User manual
Solid State Logic SiX 4-Channel SuperAnalogue

User Manual for Solid State Logic SiX 4-Channel SuperAnalogue Desktop Mini Mixer

• Product category: Analog Recording Mixers Solid State Logic
• Brand: Solid State Logic
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Solid State Logic Analog Recording Mixers

Product description

• SSL SiX - The Ultimate Desktop Mixer

• Compact desktop-friendly design with angled top panel for ergonomic access to controls

• Functions as a 4-channel (two mono and two stereo) recording mixer or a 12-input summing mixer

• Ideal for studio-based music and post production, live stage applications, podcasting, and more

• Delivers +27 dBu headroom, wide dynamic range, ultra-low noise and distortion, and precise imaging

• Fully balanced signal path except for the headphone output

• Two mono channels with SuperAnalogue mic preamps, individually switchable phantom power, 1/4" line/Hi-Z inputs, 75 Hz high-pass filters, and balanced insert points

• Single-knob channel compressors feature signal-dependent attack, release, and ratio parameters with automatic make-up gain and adjustable threshold

• E-Series style, gentle, 2-band channel equalizers with up to 15 dB of boost/cut, selectable shelving (at 3.5 kHz and 60 Hz) or bell (at 5 kHz and 200 Hz) modes, and in/bypass buttons

• Long-throw 100mm faders on all channels and main bus

• Two stereo cue sends with independent level and pan controls

• Per-channel PFL solo and 8-segment LED meters

• Channel mute buttons reroute signal away from the main bus to the B bus

• Two stereo input channels with -10 to +20 dB trim for line sources such as synthesizers, drum machines, and more

• G-Series Bus Compressor on the main mix bus; fixed ratio, attack, and release settings give you the classic SSL glue in an instant

• Two external stereo inputs with adjustable levels

• Flexible control room section with main and alt speaker outputs, mono and mute switches, and adjustable dim

• External talkback mic input with phantom power, 45 dB of gain, selectable LMC (Listen Mic Compressor), and adjustable output level

• Meters have defined segments for +24 dBu and +18 dBu to match the two most common 0 dBFS alignment standards (EBU at 0 dBFS = + 18 dBu, and SMPTE at 0 dBFS = +24 dBu)

• Gain reduction LED meters for channel compressors and main bus compressor

• External power supply with locking connector moves the power supply's electromagnetic interference away from the SiX's audio circuits, allowing uncompromising bandwidth with accurate phase and transient response

• Power rails are ramped on power-up to minimize thumps on monitor and headphone outputs

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Technical parameters

Solid State Logic 729750X2 Specs

Total # Of Inputs	Recording: 6 Summing: 12
Mic/Line Inputs	2 x 3-Pin XLR Female Mic Input 2 x 1/4" TRS Line/Hi-Z Input
Stereo Line Inputs	4 x 1/4" TRS (Two Stereo Pair)
External Input	4 x 1/4" TRS External Input (Two Stereo Pair)
Talkback Mic Input	1 x 3-Pin XLR Female
AUX Sends	2 x Stereo Aux Send per Channel
AUX Returns	None
Inserts	2 x Channel Insert Send and Return via DB25 Connector 1 x Main Mix Stereo Insert Send and Return via DB25 Connector
BUS (Group) Outputs	2 x 1/4" TRS Bus B Output
Main Outputs	2 x 3-Pin XLR Male 1 x DB25 with Duplicate Main Mix Output
ALT I/O	2 x Alt Channel Input via DB25 Connector
Monitor Outputs	2 x 1/4" TRS Main Monitor Outputs 2 x 1/4" TRS Alt Monitor Outputs 1 x DB25 with Duplicate Main Monitor Outputs 4 x 1/4" TRS Foldback (Cue Mix) Outputs
Headphone Output	1 x 1/4" TRS Stereo Headphone Output
Compressor	Channel Compressor Ratio: 2:1 Channel Compressor Threshold: +10 to -20 dB Typical Channel Compressor Attack Time: 8 to 30 ms Channel Compressor Release Time: 300 ms Bus Compressor Ratio: 4:1 Bus Compressor Threshold: +20 to -20 dB Bus Compressor Make-Up Gain: 0 to +20 dB Bus Compressor Sidechain HPF: 6 dB/Octave at 50 Hz
EQ Section	HF in Shelving Mode: ± 15 dB at 3.5 kHz LF in Shelving Mode: ± 15 dB at 60 Hz HF in Bell Mode: ± 15 dB at 5 kHz LF in Shelving Mode: ± 15 dB at 200 Hz
Solo/Mute	PFL Solo per Channel Mute / Bus B per Channel
Channel Level Control	-Inf to +10 dB via 100 mm Fader
Trim/Gain Control	Mic: +6 to +72 dB Mono Line: -3 to +63 dB Stereo Line: -10 to +20 dB
Phantom Power	+48 VDC Individually Selectable
Metering	Mono Channels: 8-Segment LED Meters Stereo Channels: Dual 8-Segment LED Meters Monitor Source: Dual 12-Segment LED Meter
Input Impedance	Mic: 1.2 kOhms Hi-Z: 1 MOhm Mono Line: 10 kOhms Stereo Line: 10 kOhms
Output Impedance	Mono Channel to Main Output: 100 Ohms
Maximum Input Level	Mic: +21 dBu Mono Line/Hi-Z: > +27 dBu Stereo Line: > +31 dBu
Headroom	Mono/Stereo Input: > +27 dBu Channel Compressor: > +26 dBu Channel EQ: > +27 dBu Mono Channel to Main Output: >24 dBu into 600 Ohms, >27.5 dBu into 10 kOhms
Frequency Response	Mono/Stereo Input: 20 Hz to 20 kHz (+0.1 dB, -0.3 dB) Channel Compressor: 20 Hz to 20 kHz (± 0.9 dB) Mono Channel to Main Output: 20 Hz to 20 kHz (+0.1 dB, -0.3 dB)
THD + N	Mic: <0.0015% at 1 kHz Mono Line: <0.0015% at 1 kHz Stereo Line: <0.0007% at 1 kHz Channel Compressor: < 0.03% at 1 kHz and +10 dBu, <0.5% Typical at 1 kHz and +20 dBu Channel EQ: <0.0015% at 1 kHz Mono Channel to Main Output: <0.0015% at 1 kHz
CMRR	Mic: >80 dB Mono Line: >70 dB Stereo Line: >50 dB
Equivalent Input Noise	Mic: < -127.5 dBu (-129 dBu Typical) Mono Line: < -110 dBu Stereo Line: < -93 dBu
Noise	Channel Compressor: < -90 dBu Channel EQ: < -88 dBu Main Output with One Channel Routed: < -90 dBu (< -116 dB with Respect to +26 dBu) Main Output with All Channels Routed: < -85 dBu (< -111 dB with Respect to +26 dBu)
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