User Manual for Sony Alpha a6500 with 100-400mm Lens and 1.4x Teleconverter Wildlife Kit Click to enlarge the picture
Contents of the user manual for the Sony Alpha a6500 with 100-400mm Lens
- Product category: Mirrorless System Cameras Sony
- Brand: Sony
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for Sony Mirrorless System Cameras
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User manual for the Sony Alpha a6500 with 100-400mm Lens contain basic instructions
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Product description Assembled with the nature photographer in mind, this Sony Alpha a6500 with 100-400mm Lens and Teleconverter Wildlife Kit put together by bundles the capable mirrorless camera and FE 100-400mm f/4.5-5.6 lens with an aluminum tripod and gimbal head, a separate ball head, a 1.4x Teleconverter, and a 77mm UV filter. - Sony Alpha a6500 Mirrorless Digital Camera (Body Only)
- First Look: Sony Alpha a6500 & DSC-RX100 V
- Sony | a | a6500 - Product Feature
Stable, fast, and versatile, the Alpha a6500 from Sony is an apt APS-C-format mirrorless camera well-suited for both photo and video applications. Revolving around a 24.2MP Exmor CMOS sensor and BIONZ X image processor, clean image quality is provided with a wide expandable sensitivity range to ISO 51200, along with accelerated readout speeds for internal 4K30 and Full HD 1080p120 video recording with full pixel readout. The processor further benefits videographers with the inclusion of an S&Q (Slow & Quick) Motion setting that permits capturing Full HD video at a variety of frame rates ranging from 1-120 fps. Stills shooters also benefit from the apt processing speed, which enables continuous shooting at 11 fps for up to 301 JPEGs in a burst, as well as 14-bit raw file output. Complementing both stills and video, 5-axis SteadyShot INSIDE image stabilization minimizes the appearance of camera shake with all mounted lenses to support working with slower shutter speeds. The sensor and processor combination also avails 4D FOCUS, which utilizes a wide-coverage 425-point phase-detection system with a 169-area contrast detection system for quick and precise focusing performance. This focusing system also enables High-density Tracking AF for more efficient and accurate tracking of moving subjects across the image frame. Increasingly versatile and fully featured in both photo and video realms, the a6500 is a fast and precise imaging tool for multimedia capture.
Complementing the imaging assets, the a6500 also sports a robust magnesium alloy body that is dust- and moisture-resistant to permit working in harsh environments. The compact profile incorporates a high-resolution XGA Tru-Finder 2.36m-dot OLED electronic viewfinder for bright, clear, eye-level viewing, and this EVF features a 120 fps viewing mode for smooth tracking of fast-moving subjects. A rear 3.0" 921.6k-dot touchscreen LCD monitor is also available and has a tilting design to benefit shooting from high and low working angles, and the touchscreen design allows for intuitive touch-to-focus control. Additionally, for wireless remote control over the camera, or for just sharing imagery online, built-in Wi-Fi with NFC permits linking with a mobile device for intuitive wireless control. - 24.2MP Exmor CMOS Sensor and BIONZ X Processor
- The APS-C-format 24.2MP Exmor CMOS sensor pairs with the BIONZ X image processor to realize smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-25600, which can further be expanded to ISO 51200 for working in low-light conditions. The sensor features a unique design that utilizes thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to boost light-gathering abilities, reduce noise, and increase readout speeds to benefit video recording. The sensor and processor combination also avails a top continuous shooting rate of 11 fps for up to 301 standard JPEG frames or 107 raw frames in a single burst with AF and AE, and permits 14-bit raw file output for a wider tonal and color scale.
- 5-Axis SteadyShot INSIDE Image Stabilization
- Packed into the svelte a6500 is a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization. - 4D FOCUS
- Covering nearly the entire sensor area, a powerful 4D FOCUS system incorporates 425 on-chip phase-detection points along with 169 contrast-detection areas for precise focusing in as little as 0.05 seconds. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full AF compatibility.
The apt 4D FOCUS system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details.
In addition to autofocus, the a6500 also features a Peaking MF function to benefit manual focus control by highlighted sharp edges of contrast for a more objective means of acquiring sharp focus. - UHD 4K Video Recording
- Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 20MP (6000 x 3376) resolution, 2.4x oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file. - Custom Color Profiles and S-Log3 Gamma
- Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3.Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space. Additionally, the popular S-Log2 setting is also available.
- Slow & Quick Motion
- Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow moving scene. This setting is also NTSC/PAL switchable.
- Zebra and Gamma Display Assist
- An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.
In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring. - Time Code and User Bit Settings
- A time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.
- Body Design and Built-In Wi-Fi
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- A robust magnesium alloy body offers a durable profile, and also incorporates dust and moisture seals to protect against harsh environments. This durability is carried over to the shutter's design, too, which is rated to withstand more than 200,000 cycles.
- The XGA Tru-Finder 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution means for eye-level monitoring, and also sports a dedicated 120 fps mode for smoother viewing when tracking moving subjects.
- A 3.0" 921.6k-dot LCD touchscreen can be tilted 90° upward or 45° downward to suit working from high and low angles. The screen also incorporates White Magic technology with an RGBW pixel structure for increased brightness to support use in daylight conditions.
- The touchscreen design avails access to Touch Focus control, for immediate focus point selection, as well as a Touchpad function which lets you smoothly and intuitively select a focus point on the screen while you're looking into the viewfinder.
- Nine customizable buttons can be set to control more than 64 functions for more intuitive handling.
- The included NP-FW50 rechargeable lithium-ion is rated for 350 shots per charge when working with the viewfinder, or 400 shots per charge with the LCD screen.
- In addition to the battery, the a6500 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.
- A rigid metal lens mount better supports working with larger, heavier lens designs.
- An ergonomic grip structure is ideal for long shooting sessions and facilitates easy access to the main control buttons and dials.
- Built-in Wi-Fi enables the a6500 to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
- Bluetooth connectivity allows for location data acquisition.
- PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
- Other Camera Features
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- Highlight and Average metering modes helps avoid blown-out highlights and provide stable auto exposure, respectively.
- Exposure standard adjustment allows you to tween exposure parameters for each metering mode independently from -1 to +1 EV in 1/6-stop increments.
- A Silent Shooting mode makes use of an electronic shutter function for completely silent performance that is ideal for photographing in noise-sensitive areas. When using this mode, up to 3 fps continuous shooting is available with autofocus and auto-exposure.
- Multi Frame NR records consecutive images at a reduced ISO sensitivity and then composites them into a single image to realize higher effective sensitivity with minimal image noise.
- Dynamic Range Optimizer (DRO) works to improve images featuring backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be controlled automatically or fine-tuned using five settings.
- Auto HDR automatically records three sequential frames of an image and composites them into a single frame to realize greater shadow and highlight detail with an extended range of mid-tones.
- An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
- When working with ISO Auto settings, you can configure a minimum shutter speed setting to better ensure sharp imagery.
- Clear Image Zoom can be used to magnify the center of scenes by 2x to effectively extend the reach of any focal length lens. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images.
- Picture Effect: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, and Illustration.
- Creative Style: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia; contrast, saturation, and sharpness can be adjusted across +/- 3 steps.
UPC: 027242895706 - Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
- First Look: Sony Alpha a6500 & DSC-RX100 V
- Sony | a | a6500 - Product Feature
Targeting sports, wildlife, and action shooters, this FE 100-400mm f/4.5-5.6 GM OSS Lens from Sony will satisfy many photographers and videographers who are looking for a bit of extra reach with their full-frame E-mount camera. As a member of the G Master line, it is designed for outstanding resolution and sharpness with minimal aberrations, something assisted by the implementation of one Super ED and two ED elements as well as a Nano AR coating. It also features a relatively compact size through the use of an f/4.5-5.6 maximum aperture range, and it is equipped with both a Direct Drive SSM autofocus system as Optical SteadyShot image stabilization for outstanding performance at all focal lengths. The lens features numerous other settings and controls for making operation smooth and intuitive for a variety of shooting styles. This includes a zoom torque adjustment ring that lets users dial in the stiffness of the zoom mechanism. It also has an internal focus system with a minimum focus distance of just 3.22' as well as focus range limiter switch for faster focusing. Other physical controls and options include multiple customizable focus hold buttons, an AF/MF switch, and a removable and rotatable tripod mount. Additionally, it has a dust- and weather-resistant construction and a nine-blade circular diaphragm. - As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.
- A far-reaching telephoto zoom designed for full-frame E-mount mirrorless cameras, this 100-400mm lens is also compatible with APS-C models where it provides a 150-600mm equivalent focal length range.
- A maximum aperture range of f/4.5-5.6 helps minimize size and weight while providing excellent performance in a variety of applications.
- Two extra-low dispersion elements and one Super ED element are featured in the lens design and help to control chromatic aberrations and reduce color fringing for increased clarity and color fidelity.
- A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
- Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
- A Direct Drive Super Sonic wave Motor AF system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.
- A zoom torque adjustment ring will help provide users with added control over the zoom function of the lens.
- A floating elements system benefits image quality when working at the 3.22' minimum focusing distance with 0.35x magnification.
- Focus range limiter and focus hold controls offer more intuitive handling and faster performance when photographing moving subjects.
- Dust and weather-sealed construction benefits using the lens in inclement shooting conditions.
- The front lens element features a fluorine coating to protect against smudges and dust from adhering to the glass surface.
- A rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
- Removable rotating tripod mount permits quick switching from horizontal to vertical shooting orientations.
- Compatible with Sony's 1.4x and 2x FE teleconverters for reaching distances of up to 800mm.
- The included lens hood features a filter access window and a lock switch.
UPC: 027242906136 - Sony FE 1.4x Teleconverter
- First Look: Sony Alpha a6500 & DSC-RX100 V
- Sony | a | a6500 - Product Feature
Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 1.4x Teleconverter increases the lens's magnification by 1.4x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions. - Compatible Lenses
- FE 70-200mm f/2.8 GM OSS
FE 100-400mm f/4.5-5.6 GM OSS UPC: 027242900004 - Hoya 77mm UV Haze NXT HMC Filter
- First Look: Sony Alpha a6500 & DSC-RX100 V
- Sony | a | a6500 - Product Feature
The Hoya 77mm UV Haze NXT HMC Filter is a general use, clear filter that helps to absorb ultraviolet light and protect the front of your lens. Its clear design allows you to pair this filter with others or leave on lenses at all times as a general protective filter. It can also help to reduce dust and moisture and keep them from reaching your lens element while providing additional protection in case of drops or situations where scratching could occur. Hoya HMC filters are multi-coated for reducing flare, ghosting, and reflections on the filter surface. As a result, over 97% light transmission is possible in order to maintain contrast and color fidelity. The UV NXT filters are constructed from high quality, heat-resistant, high-transparency optical glass and a precision milled low-profile aluminum frame. - Absorbs UV light, which can cause outdoor photos to appear hazy and indistinct.
- Works as general protection filter to reduce dust, moisture, and scratches from reaching lens elements.
- HMC multi-coating affords greater than 97% light transmission and helps to reduce flare, ghosting, and reflections on the filter surface for greater contrast and color fidelity.
- Crafted from high quality, heat-resistant, high-transparency optical glass and a precision milled low-profile aluminum frame.
UPC: 024066055378 - Benro TMA47AXL Extra Long Series 4 Mach3 Aluminum Tripod
- First Look: Sony Alpha a6500 & DSC-RX100 V
- Sony | a | a6500 - Product Feature
Support up to 44.1 lb worth of gear with the TMA47AXL Extra Long Series 4 Mach3 Aluminum Tripod from Benro. Made from aluminum, the 3-section legs are secured via twist locks and extend to a maximum height of 85.1". The center column can be replaced with the included short column to allow the tripod to reach a minimum height of 18.7". The rubber feet can be swapped out for metal spikes so that the tripod can be used on hard surfaces, such as ice, or soft surfaces, like carpeting or a lawn. A ballast hook on the center column allows for the addition of stabilizing weight, and the included carrying case protects the tripod during transport. A 3/8"-16 threaded stud on the mounting platform lets you attach a head of your choice. - Oben GH-30 Gimbal Head
- First Look: Sony Alpha a6500 & DSC-RX100 V
- Sony | a | a6500 - Product Feature
Balance and maneuver large telephoto lenses effortlessly with the Oben GH-30 Gimbal Head. An ideal support for sports and wildlife photographers, this head is capable of handling a 44 lb payload and allows fluid movement on both vertical and horizontal axes. Because of the head's independent pan lock and 360° range of movement, it allows you to capture fast-moving objects. - Lens Compatibility
- 70-200mm f/2.8 or f/4, 100-400mm, 150-600mm, 300mm f/4, 400mm f/5.6, 200-500mm, and other similar-sized lenses
- Weight Capacity
- The gimbal head can support, balance, and maneuver large telephoto lenses that weigh up to 44 lb
- Smooth and Fluid Motion
- Whether shooting birds, wildlife, or sports, the fluid motion and friction control built into the arm allows you to move your camera smoothly and effortlessly along either axis while tracking the subject
- Arca-type Mount
- The Arca-type compatible plate has two 1/4"-20 threaded mounts, but they are also supplied with two 3/8"-16 bushings
- 360° Panning with Independent pan Lock
- The 9" tall head rotates a full 360° and locks into place with its independent pan lock
- Duplicate Set-Ups
- Numbered scales are located on the clamp and on the swing arm, so the telephoto lens can have a repeated set up on the gimbal head
- Threaded Tripod Mount
- The gimbal head mounts directly to tripods with a 3/8"-16 threaded mount, but a reducer bushing can be utilized for smaller 1/4"-20 threads
- Material of Construction
- The gimbal head is made of aluminum and weighs 3.2 lb
UPC: 847628007345 - Induro BHD2 Ball Head
- First Look: Sony Alpha a6500 & DSC-RX100 V
- Sony | a | a6500 - Product Feature
This Induro BHD2 Ball Head is a dual-action magnesium alloy ball head that can hold up to 39.7 lb. It weighs 1.3 lb is 4.5" high with a base diameter of 2.9" / 74mm. The ball head includes an Arca-type compatible quick-release plate to facilitate camera attachment. Separate locking knobs control the movement of the ball and the 360° panning, while a third knob adjusts the friction control. A 90° notch allows for simple portrait orientation and a numbered scale on the base enables repeatable pans. In the Box - Alpha a6500 Mirrorless Digital Camera (Body Only) xzwafayczvfbsfswxsfafxraxqfr
- NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh)
- Shoulder Strap
- Body Cap
- Accessory Shoe Cap
- Eyepiece Cup
- Micro-USB Cable
- AC-UUD12 AC Adapter
- Limited 1-Year Warranty
- FE 100-400mm f/4.5-5.6 GM OSS Lens xzwafayczvfbsfswxsfafxraxqfr
- Hoya - 77mm UV Haze NXT HMC Filter
- Benro - TMA47AXL Extra Long Series 4 Mach3 Aluminum Tripod
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Technical parameters - Sony Alpha a6500 Mirrorless Digital Camera (Body Only)
| Lens Mount | Sony E | Camera Format | APS-C (1.5x Crop Factor) | Pixels | Actual: 25 Megapixel Effective: 24.2 Megapixel | Maximum Resolution | 6000 x 4000 | Aspect Ratio | 3:2, 16:9 | Sensor Type | CMOS | Sensor Size | 23.5 x 15.6 mm | Image File Format | JPEG, RAW | Bit Depth | 14-Bit | Image Stabilization | Sensor-Shift, 5-Axis | | ISO Sensitivity | Auto, 100 to 25600 (Extended: 100 to 51200) | Shutter Speed | Electronic Front Curtain Shutter 1/4000 to 30 Seconds Bulb Mode | Metering Method | Center-Weighted Average, Multi-Zone, Spot | Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority | Exposure Compensation | -5 to +5 EV (1/3, 1/2 EV Steps) | Metering Range | -2 to 20 EV | White Balance | Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater | Continuous Shooting | Up to 11 fps at 24.2 MP for up to 233 Exposures (JPEG Format) Up to 11 fps at 24.2 MP for up to 301 Exposures (JPEG Format) Up to 11 fps at 24.2 MP for up to 107 Exposures (Raw Format) Up to 8 fps at 24.2 MP Up to 6 fps at 24.2 MP Up to 3 fps at 24.2 MP | Self Timer | 2/5/10-Second Delay | | Recording Modes | AVCHD Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s] Full HD (1920 x 1080) at 24p/25p/50i/59.94i [24 Mb/s] Full HD (1920 x 1080) at 24p/25p/50i/59.94i [17 Mb/s] MP4 Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s] Full HD (1920 x 1080) at 25p/29.97p [16 Mb/s] HD (1280 x 720) at 25p/29.97p [6 Mb/s] XAVC S UHD 4K (3840 x 2160) at 24p/25p/29.97p [60 to 100 Mb/s] Full HD (1920 x 1080) at 100p/120p [60 to 100 Mb/s] Full HD (1920 x 1080) at 24p/25p/29.97p/50p/59.94p [50 Mb/s] | External Recording Modes | 4:2:2 8-Bit UHD 4K (3840 x 2160) at 24.00p/25p/29.97p Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p | Recording Limit | Up to 29 Minutes, 59 Seconds | Video Encoding | NTSC/PAL | Audio Recording | Built-In Microphone (Stereo) External Microphone Input | Audio File Format | AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo) | | Focus Type | Auto and Manual Focus | Focus Mode | Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) | Autofocus Points | Phase Detection: 425 Contrast Detection: 169 | Autofocus Sensitivity | -1 to +20 EV | | Viewfinder Type | Electronic | Viewfinder Size | 0.39" | Viewfinder Resolution | 2,359,296 Dot | Viewfinder Eye Point | 23 mm | Viewfinder Coverage | 100% | Viewfinder Magnification | Approx. 1.07x | Diopter Adjustment | -4.0 to +3.0 m | Monitor Size | 3" | Monitor Resolution | 921,600 Dot | Monitor Type | Tilting Touchscreen LCD | | Built-in Flash | Yes | Flash Modes | Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless | Guide Number | 19.69' / 6 m at ISO 100 | Maximum Sync Speed | 1/160 Second | Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) | Dedicated Flash System | TTL | External Flash Connection | Hot Shoe, Wireless | | Memory Card Slot | 1 x SD/SDHC/SDXC/Memory Stick PRO HG-Duo/Memory Stick Pro Duo | Connectivity | 3.5mm Microphone, HDMI D (Micro), USB 2.0 Micro-B, USB 2.0 | Wireless | Wi-Fi | GPS | None | | Operating Temperature | 32 to 104°F / 0 to 40°C | | Battery | 1 x NP-FW50 Rechargeable Lithium-Ion, 7.2 VDC, 1080 mAh | Dimensions (W x H x D) | 4.7 x 2.6 x 2.1" / 120.0 x 66.9 x 53.3 mm (Excluding Protrusions) | Weight | 15.98 oz / 453 g (Body with Battery and Memory) | | Box Dimensions (LxWxH) | 6.2 x 5.7 x 5.2" | - Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
Focal Length | 100 to 400mm | Maximum Aperture | f/4.5 to 5.6 | Minimum Aperture | f/32 to 40 | Lens Mount | Sony E | Format Compatibility | Full-Frame | Angle of View | 24
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