User manual
Nikon D5 with 500mm Lens Wildlife

User Manual for Nikon D5 with 500mm Lens Wildlife Kit

• Product category: DSLR Cameras Nikon
• Brand: Nikon
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Nikon DSLR Cameras

Product description

• Nikon D5 DSLR Camera (Body Only, Dual XQD Slots)
  • The Making of Inspired: Nikon D5
  Qualifying itself as the flagship model in Nikon's DSLR lineup, the D5 is positioned as a truly fast, highly precise machine for professional photographers. Revolving around a full-frame, FX-format 20.8MP CMOS sensor and EXPEED 5 image processor, this workhorse touts an impressive 12 fps continuous shooting rate with full-time AF and AE, an expandable sensitivity range that goes up to ISO 3280000, and 4K UHD video recording at 30 fps. Matching the imaging versatility, the Nikon D5 is also characterized by its redeveloped Multi-CAM 20K 153-point AF system, which incorporates 99 cross-type sensors for refined precision when tracking moving subjects or working in difficult lighting conditions. This model features dual XQD memory card slots, to provide versatility in file handling during shooting, and a range of selectable raw file sizes can also be used depending on output needs. Designed to keep up with the fastest subjects and handle the most difficult working conditions, the Nikon D5 is an advanced DSLR well-suited to the most extreme multimedia workflows.
  
  Echoing the robust set of imaging capabilities, the D5 is of course equally refined in its handling and physical design attributes. A rear 3.2" 2.36m-dot touchscreen LCD monitor afford clean, clear playback and live view shooting, along with an intuitive means for navigating the menu system. The camera chassis is constructed from magnesium alloy and is both dust- and weather-sealed to enable working in the harshest of environments. Additionally, lending an air of familiarity to the design, a slew of configurable Function buttons are available across the body, and an integrated vertical grip supports working in both horizontal and vertical shooting orientations.
  20.8MP FX-Format CMOS Sensor and EXPEED 5 Image Processor
  • The FX-format 20.8MP CMOS sensor teams with the EXPEED 5 image processor to offer an esteemed mixture of high sensitivity, nuanced image quality, and fast overall performance. At native values, a sensitivity range from ISO 100-102400 permits working in a broad array of lighting conditions, an can be further expanded to ISO 50-3280000 (Lo 1 to Hi 5) to handle the most challenging of situations. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range.
    
    In addition to benefitting image quality, the EXPEED 5 processor also affords a wealth of speed throughout the camera system, including a top continuous shooting rate or 14 fps with the mirror up, or 12 fps with full-time autofocus and auto-exposure control. When shooting at 12 fps, up to 200 frames can be recorded in a single burst, even when shooting 14-bit lossless compressed NEF files. Benefitting this speed, redeveloped sequencer and mirror driving mechanisms also ensure consistent, accurate exposure results as well as a more stable viewfinder image.
  153-Point Multi-CAM 20K Autofocus System
  • Matching the speed and imaging capabilities is the apt Multi-CAM 20K AF system, which features 153 total phase-detection points, including 99 cross-type sensors for improved subject recognition, and 55 of the points are selectable for greater compositional freedom. Benefitting the use of super telephoto lenses and teleconverters, 15 of the points, including 9 selectable points, are compatible with an effective aperture of f/8 and all 153 points support working with effective apertures of f/5.6 or brighter.
    
    Complementing the abundance of focusing points is a dedicated AF engine, which offers quick response times to benefit tracking fast and randomly moving subjects, even at the top 12 fps shooting rate. The AF engine also contributes to enhanced focusing sensitivity, with all points capable of focusing -3 EV and the center point capable of reading at -4 EV for working in very dark, low-contrast situations.
    
    Furthering the versatility of the focusing system, seven different AF-area modes can be selected to support varying types of subjects matter:
    
    • Single-Point AF: The camera uses a single point to find focus.
    • Dynamic-Area AF: Available with 25, 72, or 153-point selections, this mode uses a primary single focus point to lock onto focus, and then makes use of the surrounding points for maintaining focus while tracking erratically-moving subjects.
    • Group-Area AF: This mode treats smaller groups of AF points as a single point for a wider field of recognition, and is well-suited to tracking faces or other detailed subjects.
    • 3D-Tracking: Using a subject's color information, this mode utilizes all 153 points to maintain focus on a moving subject while half-pressing the shutter button.
    • Auto-Area AF: This mode makes use of all 153 points to quickly identify the main subject, and then prioritizes recognized faces as portrait subjects in any AF servo mode.
    
    In addition to the range of AF-area modes, an AF lock-on function can also be used to improve subject tracking performance, and can be adjusted by two parameters--quick or delayed blocked shot AF response and erratic or steady subject movement. By configuring these settings, the AF performance can be optimized to handle a wide variety of subject movement types.
    
    Lastly, a unique auto AF fine-tune function can be employed to ensure the best possible focus for each mounted lens. Rather than relying on photographing distance charts, this function lets you achieve precise focus manually in live view, and then have the AF system calibrate itself to the fine-tuned focus position in order to alleviate front- and back-focusing issues.
  4K UHD Video Recording
  • Taking notice of multimedia image-maker's needs, the D5 is more than just a still camera. Capable of recording 4K UHD video (3840 x 2160) at 30, 25, and 24 fps frame rates, Full HD and HD recording is also supported, along with the ability to save movie files to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out. For maintained quality and versatility in how your movies look, four image area options are available:
    
    • FX-based movie image format makes use of the entire width of the sensor and is used to record Full HD 1920 x 1080 and HD 1280 x 720 video. This setting is well-suited for shallow depth of field effects and provides the widest field of view.
    • 4K UHD movie image format is an area roughly corresponding to a DX crop of the full-frame sensor, and provides a 1.5x increase in the effective focal length of the lens in use. This area is reserved for 4K 3840 x 2160 recording.
    • DX-based movie image format is a similar 1.5x crop of the full-frame sensor, however is used for recording Full HD and HD video.
    • 1920 x 1080 crop movie image format is the smallest recording area, offering roughly a 3x increase in the effective focal length of the lens for gaining narrower fields of view.
    
    As with still shooting, the wide range of sensitivities is available for recording in low- and bright-light conditions, ranging from expanded ISO 100-3280000, and sensitivity values are manually adjustable via the dedicated movie-shooting menu. Also, a video-optimized Flat Picture Control mode can be used during recording to flatten the overall contrast curve for more control during post-production and color grading.
    
    In regard to handling, a dedicated power aperture button (Pv) makes it possible to achieve smooth, continuous exposure transitions when switching from light to dark areas, and Auto ISO can also be used to maintain consistent brightness when working in changing light situations. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality. Regardless if using the in-camera mic or an external mic, audio levels can be adjusted in 20 increments and live monitoring is possible via the headphone jack, which afford 30 different volume levels for playback.
    
    In addition to straight movie recording, time-lapse recording, for up to 9999 consecutive frames shot over the course of up to one week, is also possible with up to 4K UHD/30p output from the camera.
  Body Design
  • • A large 3.2" rear LCD monitor features a high 2.36m-dot resolution for clear, vivid playback and live view shooting. The monitor is also a touchscreen for more intuitive menu navigation and settings control, and it can respond to haptic feedback even while wearing gloves. The touchscreen is also usable while shooting, giving you the ability to choose a focus point or an area to set the white balance from. The screen can also be used as a keyboard for quickly entering notes, copyright info, or IPTC information.
    • This model of the D5 is configured with two XQD card slots, allowing you to extend file saving capabilities by permitting overflow recording, in-camera file duplicating, or the ability to segregate raw and JPEG files between the two cards.
    • The familiar body design incorporates a vertical grip that is designed to be equally as comfortable and efficient when shooting in the vertical or horizontal orientation.
    • A robust magnesium alloy chassis is both dust- and weather-resistant to benefit working in harsh climates and inclement conditions.
    • The ergonomic grip and overall form factor are shaped to benefit handling for extended periods of time and are further accentuated by anti-slip, textured joysticks and easy-to-open card slot covers. Additionally, most of the rear buttons on the rear of the camera are illuminated for greater visibility when working in dim lighting conditions.
    • The bright 0.72x optical pentaprism viewfinder covers 100% of the FX frame for framing accuracy. A detachable DK-27 Eyepiece Adapter also lets you attach a rain cover directly to the viewfinder for more comfortable shooting in wet conditions.
    • Fn1, 2, and 3 Function buttons are placed about the camera body and can be used for adjusting or accessing a range of functions; functions can be assigned to the buttons at will, and customized depending on shooting needs.
    • An electronic front-curtain shutter helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures.
    • The high-precision shutter mechanism has been tested for a long lifespan of 400,000 actuations.
    • The included EN-EL18a rechargeable lithium-ion battery is CIPA-rated to last for approximately 3780 shots per charge in single-frame release modes.
  Scene Recognition System and Exposure Metering
  • The intelligent Scene Recognition System with 3D Color Matrix Metering III utilizes a 180,000-pixel RGB sensor to evaluate and analyze all aspects within a scene, including brightness, contrast, subject distance, and the scene colors, to quickly determine an accurate exposure and white balance setting to best render the scene at hand. The information gathered is also checked against onboard reference images to ensure consistency from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance.
  Other Camera Features
  • • Three different sizes of raw files can be used depending on your output needs; raw size medium and small are 12-bit lossless compressed NEF files while the large file size is a 14-bit lossless uncompressed or compressed NEF file.
    • Spot White Balance control for live view shooting makes setting the white balance as easy as pointing to the area in the frame that should be white. Additionally, 1-6 preset white balance settings can be stored for easier switching between different light sources.
    • When reviewing continuous shooting sequences, you can configure to have the playback begin with the first or last image from the burst.
    • The D5 is compatible with the radio-controlled Advanced Wireless Lighting system, which permits working with the optional WR-R10 Controller and WR-A10 Receiver, along with the SB-5000, for intuitive, controllable wireless flash shooting.
    • The built-in wired LAN function of 1000 Base-T (Gigabit) standard enables high-speed, seamless transferring of still imagery and movie files for expediting an entire post-production workflow.
    • For wireless file transferring, the D5 is compatible with the optional WT-6A Wireless Transmitter.
    • Picture Control modes allow you to set predefined looks to imagery in-camera and include Landscape, Monochrome, Neutral, Portrait, Standard, Vivid, Flat, and user-customizable settings.
    • Language support: Arabic, Bengali, Bulgarian, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Marathi, Norwegian, Persian, Polish, Portuguese (Portugal and Brazil), Romanian, Russian, Serbian, Spanish, Swedish, Tamil, Telugu, Thai, Turkish, Ukrainian, and Vietnamese.
  UPC: 018208015573
• Nikon AF-S NIKKOR 500mm f/4E FL ED VR Lens
  • The Making of Inspired: Nikon D5
  Optimized for fast shooting speeds and working in difficult conditions, the AF-S NIKKOR 500mm f/4E FL ED VR is an impressive telephoto designed for Nikon FX-format DSLRs. The sophisticated optical design incorporates two fluorite and three extra-low dispersion elements to control chromatic aberrations and distortions, as well as lessen the overall weight of the lens. Also contributing to improved image quality, both Nano Crystal and Super Integrated Coatings have been applied to lens elements to lessen flare and ghosting for improved contrast, clarity, and color fidelity. Protecting the advanced optical design is a front fluorine-coated meniscus glass element that, when paired with the weather-resistant magnesium-alloy barrel, supports working in inclement conditions.
  
  A Silent Wave Motor AF system produces fast, near-silent focusing performance that suits both stills shooting and movie recording, which can instantly be manually overridden by simply turning the manual focus ring. Further contributing to photographing in fast-paced situations and difficult lighting, VR (Vibration Reduction) image stabilization compensates for the effects of camera shake by up to four shutter speed steps. Additionally, an electromagnetic aperture mechanism is integrated into the lens design to provide greater exposure control stability that is especially beneficial when working with faster continuous shooting rates.
  • Super telephoto designed for use with FX-format Nikon F-mount cameras, this lens is also compatible with DX models where it will provide a 750mm equivalent focal length.
  • Two fluorite and three extra-low dispersion lens elements work to reduce chromatic aberrations; improve overall image sharpness, clarity, and color fidelity; and help to minimize the overall weight of the lens.
  • A Nano Crystal Coat, along with a Super Integrated Coating, has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting.
  • Vibration Reduction image stabilization helps to reduce the appearance of camera shake by up to four shutter speed stops, benefiting this lens's use in low-light conditions. Additionally, a designated Sport Mode is well-suited to working in fast-paced conditions and a Tripod Mode helps to suppress subtle ground vibrations when working atop a support system.
  • Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. An internal focusing design is also used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
  • Fluorine-coated front meniscus glass element affords protection to the optical system.
  • Dust- and moisture-resistant magnesium-alloy lens barrel benefits the lens' use in inclement conditions.
  • A removable tripod collar is included with the lens for well-balanced support when working from a monopod or tripod. The collar ring also incorporates ball bearings for smooth transitions between horizontal and vertical shooting orientations.
  • Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.
    
    This mechanism limits the compatibility of this lens to the following cameras: D5, D4, D3 series, Df, D850, D810, D810A, D800/E, D750, D700, D610, D600, D500, D300/S, D7500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100, Nikon 1 J1, J2, J3, J4 with FT-1, Nikon 1 V1, V2, V3 with FT-1, and Nikon 1 S1, S2 with FT-1.
  • Compatible with optional AF-S Teleconverter TC-14, TC-17, and TC-20 teleconverters.
  UPC: 018208200535
• Gitzo GT3543LS Systematic Series 3 Carbon Fiber Tripod (Long)
  • The Making of Inspired: Nikon D5
  The GT3543LS Systematic Series 3 Carbon Fiber Tripod from Gitzo is a high capacity carbon fiber tripod that represents the ultimate goals of the Systematic lineup—minimal weight, durability, and uncompromising stability. The Series 3 tripods are optimal for traveling light but with extremely sturdy support, especially for those who prefer to work without a center column or need enhanced modularity.
  
  Within the Series 3 line the GT3543LS is given the "Long" designation as it can extend from a minimum height of 3.5", to a maximum height of 57.5", all while maintaining an impressive weight capacity of 55 lb. Incorporating Gitzo's patented carbon eXact tubing, the GT3543LS sports maximum rigidity while keeping its weight to an absolute minimum. Weighing just 4.5 lb allows the tripod it be easily carried or transported in the studio or out in the field. It's folded length of just 22.4" makes storing or travelling with the tripod easy and convenient.
  
  The Systematic line also features an array of unique, patented, and useful features which set a standard for professional quality. The key design element of the series is the use of Gitzo's Carbon eXact tubes which are extremely rigid despite their lightweight design. The carbon tubing is complimented by Gitzo's G-Lock Ultra twist-locks which maintain stable, solid connections between leg sections and prevent joint damage by blocking out dirt, dust, and moisture. Each leg on the tripod features a 50mm rubber articulating foot, providing a stable and versatile base for setting the tripod on most surfaces. If required, the feet may be removed and replaced with optional metal spikes for increased stability in sand, dirt, mud, snow, and ice. The base of the tripod also features a 3/8"-16 Easy Link attachment thread, allowing the user to connect a variety of accessories to the tripod including magic arms, shoe adapters, LED lights, monitors, and more. UPC: 719821384182
• Wimberley WH-200 Gimbal Tripod Head II with Quick Release Base
  • The Making of Inspired: Nikon D5
  The Wimberley WH-200 Gimbal Tripod Head II with Quick Release Base is a gimbal-type tripod head that incorporates an elevated tilt mechanism and adjustable platform to make the camera/lens' center of gravity and tilt axis of the head be perfectly aligned.Things once thought of as impossible with a ball head are nothing short of mundane with a Wimberley, because a weightless camera/lens combo (even a 600mm f/4 w/ large body) can literally be controlled with one finger. Point the rig where you want and take the hand away, and it stays exactly where you put it.The Version II head is more compact and lightweight, features a redesigned panning base, "soft-touch" knobs, and includes a built-in Arca-type compatible quick release base. An Arca-type quick release plate is required and is available separately.
  • The built-in industry-standard Arca-type quick release clamp makes it compatible with the many different plates available from Arca-Swiss, Acratech , Kirk, Wimberly, Really Right Stuff, Foba, etc.
  • The head does not have separate controls for tension and locking, but the locking controls deliver smooth resistance with diminished "stick-slip".
  • The overall height of the head is 9.25" (23.5cm), with the lens platform adjustable from 3.5 to 7.1" (8.9 x 18cm). The centerline of a balanced lens will be approximately 8.4" (21.3cm) above the bottom of the head.
    Distance from the mounting surface of the platform to the tilt axis: Adjustable from 1.1 to 4.8" (2.8 to 12.2cm).
  • The head's redesigned panning base has zero play and the pan locking knob has been moved to the side of the head; this allows the user to easily operate both knobs with the same hand.
  • Lobed "soft-touch" knobs provide a more comfortable grip and perform better when using gloves.
  • Powder coated/anodized finish.
  • Made in the U.S.A.
  UPC: 753182834412
• Nikon SB-5000 AF Speedlight
  • The Making of Inspired: Nikon D5
  Nikon has reimagined both on- and off-camera lighting with the SB-5000 AF Speedlight, which brings revolutionary radio control to the Creative Lighting System with Advanced Wireless Lighting and comes equipped with a world's first shoe-mounted flash cooling system that enables up to 100 consecutive full-power flashes. These features alone are enough to put it at the top of the speedlight heap, but the SB-5000 doesn't rest and provides a powerful guide number of 113' at ISO 100 and 35mm while also shrinking in overall size compared to its predecessors.
  
  Of course, the SB-5000 AF Speedlight is fully compatible with Nikon's i-TTL automatic exposure system found in a majority of their cameras for fast, accurate operation. The radio control implemented in the SB-5000 requires a compatible DSLR using the WR-A10 Wireless Remote Adapter and WR-R10 Wireless Remote Controller in order to fully realize the power of the system. This enables the camera and flash to wirelessly control up to six groups of flashes from up to 98' away, without requiring any line of sight. Also, the SB-5000 and the radio system are fully compatible with the existing optical triggering method of older units and can even be mixed and matched for maximum versatility.
  
  Designed for reliability as well as versatility, the innovative built-in cooling system of the SB-5000 is a first for shoe-mounted flashes. It vents heat quickly and efficiently, allowing you to fire up to 100 consecutive full power flashes without issue. It also means that the flash can be made smaller without compromising performance. This new design also ensures speedy and intuitive operation, implementing an Info button for fast access to some of your most commonly used settings.
  
  As a standard flash the SB-5000 will not disappoint, providing a wide ranging zoom head of 24-200mm which can be extended down to 14mm with use of the built-in diffusion panel. The head will also tilt from -7 to +90° and rotate left and right 180° for complete bounce capabilities. Full sync mode support is available with slow, high-speed, 1st and 2nd curtain options.
  
  The flash has a quick recycle time of 1.8-2.6 seconds and runs on four AA batteries. It can be powered by select external battery packs. A PC terminal can be found on the SB-5000 for further triggering options and it comes with a stand, diffusion dome, fluorescent and incandescent filters, and a soft case.
  • Radio control Advanced Wireless Lighting when used with a D5 or D500 DSLR equipped with WR-R10 Wireless Remote Controller and WR-A10 Wireless Remote Adapter
  • Radio triggering range of 98' with no line-of-sight requirement and with control over 6 groups of flashes
  • Shoe-mount flash cooling system with a heat-shedding design enables over 100 bursts at full output without overheating
  • Guide number of 113' at ISO 100 and 35mm or 180' at ISO 100 and 200mm
  • Coverage of 14-24mm in FX when using built-in wide-angle diffusion panel
  • Manual power output from 1/1 to 1/256
  • Light distribution angle is automatically adjustable to the camera's image area in both FX and DX formats with standard, even, and center-weighted options
  • Wireless Commander TTL capabilities with both optical and radio trigger options
  • Commander Mode to set up optical wireless flashes in 3 groups and in one of 4 channels
  • Control and mix optical and radio flashes
  • Backlit rear LCD panel
  • Customize settings with Unified Flash Control and a personal computer with version 2.23 or later of Nikon's Camera Control Pro 2 software installed
  • Flash head tilts with click-stops at -7°, 0°, 45 °, 60°, 75°, and 90°
  • Flash head rotates left and right with click-stops at 0°, 30°, 60°, 75°, 90°, 120°, 150°, and 180°
  • Flash exposure compensation from -3 to +3 EV in 1/3 EV steps
  • Info button for fast access to commonly adjusted settings
  • Works with SK-6 Power Bracket Unit and SD-9 High-Performance Battery Pack
  • Flash-ready indicator lights
  • Flash duration of 1/980 to 1/30,820 second depending on output setting
  • AF-assist light, modeling illuminator, monitor pre-flashes, and test firing settings
  • Automatic color filter detection for adjusting the camera's color temperature settings
  • Firmware can be updated through camera
  UPC: 018208048151
• Visual Echoes FX6 Better Beamer Flash Extender
  • The Making of Inspired: Nikon D5
  The Visual Echos FX6 Better Beamer Flash Extender will help to increase the reach of the flash, and increases the flash output by about 2 to 3 f/stops. It focuses and concentrates the output of the flash into a narrow beam via the Fresnel screen that gets positioned in front of the flash. This allows shooting at greater distances and shooting with smaller apertures. The Better Beamer is designed to be used with lenses 300mm and longer. Its rugged injection-molded plastic side supports are attached to the flash head by a sturdy elastic "hook-and-loop" band. The rigid supports hold the Fresnel screen in place in both horizontal and vertical formats. Just weighs 2.5 oz.The FX6 version is designed to fit the Nikon SB-5000 AF, SB-910 AF, SB-900 AF Speedlights and the Canon Speedlite 600EX II-RT, without any need for use of additional "shims."
  • Excellent for wildlife and birding photography, where long-distance fill-flash is often required, especially with a bright sunlight background. The use of fill flash opens up the shadows without the appearance that a flash was used.
  • When used with TTL flash metering, exposure is automatically set by the camera and flash, and no special compensation is required.
  • Reduces the drain on battery power by two-thirds.

• D5 DSLR Camera (Body Only, Dual XQD Slots) vvsqurcr
• EN-EL18a Rechargeable Lithium-Ion Battery (10.8V, 2500mAh)
• MH-26a Battery Charger
• UC-E22 USB 3.0 Cable
• AN-DC15 Camera Strap
• BF-1B Body Cap
• BS-3 Accessory Shoe Cover
• USB Cable Clip
• HDMI Cable Clip
• DK-27 Eyepiece Adapter
• DK-17F Fluorine-Coated Finder Eyepiece
• BL-6 Battery Chamber Cover
• Limited 1-Year Warranty

• AF-S NIKKOR 500mm f/4E FL ED VR Lens

• Gitzo - GT3543LS Systematic Series 3 Carbon Fiber Tripod (Long)

• Wimberley - WH-200 Gimbal Tripod Head II with Quick Release Base

• SB-5000 AF Speedlight

• Visual Echoes - FX6 Better Beamer Flash Extender

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Technical parameters

• Nikon D5 DSLR Camera (Body Only, Dual XQD Slots)

  Lens Mount	Nikon F
  Camera Format	Full-Frame (1x Crop Factor)
  Pixels	Actual: 21.33 Megapixel Effective: 20.8 Megapixel
  Maximum Resolution	5568 x 3712
  Aspect Ratio	3:2, 4:5
  Sensor Type	CMOS
  Sensor Size	35.9 x 23.9 mm
  Image File Format	JPEG, RAW, TIFF
  Bit Depth	14-Bit
  Image Stabilization	None

  ISO Sensitivity	Auto, 100 to 102400 (Extended: 50 to 3280000)
  Shutter Speed	Electronic Front Curtain Shutter 1/8000 to 30 Seconds
  Metering Method	3D Color Matrix, Center-Weighted Average, Spot, Highlight Weighted
  Exposure Modes	Aperture Priority, Manual, Program, Shutter Priority
  Exposure Compensation	-5 to +5 EV (1/3, 1/2, 1 EV Steps)
  Metering Range	-4 to 20 EV
  White Balance	Auto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade
  Continuous Shooting	Up to 12 fps at 20.8 MP for up to 200 Exposures (Raw Format)
  Interval Recording	Yes
  Self Timer	2/5/10/20-Second Delay
  Mirror Lock-Up	Yes

  Recording Modes	MOV/H.264 UHD 4K (3840 x 2160) at 23.976p/25p/29.97p Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p HD (1280 x 720) at 50p/59.94p
  External Recording Modes	UHD 4K (3840 x 2160) Full HD (1920 x 1080) HD (1280 x 720)
  Video Encoding	NTSC
  ISO Sensitivity	Auto/Manual: 100 to 102400 (Extended: 3280000)
  Audio Recording	Built-In Microphone (Stereo) External Microphone Input
  Audio File Format	Linear PCM (Stereo)

  Focus Type	Auto and Manual Focus
  Focus Mode	Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
  Autofocus Points	Phase Detection: 153 (99 Cross-Type)
  Autofocus Sensitivity	-4 to +20 EV

  Viewfinder Type	Optical (Pentaprism)
  Viewfinder Eye Point	17 mm
  Viewfinder Coverage	100%
  Viewfinder Magnification	Approx. 0.72x
  Diopter Adjustment	-3 to +1 m
  Monitor Size	3.2"
  Monitor Resolution	2,359,000 Dot
  Monitor Type	Touchscreen LCD

  Built-in Flash	None
  Flash Modes	First-Curtain Sync, Hi-Speed Sync, Off, Rear Curtain/Slow Sync, Rear Sync, Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
  Maximum Sync Speed	1/250 Second
  Flash Compensation	-3 to +1 EV (1/3, 1/2, 1 EV Steps)
  Dedicated Flash System	iTTL
  External Flash Connection	Hot Shoe, PC Terminal

  Memory Card Slot	2 x XQD
  Connectivity	3.5mm Headphone, 3.5mm Microphone, HDMI C (Mini), USB 2.0 Micro-B, Nikon 10-Pin, USB 3.0
  Wireless	Wi-Fi (Via Adapter)
  GPS	None

  Operating Temperature	32 to 104°F / 0 to 40°C
  Operating Humidity	0 to 85%

  Battery	1 x EN-EL18a Rechargeable Lithium-Ion, 10.8 VDC, 2500 mAh
  Dimensions (W x H x D)	6.3 x 6.2 x 3.6" / 160.0 x 158.5 x 92.0 mm
  Weight	3.11 lb / 1415 g (Body with Battery and Memory)

  Box Dimensions (LxWxH)	11.2 x 8.5 x 6.7"

• Nikon AF-S NIKKOR 500mm f/4E FL ED VR Lens

  Focal Length	500mm
  Maximum Aperture	f/4
  Minimum Aperture	f/22
  Lens Mount	Nikon F
  Format Compatibility	Full-Frame
  Angle of View	5 Rating 90% users recommend this product to others. And what about you? This product has already been rated by 93 owners. Add your rating and experience with the product. Discussion Ask our technicians if you have a problem with your settings, or if anything is unclear in the user manual you have downloaded. You can make use of our moderated discussion. The discussion is public and helps other users of our website who may be encountering similar problems. The discussion is empty - enter the first post Post a new topic / query / comment: Items marked with * are required. Your name *: E-mail : Subject *: Message *: Your email address will not be displayed. Do not forget to fill it in if you want to receive a reply to your enquiry/contribution. Processing of personal data in accordance with GDPR