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User Manual for RME Fireface UFX II USB Audio Interface Click to enlarge the picture
Contents of the user manual for the RME Fireface UFX II USB Audio
- Product category: Audio Interfaces & Systems RME
- Brand: RME
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for RME Audio Interfaces & Systems
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User manual for the RME Fireface UFX II USB Audio contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any RME product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official RME user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a RME product will considerably shorten its lifespan!
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Product description The Fireface UFX II from RME is a flexible USB 2.0 audio interface that provides a total of 60 channels of crystal-clear and transparent audio, at resolutions up to 24-bit/192 kHz. It offers four digitally controlled preamps, reference-class AD/DA converters, ultra-low latency operation combined with exceptional driver stability, and is ideal for recording, mixing, and monitoring applications in high-end home studios and commercial audio production facilities.The Fireface UFX II offers a full range of connectivity options such as analog, AES/EBU, ADAT, and Wordclock I/Os. With support from USB 2.0 the unit also integrates with the company's ARC USB remote controller (available separately). New features include pad-free microphone circuitry, improved AD/DA converters, optimized analog I/Os, and low-impedance phone outputs with plenty of power and volume to drive high- and low-impedance headphones.The interface can operate in standalone and can be fully configured/set up at the device by using the three rotary encoders and the color display. It comes equipped with TotalMix FX, a real-time mixer driven by two powerful DSP processors, which allows for practically unlimited mixing and routing operations. The software offers 3-band parametric equalizer, low-cut, echo, reverb, compressor, expander, and auto-level for any output, and can completely replace an external mixer by creating multiple latency-free main, monitor, or headphone mixes. TotalMix FX can also be controlled from an iPad via the TotalMix FX for iPad app (available separately).The Fireface UFX II includes an improved version of DURec (Direct USB Recording), which lets you record all inputs and outputs directly to USB thumb drives or hard drives, without the need for a computer. What's New with the Fireface UFX II - Pad-free microphone circuit design with +18 dBu max input level and 75 dB gain range
- More memory and faster DSP - doubled reverb times
- New low impedance, high-power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any high- or low-impedance headphones
- Improved DURec USB functionality and compatibility – internal Realtime clock for DURec
- Can integrate with ARC USB remote control unit (available separately)
- Reworked power supply and power handling, for reduced power consumption
Features - 30-in/30-out USB 2.0 audio interface with reference-class converters and full 24-bit/192 kHz operation – crystal-clear, transparent audio for high-end home studios and commercial audio production facilities
- SteadyClock: Jitter-immune, super-stable digital clock – converters operate independently from external clock signals, for a pristine sound quality
- Four digitally-controlled, high-transparency preamps feed eight A/D converters – every microphone channel uses a double, parallel A/D conversion on two A/D converters at the same time to reach exceptional signal-to-noise values and performance level not available with classic converter design
- Bright multi-functional color display with full front-panel metering for all 60 channels plus effect bus, and complete control of all key features - directly from the front of the UFX II
- 2 x high-speed low-jitter MIDI I/Os (32 channels)
- DURec (Direct USB Recording) integrated digital recorder – record all inputs and outputs directly to USB thumb drives or hard drives with up to 2TB capacity, via the front USB port without the need for a computer
- TotalMix FX latency-free, real-time mixer allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs – can be fully controlled on an iPad with TotalMix FX for iPad app (available separately)
- TotalMix FX provides 3-band parametric equalizer, low-cut, echo, reverb, compressor, expander, and auto-level
- Standalone operation – using the three rotary encoders and the color display the Fireface UFX II can be configured and set up completely at the device
- Setup Recall – internal memory allows for the permanent storage of six different states of the unit
- Operates in driver-based USB 2.0 and Class Compliant modes
- Integrates with RME ARC USB remote controller (available separately)
Connectivity - 30 x input / 30 x output channels
- 4 x mic/instrument preamps, digitally-controlled
- 2 x ADAT I/O (1 x ADAT I/O, 1 x S/PDIF I/O optical)
In the Box RME Fireface UFX II USB Audio Interface USB 3.0 Cable, 6' / 1.8m RME Driver CD IEC Power Cord Limited 2-Year Warranty User Manual PDF 1.6mbczvqrsbfzzcvwtxvcdscyvzxzsywub Table of Contents
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Technical parametersRME FIREFACE UFX II Specs Analog | A/D, Line Inputs (1 to 8, rear)Resolution: 24-bit Signal-to-Noise Ratio (SNR): 113 dB RMS unweighted, 116 dBA Frequency Response at 44.1 kHz, -0.1 dB: 5 Hz to 20.8 kHz Frequency Response at 96 kHz, -0.5 dB: 3 Hz to 45.8 kHz Frequency Response at 192 kHz, -1 dB: 2 Hz to 92 kHz THD: < -110 dB, < 0.00032 % THD+N: < -104 dB, < 0.00063 % Channel Separation: > 110 dB Maximum Input Level: +19 dBu Input: 1/4" / 6.3 mm TRS jack, electronically balanced Input Impedance: 8 kOhms unbalanced, 12 kOhms balanced Input sensitivity switchable to Low Gain, +4 dBu Input Level for 0 dBFS at Low Gain: +19 dBu Input Level for 0 dBFS at +4 dBu: +13 dBu Variable Gain: 0 to +12 dB Minimum Level for 0 dBFS: +1 dBu, -1.2 dBV Microphone Inputs (9 to 12, front)Input: XLR, electronically balanced Input Impedance: 3.4 kOhm Signal-to-Noise Ratio (SNR): 115 dB RMS unweighted, 118 dBA Gain Range: 75 dB Maximum Input Level, Gain 0 dB: +18 dBu Maximum Input Level, Gain 75 dB: -57 dBu CLIP LED: 0 dBFS SIG LED: -60 dBFS Instrument Inputs 9 to 12, front Input: 6.3 mm TS jack, unbalanced Input Impedance: 1 MOhm Signal-to-Noise Ratio (SNR): 114 dB RMS unweighted, 118 dBA Gain Range: 42 dB Maximum Input Level, Gain 8 dB: +21 dBu Maximum Input Level, Gain 50 dB: -21 dBu D/A, Line Outputs (3 to 8, rear)Resolution: 24-bit Dynamic Range (DR): 115 dB RMS unweighted, 118 dBA Frequency Response at 44.1 kHz, -0.5 dB: 5 Hz to 20.8 kHz Frequency Response at 96 kHz, -0.5 dB: 5 Hz to 45 kHz Frequency Response at 192 kHz, -1 dB: 5 Hz to 89 kHz THD: < -110 dB, < 0.00032 % THD+N: < -104 dB, < 0.00063 % Channel Separation: > 110 dB Maximum Output Level: +19 dBu Output: 1/4" / 6.3 mm TRS jack, servo-balanced Output Impedance: 75 Ohms unbalanced, 150 Ohms balanced Output level switchable Hi Gain, +4 dBu, -10 dBV Output Level at 0 dBFS / Hi Gain: +19 dBu Output Level at 0 dBFS / +4 dBu: +13 dBu Output Level at 0 dBFS / -10 dBV: +2 dBV D/A - Stereo Monitor Output XLR (1 to 2) Output: XLR, balanced Output Level Switchable: 24 dBu, Hi Gain, +4 dBu, -10 dBV Output Level at 0 dBFS / 24 dBu: +24 dBu Output Level at 0 dBFS / Hi Gain: +19 dBu Output Level at 0 dBFS / +4 dBu: +13 dBu Output Level at 0 dBFS / -10 dBV: +2 dBV D/A - Stereo Monitor Output Phones (9 to 12)Output: 2 x 1/4" / 6.3 mm TRS stereo jacks, unbalanced Maximum Output Level at 0 dBFS, High: +19 dBu Maximum Output Level at 0 dBFS, Low: +2 dBV Output Impedance: 2 Ohms Max. Power per Channel at 32 Ohms Load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu) | Digital | Clocks: Internal, ADAT, AES, MADI, word clock Low-Jitter Design: < 1 ns in PLL mode, all inputs Internal Clock: 800 ps Jitter, Random Spread Spectrum Jitter Suppression of External Clocks: > 30 dB (2.4 kHz) Effective Clock Jitter Influence on A/D and D/A Conversion: ~0 PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported Sample Rates: 28 to 200 kHz | Digital Inputs | AES/EBU1 x XLR, transformer-balanced, galvanically isolated, per AES3-1992 High-sensitivity input stage (< 0.3 V p-p) S/PDIF compatible (IEC 60958) Accepts consumer and professional formats Lock Range: 27 to 200 kHz Jitter: < 1 ns (when synced to input signal) Jitter Suppression: > 30 dB (2.4 kHz) ADAT Optical2 x TOSLINK, format, per Alesis specification Standard: 2 x 8 channels 24-bit, up to 48 kHz Double Speed (S/MUX): 2 x 4 channels 24-bit / 96 kHz Quad Speed (S/MUX4): 2 x 2 channels 24-bit / 192 kHz Bitclock PLL ensures perfect synchronization even in varispeed operation Lock Range: 31.5 to 50 kHz Jitter: < 1 ns (when synced to input signal) S/PDIF Optical (ADAT2)1 x optical, according to IEC 60958 Accepts consumer and professional format Lock Range: 27 to 200 kHz Jitter: < 1 ns (when synced to input signal) Jitter Suppression: > 30 dB (2.4 kHz) Word ClockBNC connector Internal termination 75 Ohms, switchable Automatic Double / Quad Speed detection and internal conversion to Single Speed SteadyClock guarantees super low jitter synchronization even in varispeed operation Not affected by DC-offsets within the network Signal Adaptation Circuit: Signal refresh through auto-center and hysteresis Overvoltage protection Level Range: 1.0 to 5.6 V p-p Lock Range: 27 to 200 kHz Jitter: < 1 ns (when synced to input signal) Jitter Suppression: > 30 dB (2.4 kHz) | Digital Outputs | AES/EBUXLR, transformer-balanced, galvanically isolated, per AES3-1992 Output level Professional 4.5 V p-p, Consumer 2.6 V p-p Format Professional according to AES3-1992 Amendment 4 Format Consumer (S/PDIF), per IEC 60958 Single Wire mode, sample rate 28 to 200 kHz ADAT2 x TOSLINK Standard: 2 x 8 channels 24-bit, up to 48 kHz Double Speed (S/MUX): 2 x 4 channels 24-bit / 96 kHz Quad Speed (S/MUX4): 2 x 2 channels 24-bit / 192 kHz S/PDIF Optical (ADAT2)Format Consumer (S/PDIF), per IEC 60958 Sample Rate: 28 to 200 kHz Word ClockBNC connector Maximum Output Voltage: 5 V p-p Output Voltage: 4.0 V p-p (at 75 Ohms termination) Output Impedance: 10 Ohms Frequency Range: 27 to 200 kHz | MIDI | 2 x MIDI I/O via 5-pin DIN jacks Galvanically-isolated by optocoupled input Hi-Speed Mode: Jitter and response time typically below 1 ms Separate 128-byte FIFOs for input and output | System Requirements | Mac Intel Mac OS X 10.6 or higherWindows Windows 7 or higherCPU Computer with Intel Core i3 CPU or higherPorts 1 x USB 2.0 or USB 3.0 port | Power | Power Supply: internal switching PSU, 100-240 VAC, 36 W Idle Power Consumption: 19 W Typical Power Consumption: 22 to 25 W | Environment | Temperature Range: 41° to 122° F / +5° to +50° C Relative Humidity: < 75%, non-condensing | Dimensions (W x H x D) | 19 x 1.73 x 8.5 / 483 x 44 x 210 mm, (including rack ears) 17.3 x 1.73 x 8.3" / 440 x 44 x 210 mm, (without rack ears) Total Depth: 9.4" / 240 mm | Weight | 6.6 lb / 3 kg | | Package Weight | 12.1 lb | Box Dimensions (LxWxH) | 22.1 x 12.5 x 4.7" |
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