User Manual for RME MADIface Pro 136-Channel Audio Interface Click to enlarge the picture
Contents of the user manual for the RME MADIface Pro 136-Channel Audio Interface
- Product category: Audio Interfaces & Systems RME
- Brand: RME
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for RME Audio Interfaces & Systems
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User manual for the RME MADIface Pro 136-Channel Audio Interface contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any RME product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official RME user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a RME product will considerably shorten its lifespan!
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Product description The MADIface Pro from RME is a USB 2.0 audio interface that features recording up to 24-bit / 192 kHz and offers support for the powerful MADI multichannel audio protocol. It allows for 68 input channels and 68 output channels in total, plus it feature's RME's Hammerfall DSP and & TotalMix FX virtual mixer, allowing for complex routing and delay-free submixes that can be used for headphone mixes, effects groups and more.
The MADIface Pro is equipped with a set of optical MADI I/O ports, two XLR microphone inputs, each with high-quality digitally controlled preamps, and two TS line/instrument inputs. It also features stereo XLR main outputs and two (1/4" and 1/8") headphone outputs. The device features a breakout cable with two 5-pin DIN connectors for MIDI I/O and is also capable of providing additional virtual MIDI I/O via MADI. The MADIface Pro ships with a USB cable, MIDI breakout cable, power supply, carrying box, and driver CD. -
- Housing machined from a block of aluminum
- Intuitive and efficient user interface
- Mic stand thread on the bottom for free positioning
- All settings can be changed in real-time
- Buffer sizes/latencies from 32 up to 8192 samples selectable
- 64 channels via MADI optical
- Clock modes slave and master
- Automatic and intelligent master/slave clock control
- SteadyClock: Jitter-immune, super-stable digital clock
- DDS technology for free setting of the sample rate
- SyncAlign guarantees sample aligned and never swapping channels
- SyncCheck tests and reports the synchronization status of input signals
- TotalMix for latency-free submixes and perfect ASIO Direct Monitoring
- TotalMix: 9248 channel mixer with 46-bit internal resolution
- TotalMix FX: 3-band EQ, Low Cut, Reverb, Echo
- 1 x MIDI I/O, 16 channels high-speed MIDI
- 1 x virtual MIDI port over MADI
- 2 digitally controlled microphone inputs in reference quality
- 2 balanced line outputs, level +19 dBu
- 1 x headphone output with separate driver stages for high and low impedance phones
- DIGICheck DSP: Level meter in hardware, peak- and RMS calculation
In the Box RME MADIface Pro 136-Channel Audio Interface USB 2.0 Cable (3.3" / 1 m) MIDI Breakout Cable Power Supply Carrying Box RME Driver CD Limited 2-Year Warranty Table of Contents
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Technical parametersRME MADI-PRO Specs | | | Input | XLR, electronically balanced | | Input Impedances | Input Impedance Balanced: 2 kOhm, 5.2 kOhm with PAD
Input Impedance Unbalanced: 1 kOhm, 2.6 kOhm with PAD | | Signal-to-Noise Ratio (SNR) | 113 dB RMS unweighted, 116 dBA | | Frequency Response | Frequency Response: @ 44.1 kHz, -0.1 dB: 18 Hz to 20.8 kHz
Frequency Response: @ 96 kHz, -0.5 dB: 7 Hz to 45.8 kHz
Frequency Response: @ 192 kHz, -1 dB: 5 Hz to 92 kHz
With PAD Active: -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz | | THD | THD: < -110 dB, < 0.00032 %
THD+N: < -104 dB, < 0.00063 %
THD @ 30 dB Gain: < -107 dB, < 0.0004 %
THD+N @ 30 dB Gain: < -100 dB, < 0.001 % | | Channel Separation | > 110 dB | | Gain Range | -11 to +65 dB | | Maximum Input Levels | Maximum Input Level (XLR): Gain 0 dB: +8 dBu, PAD +19 dBu
Maximum Input Level (XLR): Gain 65 dB: -57 dBu, PAD -46 dBu | | | | Input | 1/4" / 6.35 mm TS jack, unbalanced | | Input Impedance | 470 kOhm | | Signal-to-Noise Ratio (SNR) | 114 dB RMS unweighted, 117 dBA | | Frequency Response | Frequency Response: @ 44.1 kHz, -0.1 dB: 5 Hz to 20.8 kHz
Frequency Response: @ 96 kHz, -0.5 dB: < 3 Hz to 45.8 kHz
Frequency Response: @ 192 kHz, -1 dB: < 2 Hz to 92 kHz | | Maximum Input Levels | Maximum Input Level @+4 dBu, Gain 0 dB: +13 dBu
Maximum Input Level @-10 dBV, Gain 9 dB: -5 dBu | | | | Output | XLR, electronically balanced | | Dynamic Range | 115 dB RMS unweighted, 118 dBA | | Frequency Response | Frequency Response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency Response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency Response @ 192 kHz, -1 dB: 0 Hz - 89 kHz | | THD | THD: - 106 dB, 0.0005 %
THD+N: -102 dB, 0.0008 % | | Channel Separation | >110 dB | | Output Impedance | 300 Ohm balanced, 150 Ohm unbalanced | | Output Level | Output Level @ 0 dBFS: Balanced +19 dBu, unbalanced +13 dBu | | DC Out | DC @ 0 dBFS: 6.35 mm 4.8 V, 3.5 mm 2.4 V, XLR balanced. 9.6 V | | | | Headphone Outputs | 1/4" / 6.35 mm TRS (unbalanced)
Output Impedance: 10 Ohm
Output Level at 0 dBFS, 1 kOhm Load: +13 dBu
Max Power @ 0.1% THD: 50 mW
1/8" / 3.5 mm TRS (unbalanced)
Output Impedance: 2 Ohm
Output Level at 0 dBFS, 1 kOhm Load: +7 dBu
Max Power @ 0.1% THD: 70 mW | | | | MIDI I/O | 1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
Galvanically isolated by optocoupled input
1 x MIDI I/O via MADI
Invisible transmission via User bit of channel 56 (up to 48 kHz)
Invisible transmission via User bit of channel 28 (up to 96 kHz)
Hi-Speed Mode: Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output | | | | Clock Jitter | Clocks: Internal, MADI In
Low Jitter Design: < 1 ns in PLL mode, all inputs
Internal Clock: 800 ps Jitter, Random Spread Spectrum
Jitter Suppression of External Clocks: > 50 dB (2.4 kHz)
Effective Clock Jitter Influence on AD and DA Conversion: Near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Supported Sample Rates: 28 kHz up to 200 kHz | | Digital Input | Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Accepts 56-channel and 64-channel mode, plus 96 kHz Frame mode
Standard: Up to 64 channels 24-bit 48 kHz
S/MUX: Up to 32 channels 24-bit 96 kHz
S/MUX4: Up to 16 channels 24-bit 192 kHz
Lock range: 25 kHz – 54 kHz
Jitter when synced to input signal: <1 ns | | Digital Output | Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Cable length: Up to 2000 m
Generates 56-channel and 64-channel mode, plus 96 kHz Frame mode
Standard: up to 64 channels 24-bit 48 kHz
S/MUX / 96k Frame: up to 32 channels 24-bit 96 kHz
S/MUX4: Up to 16 channels 24-bit 192 kHz | | | | System Requirements | Windows Vista or later, Intel Mac OS X (10.6 or later)
1 x USB 2.0 port or USB 3 port
Computer with at least Pentium Core 2 Duo CPU | | Power | Power Supply: USB bus power or external power supply
Idle Power Consumption: 3.1 W (MADI Off, 4.0 W (MADI On)
Maximum Power Consumption: 6.3 W
Current at 5 V Bus Power Operation: 620 mA (3.1 W)
Current at 12 V External Power: 266 mA (3.1 W) | | Temperature Range | 41 to 122°F / 5 to 50°C | | Humidity (Relative) | <75%, non-condensing | | Dimensions (W x H x D) | 4.3 x 1.4 x 7.1" / 108.0 x 35.6 x 180.3 mm | | Weight | 1.5 lb / 0.7 kg | | | | Package Weight | 4.65 lb | | Box Dimensions (LxWxH) | 13.7 x 6.2 x 3.2" |
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