User manual
Sony Alpha a7S II Mirrorless Digital

User Manual for Sony Alpha a7S II Mirrorless Digital Camera with 24-70mm f 2.8 Lens HDR Filmmaker Kit

• Product category: Mirrorless System Cameras Sony
• Brand: Sony
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Sony Mirrorless System Cameras

Product description

• Sony Alpha a7S II Mirrorless Digital Camera (Body Only)
  • Head-To-Head: Sony a7 Series vs. Sony FS7
  • Sony a7S II - 4K low-light ISO comparison movie
  • Sony a7S II - 5-axis optical image stabilization
  • Sony | a | a7S II into Outer Space | U.S. east coast by night
  Making strides in the video arena, the a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast intelligent autofocus with low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization compensates for vertical, horizontal, pitch, yaw, and roll camera movements for sharper, smoother handheld recording.
  
  Complementing the 4K recording capabilities is a redeveloped recording setup, including the ability to utilize S-Log3 Gamma and S-Gamut3 in addition to S-Log2, for increasing dynamic range values by up to 1300% to better match high-end post-production workflows. For clearer monitoring potential, an enhanced Zebra function better supports working with S-Log gamma settings and a Gamma Display Assist helps to preview imagery with natural contrast by converting S-Log2 and S-Log3 settings to the ITU709 gamma for easier on-camera viewing.
  
  The a7S II is also characterized by a compact, yet robust, magnesium alloy body design that incorporates a high 0.78x-magnification Tru-Finder OLED electronic viewfinder. With a resolution of 2.36-million dots and a Zeiss T* anti-reflective coating, this finder benefits working in a variety of lighting conditions and is capable of previewing exposure and settings adjustments prior to recording. A rear 3.0" 1,228,800-dot LCD screen is also available, and features a tilting design to support working from high and low angles. Additionally, built-in Wi-Fi connectivity with NFC allows you to pair mobile devices to the camera for wireless sharing and remote camera control.
  Full-Frame Exmor Sensor and BIONZ X Image Processor
  • A 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor work together to enable an expansive dynamic range with minimal noise and notable sensitivity from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.
    
    The sensor's design also features a new-generation RGB color filter array, as well as a gapless on-chip lens design. Together, these two technologies enable truly efficient light-gathering abilities that further reinforce the low noise, high-sensitivity design. Furthermore, an anti-reflective coating has also been applied to the seal glass of the image sensor to minimize surface reflections, glare, and ghosting for contrast-rich, color-neutral imagery.
    
    The sensor and processor combination also avail a wealth of performance-related benefits to still shooting, including a Speed Priority continuous shooting rate of 5 fps, or a 2.5 fps shooting rate with continuous AF. The Fast Intelligent AF system employs 169 AF points, which is comprised of 25 contrast-detection points and nine central AF points that have been split into 16 segments each, in order to provide both speed and accuracy in low-light conditions down to -4 EV.
  Internal UHD 4K Recording and Full Pixel Readout
  • Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the 12.2MP resolution, full pixel readout is possible that is void of pixel binning for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.
    
    In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
  5-Axis SteadyShot INSIDE Image Stabilization
  • Packed into the svelte a7S II is a 4.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
    
    For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
  Custom Color Profiles and S-Log3 Gamma
  • Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3.Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space.
    
    In addition to the S-Log3 gamma, the popular S-Log2 settings are also available.
  Zebra and Gamma Display Assist
  • An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.
    
    In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.
  Timecode and User Bit Settings
  • The a7S II has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7S II is also able to output timecode via HDMI.
  0.5" 2.36m-Dot XGA OLED Tru-Finder Electronic Viewfinder
  • With its 4-lens optical system using double-sided aspherical elements the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You'll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a 0.78x magnification enable comfortable and stable eye-level composition.
    
    In addition to the electronic viewfinder, a rear 3.0" 1,228.8k-dot LCD monitor has also been incorporated into the design and can tilt 107° upward or 41° downward to better enable working from high and low angles.
  Built-In Wi-Fi Connectivity with NFC
  • Built-in Wi-Fi connectivity enables the a7S II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
    
    Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
  Other Camera Features
  • • Cutting down on mechanical vibrations by 50% is the durable reduced-vibration shutter, which has been tested to 500,000 cycles. An electronic front curtain can be used to reduce vibrations further.
    • A Silent Shutter mode can be used to mute the sound of the shutter for working in quiet environments. Up to 5 fps shooting is possible with the silent shutter and the mode can be assigned to a function button for quick on/off switching.
    • The top, front, and rear covers of the body have all been made from magnesium alloy for long-lasting durability.
    • Enhanced Eye AF can be used with AF-S and AF-C focusing modes, and automatically detects and tracks a subject's eye for critical focus.
    • The Expand Flexible Spot function can be used with AF Area selections to intelligently expand the size of your selected focusing spot if it is not positioned on your subject.
    • Focus Magnifier and Peaking functions benefit working with manual focus and allow you to quickly confirm in-focus portions of an image when shooting stills or recording video.
    • White Balance settings can be fine-tuned for greater personal control over how a scene's colors are represented.
    • In addition to the included battery charger, the NP-FW50 battery can also be charged inside the camera via USB.
    • Adjustable Picture Profile parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3), Black Gamma, Knee, Color Mode (Movie, Still, Cinema, Pro, ITU709 Matrix, White & Black, S-Gamut, S-Gamut3.Cine, S-Gamut3), Saturation, Color Phase, Color Depth, Detail, Copy, and Reset
    • Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Handheld Twilight, and Anti Motion Blur.
    • Picture Effects: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, and Illustration.
    • Creative Styles: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps)
  UPC: 027242894273
• Sony FE 24-70mm f/2.8 GM Lens
  • Head-To-Head: Sony a7 Series vs. Sony FS7
  • Sony a7S II - 4K low-light ISO comparison movie
  • Sony a7S II - 5-axis optical image stabilization
  • Sony | a | a7S II into Outer Space | U.S. east coast by night
  A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f/2.8 GM is a wide-angle to short telephoto lens designed for E-mount mirrorless cameras. Featuring a constant f/2.8 maximum aperture, this lens maintains consistent performance throughout the zoom range and benefits working in low-light conditions and with selective focus techniques. Complementing the apt light-gathering capabilities is an equally impressive optical design, which incorporates three aspherical elements and two extra-low dispersion elements. One of the aspherical elements features an XA (extreme aspherical) designation, ensuring its refined surface precision and notable ability to minimize spherical aberrations throughout the zoom range. Additionally, a Nano AR Coating has been applied to individual elements to significantly minimize lens flare and ghosting for increased contrast and color neutrality. Pairing a sophisticated optical design and versatile speed, this standard zoom is well-suited for use in a wide array of environments and lighting conditions.
  
  Beyond the attributes of the lens system itself, this 24-70mm is also characterized by a Direct Drive SSM (Super Sonic wave Motor) system that provides fast, quiet AF performance as well as responsive manual focus handling. The lens is also dust- and moisture-sealed, to permit working in inclement weather conditions, and nuanced details, such as a focus hold button and rubberized control dials, further the intuitiveness in handling.
  • As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.
  • Covering wide-angle to portrait-length perspectives, this standard 24-70mm zoom is designed for full-frame E-mount mirrorless cameras and is also compatible with APS-C models, where it will provide a 36-105mm equivalent focal length range.
  • Constant f/2.8 maximum aperture maintains consistent performance from wide-angle to telephoto focal length positions and also contributes to greater selective focus control.
  • Of the three aspherical elements incorporated in the lens design, one is an XA element with superior surface precision to effectively reduce astigmatism, field curvature, coma, and other monochromatic aberrations from imagery.
  • One extra-low dispersion element and one Super ED element are featured in the lens design and help to control chromatic aberrations and reduce color fringing for increased clarity and color fidelity.
  • A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
  • A Direct Drive Super Sonic wave AF motor and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contribute to more natural, intuitive manual focus control.
  • A focus hold button and AF/MF switch are present on the lens barrel for intuitive tactile control and rapid access to select settings.
  • A dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
  • Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
  UPC: 027242895065
• Atomos Ninja V 5" 4K HDMI Recording Monitor
  • Head-To-Head: Sony a7 Series vs. Sony FS7
  • Sony a7S II - 4K low-light ISO comparison movie
  • Sony a7S II - 5-axis optical image stabilization
  • Sony | a | a7S II into Outer Space | U.S. east coast by night
  The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
  
  Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit. Designed with an interface that differs somewhat from prior units, the Ninja V's HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit's upper left corner. The Ninja V can record to both AtomX SSDmini or standard 2.5" SSD drives, fitting up to 150 minutes of 4K video on an 1TB drive. Separately available AtomX Ethernet/NDI and SYNC Expansion Modules enable you to output live video over IP or add wireless timecode for multicamera shoots respectively.

  AtomHDR

  • With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

  Supported Log Formats

  • • ARRI Log C
    • Canon CLog / CLog 2
    • Fuji F-Log
    • JVC JLog
    • Sony SLog2 / SLog3
    • Panasonic Vlog
    • RED LogFilm

  HDR Recording

  • • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
    • Canon CLog / CLog2 / Clog3
    • Fuji F-Log
    • JVC JLog1
    • Panasonic Vlog
    • PQ10k, HLG
    • RED LogFilm / Log3G10 / Log3G12
    • Sony SLog / SLog2 / SLog3

  HDR Monitoring

  • • ARRI ALEXA Wide Gamut
    • Canon Cinema / DCI P3 / DCI P3+ / BT2020
    • Fuji F-Log
    • JVC LS300
    • Panasonic V Gamut
    • Rec. 2100
    • Rec. 709
    • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out

  4K 60p Capabilities

  • Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

  SSD Recording

  • Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives, capturing up to 150 minutes of 4K video on a 1TB drive.

  Audio I/O

  • Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

  5" Daylight Viewable Screen

  • The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.

  HDR Signal Management

  • Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

  Anamorphic De-Squeeze

  • The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.

  Edit-Ready Recording

  • Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

  Optional Expansion Modules

  • The Ninja V features a bidirectional high-speed video port along with power and audio which enables the use of the AtomX Ethernet/NDI and SYNC modules along with future module releases.
  UPC: 814164021074
• Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors
  • Head-To-Head: Sony a7 Series vs. Sony FS7
  • Sony a7S II - 4K low-light ISO comparison movie
  • Sony a7S II - 5-axis optical image stabilization
  • Sony | a | a7S II into Outer Space | U.S. east coast by night
  Add a monitor to your video recording system with this aluminum Heavy Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable. Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head. Note: Due to its compact design, this ball head should not be used to support a camera.
  • Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
  • Single locking knob for safe and fast operation
  • Head itself allows for 90º vertical articulation
  • Fits most standard shoe mounts (except for Sony flash shoe)
  UPC: 847628578029
• Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")
  • Head-To-Head: Sony a7 Series vs. Sony FS7
  • Sony a7S II - 4K low-light ISO comparison movie
  • Sony a7S II - 5-axis optical image stabilization
  • Sony | a | a7S II into Outer Space | U.S. east coast by night
  The 11.8 to 17.7" Right-Angle Micro to Full HDMI Coiled Cable from Atomos is coiled to prevent clutter, but it can extend up to 17.7". It has a right-angled micro connector for use with the Ninja Star recorder. UPC: 853815005667
• Atomos Power Kit for Shogun/Ninja Inferno & Flame
  • Head-To-Head: Sony a7 Series vs. Sony FS7
  • Sony a7S II - 4K low-light ISO comparison movie
  • Sony a7S II - 5-axis optical image stabilization
  • Sony | a | a7S II into Outer Space | U.S. east coast by night
  The Atomos Power Kit includes two NP-F750 5200mAh batteries, a charger, and a power adapter for the Shogun/Ninja Inferno and Flame. UPC: 814164020756

• Alpha a7S II Mirrorless Digital Camera (Body Only) cyaecywaxu
• 2 x NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh)
• BC-VW1 AC Charger for W Series Battery
• AC-UUD11 AC Adapter
• Cable Protector
• Body Cap
• Shoulder Strap
• Accessory Shoe Cap
• Eyepiece Cup
• Limited 1-Year Warranty

• FE 24-70mm f/2.8 GM Lens

• Atomos - Ninja V 5" 4K HDMI Recording Monitor

• Elvid - Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors

• Atomos - Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")

• Atomos - Power Kit for Shogun/Ninja Inferno & Flame cyaecywaxu

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Technical parameters

• Sony Alpha a7S II Mirrorless Digital Camera (Body Only)

  Lens Mount	Sony E
  Camera Format	Full-Frame (1x Crop Factor)
  Pixels	Actual: 12.4 Megapixel Effective: 12.2 Megapixel
  Maximum Resolution	4240 x 2832
  Aspect Ratio	3:2, 16:9
  Sensor Type	CMOS
  Sensor Size	35.8 x 23.9 mm
  Image File Format	JPEG, RAW
  Bit Depth	14-Bit
  Image Stabilization	Sensor-Shift, 5-Axis

  ISO Sensitivity	Auto, 100 to 102400 (Extended: 50 to 409600)
  Shutter Speed	Electronic Front Curtain Shutter 1/8000 to 30 Seconds
  Metering Method	Center-Weighted Average, Multiple, Spot
  Exposure Modes	Aperture Priority, Auto, Manual, Program, Shutter Priority
  Exposure Compensation	-5 to +5 EV (1/3, 1/2 EV Steps)
  Metering Range	-3 to 20 EV
  White Balance	Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
  Continuous Shooting	Up to 5 fps at 12.2 MP for up to 200 Exposures Up to 2.5 fps at 12.2 MP for up to 200 Exposures
  Self Timer	2/5/10-Second Delay

  Recording Modes	XAVC S UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [60 to 100 Mb/s] Full HD (1920 x 1080) at 100p/120p [60 to 100 Mb/s] Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [50 Mb/s] AVCHD Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s] Full HD (1920 x 1080) at 23.976p/25p/50i/59.94i [17 to 24 Mb/s] MP4 Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s] Full HD (1920 x 1080) at 25p/29.97p [16 Mb/s] HD (1280 x 720) at 25p/29.97p [6 Mb/s]
  External Recording Modes	4:2:2 8-Bit UHD 4K (3840 x 2160) at 24.00p/25p/29.97p Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p
  Recording Limit	Up to 29 Minutes, 59 Seconds
  Video Encoding	NTSC/PAL
  Audio Recording	Built-In Microphone (Stereo) External Microphone Input
  Audio File Format	AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo)

  Focus Type	Auto and Manual Focus
  Focus Mode	Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S)
  Autofocus Points	Contrast Detection: 169
  Autofocus Sensitivity	-4 to +20 EV

  Viewfinder Type	Electronic
  Viewfinder Size	0.5"
  Viewfinder Resolution	2,359,296 Dot
  Viewfinder Eye Point	23 mm
  Viewfinder Coverage	100%
  Viewfinder Magnification	Approx. 0.78x
  Diopter Adjustment	-4 to +3 m
  Monitor Size	3"
  Monitor Resolution	1,228,800 Dot
  Monitor Type	LCD

  Built-in Flash	None
  Flash Modes	Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless
  Maximum Sync Speed	1/250 Second
  Flash Compensation	-3 to +3 EV (1/3, 1/2 EV Steps)
  External Flash Connection	Hot Shoe

  Memory Card Slot	1 x SD/SDHC/SDXC/Memory Stick PRO Duo (High Speed)/Memory Stick PRO HG-Duo
  Connectivity	3.5mm Headphone, 3.5mm Microphone, HDMI D (Micro), USB 2.0 Micro-B
  Wireless	Wi-Fi
  GPS	None

  Operating Temperature	32 to 104°F / 0 to 40°C

  Battery	1 x NP-FW50 Rechargeable Lithium-Ion, 7.4 VDC, 1020 mAh
  Dimensions (W x H x D)	4.6 x 2.7 x 1.5" / 116.8 x 68.6 x 38.1 mm
  Weight	22.12 oz / 627.10 g (Body with Battery and Memory)

  Box Dimensions (LxWxH)	9.6 x 6.1 x 5.8"

• Sony FE 24-70mm f/2.8 GM Lens

  Focal Length	24 to 70mm
  Maximum Aperture	f/2.8
  Minimum Aperture	f/22
  Lens Mount	Sony E
  Format Compatibility	Full-Frame
  Angle of View	84 Rating 92% users recommend this product to others. And what about you? This product has already been rated by 31 owners. Add your rating and experience with the product. Discussion Ask our technicians if you have a problem with your settings, or if anything is unclear in the user manual you have downloaded. You can make use of our moderated discussion. The discussion is public and helps other users of our website who may be encountering similar problems. The discussion is empty - enter the first post Post a new topic / query / comment: Items marked with * are required. Your name *: E-mail : Subject *: Message *: Your email address will not be displayed. Do not forget to fill it in if you want to receive a reply to your enquiry/contribution. Processing of personal data in accordance with GDPR