click
- The Mouth De-click module has been finely tuned to detect and reduce mouth noises such as clicks and lip smacks—many listeners' worst nightmare. It's designed for use on longer audio selections, but it can also be used to remove individual clicks.
- Breath Control
- The Breath Control module intelligently detects breaths in dialogue or vocal recordings and suppresses them. Removing and reducing breaths in recordings can be a time-consuming process for dialogue editors and music producers. Breath Control can help reduce the time spent on repetitive editing without sacrificing audio quality.
- Voice De-noise
- The zero-latency Voice De-noise has been designed to focus on dialogue and sung vocal treatment. Voice De-noise has an Adaptive mode that can adjust to a changing noise floor in real time, making it ideal for dialogue denoising. Also added are optimization modes for dialogue and music. When optimized for music, Voice De-noise excels at attenuating unwanted background noise from like air conditioners and street noise from sung vocals in apartment recording situations.
- Key Features at a Glance
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- De-plosive eliminates every plosive from any dialogue track with transparency
- Leveler smooths any volume inconsistencies with an automatic clip gain envelope; leveler optimized for dialogue using intelligent De-breath and De-ess algorithms
- Instant Process tool is a one-click eraser for removing unwanted coughs, scene-interrupting sirens, etc.
- Module Chain can process multiple modules at once, save your customized chains as presets, and execute them all with a single click, enhancing workflow and reducing mouse clicks
- Sync and integrate the RX Audio Editor with any DAW or NLE timeline using RX Connect
- Pro Tools support for clip-by-clip and handles, which preserves the boundaries of clips, allowing for simpler picture changes
- Corrective EQ for removing harsh high frequencies, whines, rumbles, resonances, and distortion artifacts, and for accurately honing in on any problem frequency areas
- Sixty problem-oriented presets across several modules
- Signal Generator creates accurate test tones, calibration tones for post-production delivery specs, bleep tones for eliminating obscenities in dialogue
- Markers and regions (search) provide greater flexibility for those longer edits, with the ability to perform text based searches of any markers, regions, and comments in the metadata of the audio
- Turn flawed audio into usable material by removing noises, distortions, and more
- Edit audio with visual editing techniques using precision drawing tools, such as a brush and magic wand
- Salvage unusable material by filling in audio gaps instantly with Spectral Repair
- Seamlessly integrates with audio or video editing software, both as a standalone application or plug-in
- EQ Match allows for quickly learning the EQ of a source audio clip and applying that EQ curve to a target audio clip, enabling sonic balance and smooth transitions between multiple audio sources with different EQ qualities
- Ambience Match for matching the environment noise of two different audio recordings
- Learn the ambient noise from a source audio clip and apply it to another audio clip, and create long sections of constant ambient noise to insert under inconsistent dialogue recordings
- Loudness module processes whole program mixes or segments to comply with international industry standards, ensuring mixes never fail network specifications
- High-quality resampling using the SRC sample rate conversion algorithm
- Reduce bit resolution for final delivery of a project without sacrificing quality with the MBIT+ Dither algorithm
- Rebuild distorted audio caused by analog and digital overload, and get through projects faster with the automatic Suggest feature
- Spectrum Analyzer delivers a detailed spectral display that detects peaks automatically
- Adaptive Hum Removal notches out fundamental hum frequencies that may change over time, like when recording a shot in multiple locations
- Non-destructive Clip Gain allows for easily adjusting and balancing the volume of vocals and instrumentals
- Export marker regions as files
- Metadata display (see ID3 tags and broadcast WAV metadata like source Timecode, etc.)
- Time-reverse audio
- Updated timeline ruler that displays original recorded source Timecode
- Movable tabs
- Full-screen support for Mac
Table of Contents
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Technical parametersiZotope RX 7 Standard Specs | System Requirements | Mac
OS X 10.8.5 to 10.13
Host software that supports AAX Native (64-bit), Audio Units (32- / 64-bit), AudioSuite DPM, RTAS (32-bit), VST2 (32- / 64-bit), or VST3 (32- / 64-bit) plug-in formats
Windows
Windows 7, 8, and 10
Host software that supports AAX Native (64-bit), AudioSuite DPM, RTAS (32-bit), VST2 (32- / 64-bit), or VST3 (32- / 64-bit) plug-in formats |
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