User manual
Panasonic Lumix DC-GH5 Mirrorless Micro Four

User Manual for Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens and Ninja V Kit

• Product category: Mirrorless System Cameras Panasonic
• Brand: Panasonic
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Panasonic Mirrorless System Cameras

Product description

• Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only)
  • Exclusive Interview with Panasonic
  • Panasonic GH5 Live Discussion Panel
  • LUMIX DC-GH5 Introduction (4K)
  • Panasonic LUMIX GH5 Teaser Video 4K
  Upgraded, redesigned, and filled with features, the Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera from Panasonic provides an outstanding imaging platform for shooters who demand some of the best video and still photography quality they can get in a single compact camera. At the heart of the camera is a 20.3MP Digital Live MOS sensor and a newly developed Venus Engine processor, which both offer dramatically improved processing times over its predecessor. This enables the ability to record 4K video at up to 60 fps, 10-bit 4:2:2 internal recording with select settings, Full HD video at up to 180 fps, 12 fps continuous shooting, and sensitivities up to ISO 25600. Also, the camera features built-in 5-axis sensor stabilization, which can work with certain lenses to activate Dual I.S. 2 for highly effective shake correction that can compensate for up to 5 stops of shutter speed. Other improvements include a speedier and more accurate Advanced DFD autofocus system that can lock on in just 0.05 seconds, as well as 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps.
  
  Along with all these internal improvements, the body received some significant upgrades as well. For viewing and composing images both the 0.76x OLED viewfinder and 3.2" free-angle touchscreen received resolution bumps to 3.68m dots and 1.62 m dots, respectively. This will make shooting more comfortable and more accurate. The magnesium alloy body is now freezeproof to 14°F in addition to splash and dustproof. For fast image transfer and saving, there are now two UHS-II SD card slots. Additionally, for a completely wireless setup it offers both Wi-Fi and Bluetooth for advanced functionality when paired with a mobile app.
  20.3MP Digital Live MOS Sensor and Venus Engine
  • Packing in a newly developed 20.3MP Digital Live MOS sensor without an optical low-pass filter and a new Venus Engine processor, the GH5 claims to produce the best image quality to date from a Lumix camera. Using Multipixel Luminance Generation and Intelligent Detail Processing, it will maximize sharpness and details as well as accuracy in a variety of lighting conditions. It offers excellent three-dimension color control and precise noise reduction techniques to help with shooting at sensitivities up to ISO 25600. It also enables shooting speeds of up to 12 fps with AF-S or manual focus modes.
  4K Video Recording
  • The GH5 is an exceptionally capable video camera in addition to its outstanding stills capabilities. The flagship feature is UHD 4K video at up to 60 fps, though another excellent spec is the ability to record 4:2:2 10-bit files at resolutions up to DCI and UHD 4K at 24/30 fps. A full-size HDMI port is present on the camera for high-quality output at 4:2:2 10-bit in all settings for use with external monitors and recorders. The camera also offers high bit-rate recording for highly detailed images free of compression artifacts.
    
    For more advanced users, multiple picture styles are available to provide a more gradable image, such as CINELIKE V and CINELIKE D, as well as an in-camera LUT to make monitoring easier. Also, users will have access to overcranking and undercranking settings which provide speeds up to 2.5x slower in 4K (60 fps) and 7.5x slower in Full HD (180 fps). Also, a 4K Anamorphic mode is available, which will let you record in a proper 4:3 ratio for adjustment in post-production.
    
    The GH5 is designed to be an expandable system, with multiple options available to help improve video recording capabilities. Examples of this are an optional V-Log L upgrade and separately available accessories such as the XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection. Users can also use standard microphones and headphones via the 3.5mm input and output jacks.
  6K and 4K PHOTO
  • Utilizing the GH5's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
    
    • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
    • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
    • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18 MP frame.
    Dual I.S. 2
    • Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the GH5's sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 5 stops of camera shake.
    Body Design and Built-In Wi-Fi
    • • A large OLED Live View Finder has an impressive 3.86m-dot resolution and 0.76x magnification for eye-level composition.
      • A larger means for image composition and playback, the 3.2" 1.62m-dot rear RGBW LCD monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
      • Dual UHS-II SD card slots are present which provides settings such as Relay Recording to automatically switch cards when one is full; Backup Recording, which recording the same data to both cards simultaneously; and Allocation Recording, which lets you save certain files to each card for easier organization.
      • Constructed from magnesium alloy with die-cast front and rear frames, the GH5 features a durable design that also incorporates extensive sealing at each joint, dial, and button to render it both splash- and dust-proof as well as freezeproof to 14°F.
      • A joystick is available on the rear of the camera to make changing many settings easier and more intuitive, such as changing a focus point.
      • The sleek flat-body profile incorporates both front and rear dials for intuitive control over aperture and shutter speed settings. Multiple assignable function buttons are also available, as well as a dedicated exposure compensation dial.
      • Built-in 5 GHz Wi-Fi connectivity with NFC and Bluetooth 4.2 Low Energy allows for wireless image sharing and remote camera control from linked smartphones and tablets. Bluetooth LE also enables a constant connection to your mobile device, allowing for functions such as geolocation and automatic image transfer.
    225-Area Advanced Depth-From-Defocus AF System
    • For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.05 seconds, which enables continuous shooting up to 9 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.
      
      Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation.
    Other Camera Features
    • • A mechanical focal plane shutter enables a fast maximum shutter speed of 1/8000 sec., as well as a top flash sync speed of 1/250 sec. An electronic shutter function also avails a top shutter speed of 1/16,000 sec. to better enable working in bright conditions and with wider aperture settings.
      • Raw image files can be processed in-camera for a more streamlined post-production workflow.
      • Depending on the lens in use, the included DMW-BLF19 battery provides approximately 400 shots per charge when using the rear monitor, or 380 with the electronic viewfinder.
      • Photo Style modes: Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom, Cinelike D, and Cinelike V.
      • Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine.
    Firmware Update Schedule
    • • Full HD 4:2:2 10-bit video recording.
      • 400 Mbps 4:2:2 10-bit All-Intra video recording in 4K 30p, 25p, and 24p as well as Full HD.
      • Higher resolution Anamorphic mode.
      • Hybrid Log Gamma in Photo Style mode for 4K HDR video recording.
      • USB tethering.
      UPC: 885170307100
    • Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens
      • Exclusive Interview with Panasonic
      • Panasonic GH5 Live Discussion Panel
      • LUMIX DC-GH5 Introduction (4K)
      • Panasonic LUMIX GH5 Teaser Video 4K
      A versatile zoom covering wide-angle to portrait-length perspectives, the Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens from Panasonic is designed for Micro Four Thirds cameras, where it provides a convenient 24-70mm equivalent focal length range. A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. The sophisticated optical design employs a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for sharp, clean image quality and a Nano Surface Coating has also been applied to reduce ghosting and flare. A POWER Optical Image Stabilizer minimizes the appearance of camera shake to suit handheld shooting, and this O.I.S. system is also compatible with Dual I.S. for enhanced stabilization performance. Additionally, the lens also features a durable all-metal housing that is dust, splash, and freezeproof to enable its use in harsh climates.
      • Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-70mm equivalent focal length range.
      • Bright constant f/2.8 maximum aperture maintains consistent performance throughout the zoom range.
      • Four aspherical elements, one ultra extra-low dispersion element, and one ultra high refractive index element all contribute to minimizing chromatic and spherical aberrations and various aberrations in order to produce a high degree of clarity, sharpness, and color accuracy.
      • Nano Surface Coating has been applied to individual elements to reduce flare and ghosting for improved contrast and color neutrality.
      • POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance.
      • Splash, dust, and freezeproof design benefits working in inclement weather conditions.
      • Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality.
      UPC: 885170310797
    • Atomos Ninja V 5" 4K HDMI Recording Monitor
      • Exclusive Interview with Panasonic
      • Panasonic GH5 Live Discussion Panel
      • LUMIX DC-GH5 Introduction (4K)
      • Panasonic LUMIX GH5 Teaser Video 4K
      The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
      
      Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit. Designed with an interface that differs somewhat from prior units, the Ninja V's HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit's upper left corner. The Ninja V can record to both AtomX SSDmini or standard 2.5" SSD drives, fitting up to 150 minutes of 4K video on an 1TB drive. Separately available AtomX Ethernet/NDI and SYNC Expansion Modules enable you to output live video over IP or add wireless timecode for multicamera shoots respectively.

      AtomHDR

      • With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

      Supported Log Formats

      • • ARRI Log C
        • Canon CLog / CLog 2
        • Fuji F-Log
        • JVC JLog
        • Sony SLog2 / SLog3
        • Panasonic Vlog
        • RED LogFilm

      HDR Recording

      • • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
        • Canon CLog / CLog2 / Clog3
        • Fuji F-Log
        • JVC JLog1
        • Panasonic Vlog
        • PQ10k, HLG
        • RED LogFilm / Log3G10 / Log3G12
        • Sony SLog / SLog2 / SLog3

      HDR Monitoring

      • • ARRI ALEXA Wide Gamut
        • Canon Cinema / DCI P3 / DCI P3+ / BT2020
        • Fuji F-Log
        • JVC LS300
        • Panasonic V Gamut
        • Rec. 2100
        • Rec. 709
        • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
        • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
        • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
        • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out

      4K 60p Capabilities

      • Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

      SSD Recording

      • Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives, capturing up to 150 minutes of 4K video on a 1TB drive.

      Audio I/O

      • Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

      5" Daylight Viewable Screen

      • The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.

      HDR Signal Management

      • Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

      Anamorphic De-Squeeze

      • The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.

      Edit-Ready Recording

      • Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

      Optional Expansion Modules

      • The Ninja V features a bidirectional high-speed video port along with power and audio which enables the use of the AtomX Ethernet/NDI and SYNC modules along with future module releases.
      UPC: 814164021074
    • Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors
      • Exclusive Interview with Panasonic
      • Panasonic GH5 Live Discussion Panel
      • LUMIX DC-GH5 Introduction (4K)
      • Panasonic LUMIX GH5 Teaser Video 4K
      Add a monitor to your video recording system with this aluminum Heavy Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable. Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head. Note: Due to its compact design, this ball head should not be used to support a camera.
      • Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
      • Single locking knob for safe and fast operation
      • Head itself allows for 90º vertical articulation
      • Fits most standard shoe mounts (except for Sony flash shoe)
      UPC: 847628578029
    • Atomos Full HDMI to Full HDMI Coiled Cable (19.7 to 25.6")
      • Exclusive Interview with Panasonic
      • Panasonic GH5 Live Discussion Panel
      • LUMIX DC-GH5 Introduction (4K)
      • Panasonic LUMIX GH5 Teaser Video 4K
      The 19.7 to 25.6" Full HDMI to Full HDMI Coiled Cable from Atomos is coiled to prevent clutter, but it can extend up to 25.6". UPC: 853815005704
    • Atomos Power Kit for Shogun/Ninja Inferno & Flame
      • Exclusive Interview with Panasonic
      • Panasonic GH5 Live Discussion Panel
      • LUMIX DC-GH5 Introduction (4K)
      • Panasonic LUMIX GH5 Teaser Video 4K
      The Atomos Power Kit includes two NP-F750 5200mAh batteries, a charger, and a power adapter for the Shogun/Ninja Inferno and Flame. UPC: 814164020756
    In the Box
    • Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only) zyacyadtxu
    • DMW-BLF19 Rechargeable Lithium-Ion Battery Pack (7.2V, 1860mAh)
    • DMW-BTC10 Battery Charger
    • Body Cap
    • USB Cable
    • Shoulder Strap
    • Cable Holder
    • Limited 1-Year Warranty
    • Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens zyacyadtxu
    • Atomos - Ninja V 5" 4K HDMI Recording Monitor
    • Elvid - Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors
    • Atomos - Full HDMI to Full HDMI Coiled Cable (19.7 to 25.6")
    • Atomos - Power Kit for Shogun/Ninja Inferno & Flame
    Table of Contents

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Technical parameters

• Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only)

  Lens Mount	Micro Four Thirds
  Camera Format	Micro Four Thirds (2x Crop Factor)
  Pixels	Actual: 21.77 Megapixel Effective: 20.3 Megapixel
  Maximum Resolution	5184 x 3888
  Aspect Ratio	1:1, 3:2, 4:3, 16:9
  Sensor Type	MOS
  Sensor Size	17.3 x 13 mm
  Image File Format	JPEG, RAW
  Image Stabilization	Sensor-Shift, 5-Axis

  ISO Sensitivity	Auto, 200 to 25600 (Extended: 100 to 25600)
  Shutter Speed	Electronic Front Curtain Shutter 1/8000 to 60 Seconds 1 to 30 Minutes in Bulb Mode 1/16000 to 1/24 Second in Movie Mode Electronic Shutter 1/16000 to 1 Second
  Metering Method	Center-Weighted Average, Multiple, Spot
  Exposure Modes	Aperture Priority, Manual, Program, Shutter Priority
  Exposure Compensation	-5 to +5 EV (1/3 EV Steps)
  Metering Range	0 to 18 EV
  White Balance	Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
  Continuous Shooting	Up to 12 fps at 20.3 MP Up to 30 fps at 18 MP Up to 60 fps at 8 MP
  Interval Recording	Yes
  Self Timer	2/10-Second Delay

  Recording Modes	MOV/MP4 4:2:2 10-Bit DCI 4K (4096 x 2160) at 23.976p/24p [150 to 400 Mb/s] UHD 4K (3840 x 2160) at 23.976p/24p/25p/29.97p [150 to 400 Mb/s] Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s] Full HD (1920 x 1080) at 23.976p/24p/25p/29.97p [100 to 200 Mb/s] MOV/MP4 4:2:0 8-Bit DCI 4K (4096 x 2160) at 23.976p/24p [100 Mb/s] UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s] UHD 4K (3840 x 2160) at 23.976p/24p/25p/29.97p [100 Mb/s] Full HD (1920 x 1080) at 23.976p/24p/25p/29.97p/50p/59.94p [100 Mb/s] Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s] Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s] Full HD (1920 x 1080) at 23.976p/24p [24 Mb/s] MP4 4:2:0 10-Bit UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s] AVCHD Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s] Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s] Full HD (1920 x 1080) at 23.976p [24 Mb/s]
  External Recording Modes	4:2:2 10-Bit
  Video Encoding	NTSC/PAL
  Audio Recording	Built-In Microphone (Stereo) External Microphone Input
  Audio File Format	AAC, Dolby Digital 2ch

  Focus Type	Auto and Manual Focus
  Focus Mode	Continuous-Servo AF (C), Flexible (AFF), Manual Focus (M), Single-Servo AF (S)
  Autofocus Points	Contrast Detection: 225
  Autofocus Sensitivity	-4 to +18 EV

  Viewfinder Type	Electronic
  Viewfinder Resolution	3,686,000 Dot
  Viewfinder Eye Point	21 mm
  Viewfinder Coverage	100%
  Viewfinder Magnification	Approx. 0.76x
  Diopter Adjustment	-4 to +3 m
  Monitor Size	3.2"
  Monitor Resolution	1,620,000 Dot
  Monitor Type	Articulating Touchscreen LCD

  Built-in Flash	None
  Flash Modes	Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
  Maximum Sync Speed	1/250 Second
  Flash Compensation	-3 to +3 EV (1/3 EV Steps)
  Dedicated Flash System	TTL
  External Flash Connection	Hot Shoe, PC Terminal

  Memory Card Slot	2 x SD/SDHC/SDXC
  Connectivity	3.5mm Headphone, 3.5mm Microphone, 2.5mm Sub-Mini, HDMI A (Full Size), USB 3.0
  Wireless	Wi-Fi Bluetooth
  GPS	None

  Operating Temperature	14 to 104°F / -10 to 40°C
  Operating Humidity	10 to 80%

  Battery	1 x DMW-BLF19 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh
  Dimensions (W x H x D)	5.5 x 3.9 x 3.4" / 138.5 x 98.1 x 87.4 mm
  Weight	1.59 lb / 725 g (Body with Battery and Memory)

  Box Dimensions (LxWxH)	7.5 x 6.0 x 5.8"

• Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens

  Focal Length	12 to 35mm (35mm Equivalent Focal Length: 24 to 70mm)
  Maximum Aperture	f/2.8
  Minimum Aperture	f/22
  Lens Mount	Micro Four Thirds
  Format Compatibility	Micro Four Thirds
  Angle of View	84 Rating 92% users recommend this product to others. And what about you? This product has already been rated by 17 owners. Add your rating and experience with the product. Discussion Ask our technicians if you have a problem with your settings, or if anything is unclear in the user manual you have downloaded. You can make use of our moderated discussion. The discussion is public and helps other users of our website who may be encountering similar problems. The discussion is empty - enter the first post Post a new topic / query / comment: Items marked with * are required. Your name *: E-mail : Subject *: Message *: Your email address will not be displayed. Do not forget to fill it in if you want to receive a reply to your enquiry/contribution. Processing of personal data in accordance with GDPR