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User Manual for Pomfort Silverstack Lab V6 Click to enlarge the picture
Contents of the user manual for the Pomfort Silverstack Lab V6
- Product category: Video Editing Pomfort
- Brand: Pomfort
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for Pomfort Video Editing
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User manual for the Pomfort Silverstack Lab V6 contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any Pomfort product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official Pomfort user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a Pomfort product will considerably shorten its lifespan!
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Product description Pomfort Silverstack Lab V6 is the complete Silverstack version, featuring advanced on-set data management and dailies processing in one application for all kinds of professional film productions. This is a one-year subscription license to Silverstack Lab that provides you with unlimited free upgrades during the subscription period and which can be renewed when the year expires.
Main data management features include copying, playback, reporting, transcoding, advanced grading, and advanced audio file handling tools for backing up, previewing, and preparing data right on the set. Footage can be backed up securely and organized transparently. At the same time, parallel support for the creation of DNxHD, ProRes, and H.264 files in various resolutions allows for simultaneous and efficient dailies creation. The end result is that data and dailies become accessible for review and further processing in one place at the end of every production day — plus, the combination of two normally separate processes ensures a seamless and simpler workflow, less errors, and reduced costs.
Silverstack Lab supports all major camera formats and handles all data the same way no matter which of these formats you use. On top of that, it automatically stores and organizes clip, audio, and look information in a central library, preventing data loss and enabling you to easily control, track, and access all assets. Footage can be instantly secured, checked for quality, and prepared for further distribution. The central library is clearly arranged and provides for a transparent data management workflow. When transcodes are created the library also tracks and logs all essential dailies information.
For copying and backing up your data securely, Silverstack Lab uses common and up to date checksum methods, and backs up the data to multiple destinations. Using the cascading copy function, you can back up footage to the fastest medium first, before a second copy process automatically begins to the remaining drives.
Silverstack Lab flexibly integrates with common 3rd-party applications, such as DaVinci Resolve, Avid Media Composer, Adobe Premiere, and Divergent Media ScopeBox, allowing for seamless transfer of data and color for further review and processing. Silverstack Lab also lets you generate customizable shooting day, clip, thumbnail, or volume reports with just a few clicks to quickly give the production team a detailed overview of all relevant production data.
To check for quality of the source material, Silverstack Lab allows you to play back and inspect clips natively in different resolutions to detect image errors instantly. You can furthermore check clipping, focus, and exposure with Silverstack Lab's visual controls, and use look management functionality for applying and adjusting colors. Note: Your purchase provides you with the latest version of Silverstack Lab. Clip Library - Library
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- Storage of all assets in one comprehensive library
- Thumbnails for all assets
- Access to all assets at all times, even when offline
- File Sequences
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- Automatic detection of file sequences
- Treatment of entire file sequences as single clips for easier management
- File sequence input for JPEG, TIFF and DPX files (e.g. for playback and transcoding of timelapse sequences)
- Management
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- Support for camera-specific metadata (for selected camera formats)
- Extraction of metadata from clips and sidecar files (XML, ALE, etc.) (for selected camera formats)
- Management of source and transcoded clips in one library
- Transcoding statistics
- Color & Look
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- Typical grade controls
- Node based CDL and LUT grading mode
- Advanced grading modes (including ACES modes)
- Basic grading nodes include ASC-CDL and 3D LUT
- Advanced grading nodes include 1D LUT, HHS and curve nodes
- Load and save ASC-CDL (.cdl) directly to/from grading node
- Advanced player grid view for side-by-side reference view of up to 12 clips
- Look library
- Grading panel support
- Combine clip and look information in one library
- Manage and download latest ACES versions (up to ACES v1.0.3)
- RED IPP2 color processing for custom looks
- Audio
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- Automatic detection of Broadcast Wave (BWF, .wav) audio files
- Automatic assembly of audio tracks to audio clips
- Automatic audio sync by timecode
- Easy slipping, re-sync and batch edit of timecode-synced audio clips
- Manual audio sync with video clips
- Audible frame stepping
- Search
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- Clip search by name, metadata, user info, etc.
- Smart-folders for complex and recurring searches
- Import
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- Metadata import, merge different libraries with bins, folders, and projects
- Relink
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- Relinking of files which were moved/copied outside of Silverstack
Offload & Backup - Backup
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- Multi-destination file copy
- Checksum verified copy for maximum security - MD5, SHA1, xxhash, xxhash64 (compatible to Google's xxhash)
- Support for backing up to LTO tapes via LTFS
- Support for backing up to Sony ODA (Optical Disk Archive)
- Offload
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- Offload of camera storage cards
- Cascading copy, first to fast drives, from there to slower drives
- Preservation of folder structures
- Creation of custom folder structures with wildcards
- Provide custom bin name on offload
- Offload wizard templates
- Ingest
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- Detection of duplicate clips for less confusion in post
- Format-specific ingest preferences for look management, audio and format options
- Easily register files in the library without copying
- Volumes
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- Overview of all used volumes
- Inspection of capacity, fill levels, and stored files
- Unmounting of volumes without going through Finder
- Sealing of volumes to ensure completeness and consistency of media data
- Seal management (seal info, delete, re-seal)
- Wildcards
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- File name creation based on clip metadata
Jobs - Job Queue
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- Queuing of jobs for consecutive and parallel execution of multiple jobs
- Job History
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- Overview of all finished copy jobs
- Job Status
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- Constant access to the status of all jobs through a pervasive status display
- Instant and notable indication of success or errors for faster turnaround times
Quality Check - Native Playback (for Selected Camera Formats)
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- Real-time playback of camera-native media
- Comprehensive clip timeline for quick navigation
- Audio clip playback with metering and channel mixer
- Playback of single audio tracks
- "Absolute time" and "every frame" playback mode
- Processing (for Selected Camera Formats)
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- Live processing with per-clip settings for playback and transcoding
- Anamorphic de-squeeze for correcting images from anamorphic lenses
- Flip horizontally (mirror), vertically (upside down) or both (180° rotation)
- Look processing (e.g. log-to-video from file, preset or custom 3D LUT)
- Frame Lines
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- Framing assistance for multiple aspect ratios
- HD-SDI Output
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- Full quality 10-bit clip review on HD-SDI monitors
- External Video Supported Devices
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- AJA KONA series, AJA Io series, AJA T-TAP
- Blackmagic Design Ultrastudio series, Mini Recorder, and DeckLink cards
- Video Scopes
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- Integration with ScopeBox (via ScopeLink) for professional video scopes
- Playback via Quick Look
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- Media Files: QuickTime, AVI, MPEG4, MP3, AAC, AIFF, WAV, JPEG, JPEG 2000, Adobe PhotoShop, TIFF, BMP
- Additional Formats: XDCAM HD, DPX and others with 3rd party Quick Look plugins
- Production Documents: PDF, HTML, RTF, Pages, Numbers, Keynote, Word, Excel, PowerPoint, TXT, CSV
- Display Options (for Selected Camera Formats)
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- Separate color channels
- Black and white clipping indicator
- Focus assist for inspecting focus on small screens
- User Information (for Selected Camera Formats)
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- Support for comments, labels, ratings, and flags
- Cue points for commenting on specific frames
- In- and out-points for marking relevant clip segments
- Cue points are fully integrated into the library search
Transcoding - Transcoding
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- Comprehensive transcoding tab to manage transcoding settings
- Path wildcards for custom folder structures of transcoding destinations
- Transcoding preview player mode to preview the transcoding configuration
- Automatic ingest of transcoded clips to the library
- Support of second GPU for transcoding
- Destination Formats
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- MXF DNxHD
- QuickTime ProRes
- QuickTime H.264
- Transcoding Options
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- One custom transcoding configuration and multiple preinstalled transcoding presets
- Multiple custom transcoding configurations
- Multi-format and multi destination transcoding to different resolutions
- Output resolutions larger than Full HD (1920 x 1080)
- Advanced burn-in options and watermarking
- Frame line burn-ins
- Embedded Audio
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- Stereo mixdown with Linear PCM and AAC codecs
- Multichannel audio in transcoded clips
- Automatic pause of transcoding during copy and playback
- Workflow Support
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- Automatic metadata companion file export
- Compositing
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- De-squeeze and flip conversion
- Transcoding with look from file or as in library
- Configurable resolution and cropping
Reports - Export
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- Distribute well structured information to others on and beyond set
- Formats
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- Export reports including all metadata from the library
- Choose from multiple formats (CSV, HTML, PDF)
- Choose from multiple report types
- Customize metadata content of reports
Import & Export - Import
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- Matching of QTake XMLs for metadata import
- Matching of MovieSlate XMLs for metadata import
- Conforming EDLs for consolidating referenced clips in a new bin
- Importing of sealed library archives
- Export
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- Export of FCP XML and FCP X FCPXML file with extended metadata
- Export of ALE file
- Export to DaVinci Resolve including clip (*.csv) and color (*.ccc, ColorTrace) metadata
- Export to Assimilate Scratch including color metadata (via *.ale)
- Export to Avid Media Composer including color metadata (via *.ale)
- Export of clip metadata to Adobe Premiere Pro (via *.xml)
- Export of still images (JPG, TIFF) from player
- Looks
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- Import of Looks from Pomfort's LiveGrade
- Import of custom 3D-LUT files
- Export of Looks to multiple formats
- Project Settings
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- Export and import of project settings
- Default project settings template for new projects
- Enables easy exchange of offload templates, library folder structure, smart folders, etc.
User Interface - UI Layouts
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- Quick configuration buttons for the user interface: Manage, QC, and Color
- Quick access button for UI Layout "Transcoding Configuration"
- Second Display
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- Two screen working environment
Advanced Camera Support - ARRIRAW
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- ARRI Alexa (.ari) (with audio support)
- ARRI Alexa Mini (.mxf)
- ARRI Amira (.mxf)
- ARRI Alexa 65 (.ari) (with audio support)
- Canon XF Movies
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- Canon C300 Mark I and II (with audio support)
- Canon C500 (with audio support)
- Canon C700 (with audio support)
- Canon MPEG-4 AVC/H.264 (.mts)
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- Canon C100 (with audio support)
- Canon Uncompressed RAW (.rmf)
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- CinemaDNG
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- BMCC
- Bolex D16 (with audio support)
- Ikonoskop
- IndieCam
- H.264 QuickTime Movies
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- Canon DSLR (with audio support)
- GoPro HERO (with audio support)
- Nikon DSLR (with audio support)
- Panasonic DNG RAW
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- Panasonic Varicam LT (with Convergent Design Odyssey7Q+)
- Phantom Cine
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- Vision Research Phantom Flex/Flex4K/Miro
- ProRes QuickTime Movies
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- AJA KiPro
- ARRI ALEXA / ALEXA Mini (with audio support)
- ARRI AMIRA (with audio support)
- Atomos Ninja and Samurai
- Codex Action Cam
- Convergent Design Odyssey
- REDCODE
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- RED Epic (with audio support)
- RED One (with audio support)
- RED Weapon (with audio support)
- RED Scarlet-W (with audio support)
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- X-OCN
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- Sony F5/F55 (with AXS-R7 recorder)
- XAVC
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- Sony F5/F55 (with audio support)
- XAVC S
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- Sony a7S (with audio support)
Table of Contents
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Technical parametersPomfort PST-SLB200 Specs | System Requirements | Intel Mac, macOS 10.10 or higher | | Languages | English user interface |
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