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User Manual for Sonnox Oxford Limiter v2 True Peak Limiter Plug-In Click to enlarge the picture
Contents of the user manual for the Sonnox Oxford Limiter v2 True Peak
- Product category: Virtual Processor Plug-Ins Sonnox
- Brand: Sonnox
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for Sonnox Virtual Processor Plug-Ins
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User manual for the Sonnox Oxford Limiter v2 True Peak contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any Sonnox product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official Sonnox user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a Sonnox product will considerably shorten its lifespan!
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Product description Sonnox Oxford Limiter v2 is a true peak limiter plug-in, which provides transparent level control and program loudness maximization to your mixes with a level of transient detail that surpasses that of traditional brickwall limiters. Attack, release, and soft knee can be independently adjusted with the Enhance function applied, to achieve perceived loudness that ranges from nuanced limiting to artistic audio effects.Oxford Limiter v2 comprises four processes cascaded in order: preprocessing gain control, program enhancement and overshoot control, reconstruction metering and compensation, and dithering and noise shaping. The Recon Meter and Auto Comp parameter enable you to meter and automatically correct otherwise invisible reconstruction overloads, while conforming to the ITU-R BS.1770-4 industry standard.Comprehensive dithering functionality is included with four, variable-strength noise shaping modes, which ensure high-resolution mastering output quality, in either 16- or 24-bit audio. Note: An iLok2/3 key is required if one is not already on the system. - Key Features
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- True peak limiting with attack, release, and variable soft knee
- For transparent level control, program loudness maximization preserves transient details
- Can be heavily applied for artistic audio effects
- Recon meter shows the actual signal rather than a sampled signal
- Auto Comp fixes reconstruction errors without losing overall loudness—conforming to the industry's true peak measurement standard ITU-R BS.1770-4
- Accurate logarithmic side-chain processing
- Adaptive timing functionality that uses look-ahead signal acquisition
- Audition and apply TPDF dither for 24-bit and 16-bit output word lengths
- Four, variable-strength noise shaping modes for use with highly dynamic program material
- Fully backward compatibility with previous plug-in versions
- Extensive library of factory presets to get you started
- Licenses included—AAX Native, RTAS, Audio Units, VST
- Pre-Process Section
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- Provides a musical program-leveling function to create optimum conditions for the enhancement stage
- Can be used as a conventional leveling section
- Attack (fader) allows peak program transient events to escape hard gain reduction and improve the sonic quality of the peak reduction process
- Release (fader) allows for the modelling of short-term peaks over restricted gain reduction ranges, up to a maximum of 4 dB
- Soft Knee (fader) adjusts the response curve between 0 dB (hard limiting) and 10 dB (softer limiting)
- Auto Gain can be used to compensate for large level changes, while still allowing fast peak modelling for shorter peak events
- Enhancement Section
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- Provides sample value limiting and overall program loudness improvement
- Normal mode allows for full sample value to occur at 100% or higher
- Safe mode allows absolute peak level control without excessive enhancer action
- Can be used on its own to produce program enrichment and peak value limiting, by using minimal gain reduction and slow timing settings in the preprocess section
- Can be used to enhance highly processed content from the preprocess section to achieve even greater perceived loudness
- Reconstruction Metering and Compensation Section
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- Recon Meter displays reconstructed program levels present after decoding with a digital-to-analog converter
- Auto Comp corrects overloads in the reconstructed signal
- Noise-shaped dithering either forces the spectrum of the noise out of the audible range or places it into frequency ranges around which we are less sensitive—noise heard at low level may be reduced or eliminated
Table of Contents
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Technical parametersSonnox LIMITER V2 NATIVE Specs | System Requirements | Audio Units Audio Units-compatible application (Logic, Digital Performer, and more) Mac OS X 10.7 to 10.12 (El Capitan supported where confirmed by host DAW manufacturer) Legacy 32-bit support for OS X 10.4.11 to 10.6.8 VST2 / VST3 VST2 or VST3 compatible application (Cubase, Nuendo, Sequoia, and more) Mac OS X 10.7 to 10.12 (El Capitan supported where confirmed by host DAW manufacturer) Windows 7 and higher Legacy 32-bit support for OS X 10.4.11 to 10.6.8, and Windows XP iLok USB device with latest drivers iLok2 / iLok3 required for 64-bit plug-in | | Licenses | AAX Native, RTAS, Audio Units, VST | | Supported Hosts | Mac Pro Tools 10.3.8 to 12 (AAX Native) Logic Pro X 10.2 Logic 8 & 9 Digital Performer Nuendo Cubase Ableton Studio 1 Windows Pro Tools 10.3.8 to 12 (AAX Native) Nuendo Cubase Ableton Samplitude Sequoia Pyramix Studio 1 | | DSP Compatibility | Not applicable | | Sample Rates | 44.1 to 48 kHz 88.2 to 96 kHz 176.4 to 192 kHz | | Latency | 44.1 to 48 kHz: 104 samples 88.2 to 96 kHz: 208 samples 176.4 to 192 kHz: 416 samples |
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