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User Manual for Shure SM7B Microphone & dbx 286s Preamp Broadcaster Kit Click to enlarge the picture
Contents of the user manual for the Shure SM7B Microphone & dbx 286s
- Product category: Voice Over Microphones Shure
- Brand: Shure
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for Shure Voice Over Microphones
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User manual for the Shure SM7B Microphone & dbx 286s contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any Shure product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official Shure user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a Shure product will considerably shorten its lifespan!
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Product description The Shure SM7B Microphone & dbx 286s Preamp Broadcaster Kit from gives you everything you need to make high-quality broadcast voice recordings for radio, podcasts, and other voice recordings. The package includes the Shure SM7B Cardioid Dynamic Mic & Windscreen, dbx 286s Microphone Preamp, a locking yoke mount stand adapter, a 2-section broadcast arm, an XLR cable, and a pack of touch fastener straps. - Shure SM7B Vocal Microphone
- Mic Shootout 3: Dynamic Microphones
- Shure Mike's "Ultimate Chopper Drop Test
The Shure SM7B Vocal Microphone is a dynamic microphone with a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications.
It features a cardioid polar pattern, bass roll-off and midrange emphasis (presence boost) controls, and shielding against broadband interference. An internal air suspension shock isolation helps to eliminate mechanical noise transmission and a yoke mount facilitates mounting and provides precise control of the mic position. - Flat, Wide-Range Frequency Response
- The flat-frequency response enhances the midrange and high frequencies that are associated with the human voice.
- Rejection of Electromagnetic Hum
- Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors.
- Air Suspension Shock Isolation
- Internal air suspension shock isolation virtually eliminates mechanical noise transmission.
- Pop Filter
- The built-in pop filter eliminates the need for any add-on protection against explosive breath sounds, even for close-up vocals or narration.
- Cardioid Polar Pattern
- Cardioid polar pattern effectively isolates signal source improving gain before feedback.
UPC: 042406088879 - dbx 286s - Microphone Preamp/Channel Strip
- Mic Shootout 3: Dynamic Microphones
- Shure Mike's "Ultimate Chopper Drop Test
The 286s from dbx is a full featured channel strip that includes a studio quality microphone/instrument preamplifier, and four processors that can be used independently or in any combination. The hassle of patching together multiple processors for use on one track can be frustrating. The unit delivers the entire microphone processing chain needed in a single box, with the shortest, cleanest signal path. Features include wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. The dbx OverEasy compressor can transparently smooth out uneven acoustic tracks, or deliver the classic "in your face" vocal performance. Vocal sibilance can be tamed or even eliminated and high frequency distortion removed from instruments such as cymbals with the frequency tunable De-Esser. The Enhancer provides both HF Detail and LF Detail controls that can add sparkle and crispness to vocals, while making adjustments to the low frequencies for adding fullness and depth to vocals and bass instruments. Muddy low midrange frequencies can be cleaned and the separate threshold and ratio controls on the Expander/Gate allow for subtly reducing headphone leakage, or radically gate noisy guitar amplifiers. The channel strip provides a full complement of metering and status LEDs. The XLR microphone input accepts balanced or unbalanced inputs, allowing for easily connecting professional or home studio microphones. The 1/4" TRS line input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mix-down, while an insert jack provides access to the signal flow between the preamp and the processing sections for connection to external processors. - Studio quality microphone preamp/channel strip processor
- Classic dbx compression puts great sound within easy reach
- Frequency tunable de-esser reduces sibilance and high frequency distortion
- Enhancer increases the detail and definition of the high and low frequencies
- Program adaptive expander/gate
- Insert jack allows you to add an external processor
- Full complement of meters and status LEDs
- Precision detented controls
UPC: 691991401237 - Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
- Mic Shootout 3: Dynamic Microphones
- Shure Mike's "Ultimate Chopper Drop Test
The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.
The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb. (2.27 kg). The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.
The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors. - Versatile
- Ideal for studios as well as home use
- Internal Springs
- Internal springs provide smooth, noise-free positioning and clean and sleek profile
- Sturdy
- Supports microphones up to 5 lb. (2.27 kg)
- Compatibility
- The 5/8"-27 standard microphone thread is compatible with most shockmounts and microphone clips
- Precision
- Extends up to 40" (101.6 cm) and rotates 360° allowing for precise microphone placement
- XLR Cable
- The integrated 15-foot (457.2 cm) XLR cable provides a secure, locking connection and excellent signal transfer
- Extra Height
- A 14" (13.6 cm) riser is included. It provides extra height to the broadcast arm for extending over computer or studio monitors
- Combo Mount
- The heavy-duty combo mount is comprised of a C-clamp for clamping to a desktop up to 2.3-inch (5.8 cm) thick, and a detachable desktop mount for permanent attachment to a desktop with the included screws
- 14" Riser
- The included riser adds 14" of height to the broadcast arm so that it can easily extend over computer or studio monitors
UPC: 847628578272 In the Box - SM7B - Cardioid Dynamic Vocal Microphone tzxafuwdvcyqdctcdtsxrrrwcazzbyx
- Swivel (Yoke Mount) Stand Adapter
- A7WS Shure Windscreen (SM7, SM7A, and SM7B)
- RPM602 Switch Cover Plate for SM7A and SM7B Broadcast Microphones
- Limited 2-Year Warranty
- dbx - 286s - Microphone Preamp/Channel Strip
- Auray - BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
Table of Contents
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Technical parameters - Shure SM7B Vocal Microphone
| Sound Field | Mono | Transducer | Dynamic | Polar Pattern | Cardioid | Frequency Range | 50 Hz to 20 kHz | Impedance | 150 Ohms | Sensitivity | -59 dBV/Pa at 1 kHz | | Output Connectors | 1 x 3-Pin XLR | Length | 7.4" / 187.96 mm | Diameter | 2.5" / 63.50 mm | Weight | 1.69 lb / 767 g | | Box Dimensions (LxWxH) | 13.5 x 7.0 x 5.0" | - dbx 286s - Microphone Preamp/Channel Strip
Number of Channels | Single | Inputs | 1 x XLR Microphone (p2 hot) 1 x 1/4" TRS phone Line 1 x 1/4" TRS phone Insert | Outputs | 1 x 1/4" TRS phone Insert | Frequency Response | 20Hz to 20kHz, +0.5/-0.5dB | Noise | <-80dBu unweighted (20Hz-20kHz); both gain controls set for 0dB, all processing controls OFF | | Gain Range | 0dB to +60dB | Maximum Output | 0.25Vrms, Gain = 30dB | Input Impedance | ~4.2kΩ | EIN | -125dBu, 22Hz to 22kHz, 150Ω source impedance | CMRR | >40dB, typically 55dB | Phantom Power | +48VDC, applied to XLR pins 2 and 3 through 6.81kΩ resistors | | Impedance | 10kΩ unbalanced, 20kΩ balanced | Maximum Level | >+21dBu, balanced or unbalanced | Gain Range | -15dB to +45 dB | CMRR | >40dB, typically 55dB | | Impedance | Ring: >5kΩ Tip: 100Ω | Maximum Level | >+21dBu, >+20dBm (600Ω load) | Noise | <-89dBu, unweighted (20Hz to 20kHz); Line Gain control set to 0dB | Distortion | <0.01% THD, 20Hz to 20kHz, +10dBu | | Impedance | 100Ω unbalanced, 200Ω balanced | Maximum Level | >+21dBu, >+20dBm (600Ω load) | Gain Range | -30dB to +10dB | Noise | <-80dBu unweighted (20Hz-20kHz); both Gain Controls set for 0dB, all processing controls OFF | Frequency Response | 20Hz to 20kHz, +0.5/-0.5dB | Distortion | <0.08%THD, 20Hz to 20kHz, +10dBu, all processing controls OFF | | Threshold Range | -40dBu to +20dBu | Ratio | >4:1 for input levels beyond 20dB above threshold | Attack Time | Program dependent: >1S for small level increases, down to 10mS for large increases | Release Time | Program dependent: adjustable between approximately 1dB/sec and 75dB/sec | Slope | OverEasy | Sidechain | No | Distortion | Typically <0.05%THD, 20Hz to 20kHz, 15dB gain reduction, +10dBu Output, Density @ 0 | SMPTE | Intermodulation Distortion: <0.05%; 60Hz/7kHz 4:1, 15dB gain reduction, +10dBu Output Level, Density @ 0 | | Filter Type | Not applicable | Frequency Bands | Not applicable | Bandwidth | Not applicable | Range (Boost/Cut) | Not applicable | Light Indication | | Threshold Range | Not applicable | Ratio | Not applicable | Attack Time | Not applicable | | Characteristics | Wideband Gain Reduction | Frequency Range | 800Hz to 10kHz High Pass, 12dB/octave | Release Time | Program dependent approximately 1mS/dB | | HF Detail | Program-controlled shelving equalizer, approximately 15dB maximum HF boost | LF Detail | Bell-shaped boost @ 80Hz, bell-shaped cut @250Hz, ratio is approximately 2:1 | | Gate Threshold | OFF to +15dBu | Expansion Ratio | Adjustable 1.5:1 to 10:1 | Maximum Depth | >50dB | Attack Time | Program dependent, approximately 2mS (at maximum attenuation) | Release Time | Program dependent, approxiamtely 10mS/dB | Dynamic Range | Typically 105dB | | Power Requirements | 120VAC 60Hz, 100VAC 50/60Hz 15W consumption | Operating Temperature | 32°F to 113°F (0°C to 45°C) | Dimensions (WxDxH) | 19 x 5.75 x 1.75" (485 x 146 x 45mm) | Weight | 4.5 lb (2.04kg) | Specialties | Full compliment of meters and status LEDs | | Box Dimensions (LxWxH) | 21.8 x 11.3 x 2.5" | - Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
Length | 40" (101.6 cm) | Weight Capacity | 5 lb (2.27 kg) | Microphone Mount | 5/8"-27 standard microphone thread | Clamping Range | 2.3" (5.8 cm) | Riser | 14" (35.56 cm) | Cable | XLR M to XLR F: 15' (457.2 cm) | Weight | 4.47 lb. (2.02 kg) | | Box Dimensions (LxWxH) | 23.5 x 7.4 x 3.5" |
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