User manual
Sound Devices 633 6-Input Compact Field

User Manual for Sound Devices 633 6-Input Compact Field Mixer with Bag and Harness Kit

• Product category: Field Mixers Sound Devices
• Brand: Sound Devices
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Sound Devices Field Mixers

Product description

• Sound Devices 633 6-Input Compact Field Mixer and 10-Track Digital Recorder The Sound Devices 633 6-Input Field Production Mixer and Digital Recorder is designed for production audio mixing and recording on set and in the field. The unit is housed in a compact lightweight molded metalized carbon-fiber chassis and features six analog inputs: three XLR microphone preamplifier inputs with selectable phantom power, high-pass filters, input limiters, faders and variable pans, as well as three line-level TA3 (mini-XLR) inputs. The first XLR input can also function as an AES digital input and accept AES3 or AES42 inputs with +10 V phantom power for digital microphones. The two XLR outputs can also be used as four channels of AES output.
  
  All of the unit's inputs can be assigned to the mixer's six output buses: left, right, Aux 1, Aux 2, Aux 3, and Aux 4. Selectable input delay on all six inputs and output bus delay on all six buses makes it easy to correct lip-syncing issues between audio and video. The unit's 1/4" headphone output can be configured with different user-presets and a favorite mode allows for quick source selection when monitoring.
  
  The device can record to an SD card, CompactFlash card, or both memory card formats simultaneously in mono or poly WAV or MP3 file formats. The cards can be set to record redundant backups or combinations of WAV and time-coded MP3s for dailies and transcription purposes. The six inputs, output bus left, output bus right, aux 1, and aux 2 can all be recorded to individual tracks at 24-bit 48 kHz resolution for a total of ten tracks. This is useful for having both individual tracks from the six inputs, as well as the recordist's field mix. Up to six tracks can be recorded at 24-bit 96 kHz and 192 kHz sample rates.
  
  The device can be powered by any of four different simultaneously coexistent power sources, including 12 to 18 VDC from an external power supply (sold separately), two removable 7.2 V L-type lithium-ion batteries (sold separately), and six internal AA batteries (NiMH recommended, sold separately). The unit's LCD display indicates battery levels for the various sources. When one power supply is depleted, the mixer will automatically switch to the next power supply without interruption. When all power supplies are depleted, the device's built-in PowerSafe trickle-charge battery will keep the device running for an additional 10 seconds so that all files can be saved and closed properly and ensure that no data is lost. The built-in battery also allows the device to power up and start recording in two seconds for near immediate operation.
  
  The unit is built with dedicated ergonomic controls for all major mixing and recording functions and features an LCD display that can be viewed in all types of lighting. The background of the display can be changed in the menu settings between day and night modes to make the meters easier to read. An integrated high-accuracy Timecode generator supports all common rates and modes. A USB port allows for the connection of a computer keyboard for easy entering of metadata to better organize files. The unit is built to be durable in the field, and includes gasket seals to protect the internal circuitry from the elements. Note: Please note that not all memory cards are approved to work with this device. Please check manufacturer's website for a list of approved cards.
  Inputs
  • Features three high-bandwidth mic/line XLR inputs with selectable phantom power, high-pass filter, input limiter, and variable pan as well as three line-level TA3 connectors
  Outputs
  • Includes six assignable output buses
  Lightweight Chassis
  • Utilizes a molded carbon-fiber chassis to significantly reduce the overall weight of the unit
  AES Digital I/O
  • Accepts AES3 and AES42 inputs with +10 V phantom power for digital microphones on XLR input 1, as well as up to four channels of AES output on XLR outputs 1 and 2
  Internal Slate Microphone
  • Allows verbal recording of the scene and take number
  Recording
  • Records up to 10 individual mono or polyphonic WAV or MP3 tracks at up to 24-bit 48 kHz resolution (6 tracks at up to 96 or 192 kHz sample rates) onto SD and CompactFlash memory cards
  Quad Power
  • Utilizes external 12 to 18 V power supply, two removable 7.2 V L-type lithium-ion batteries, and six internal AA batteries to provide redundant power once each source is depleted
  PowerSafe Technology
  • Utilizes built-in battery to keep the device running for additional 10 seconds after all power sources are depleted so that files may be closed properly and ensure that no data is lost or corrupted
  Power-Up
  • Turns on in approximately two seconds for near instantaneous recording
  Control Interface
  • Features large LCD display that can be viewed in all lighting conditions and combination push-button knobs for menu navigation
  Integrated Timecode
  • Utilizes high-accuracy Timecode generator that supports all common rates and modes
  Delay
  • Allows selectable input and output bus delay on all six inputs and all six outputs for syncing audio and video
  Headphone Presets
  • Allows easy switching between user-configurable presets and headphone favorite mode for monitoring different sources
  Metadata Entry
  • Enables USB computer keyboard entry of recording metadata such as notes
  Durability
  • Housed in a molded metalized carbon-fiber chassis with gasket seals to protect against the elements
  UPC: 859108005277
• ORCA OR-30 Audio / Mixer Bag The OR-30 Audio / Mixer Bag from ORCA is designed to carry, protect, and enable access to your audio mixer. The bag's aluminum frame allows for access to the gear from six directions, and its bright blue polyester lining provides easy viewing of the equipment. The top clear TPU allows you to see your gear without opening the bag. The bag features two pockets for accessory storage, front bungee cords to hold a boom pole or cables, 2 external detachable pouches, and 9 rubber bands to support your wireless system. The rubber battery fittings secure your battery in place while the interior sliding system secures your gear. The bag also features detachable carrying handles and a shoulder strap and can be connected to the ORCA Harness for easier carrying.
  • Sliding system to secure mixture inside the bag
  • Top clear TPU for viewing
  • Battery pocket with extra battery fittings
  • Detachable carrying handles and shoulder strap
  • 2 pockets for storing audio accessories
  • 2 external detachable pouches and 9 rubber bands to hold a wireless system
  • Front bungee cords can hold a boom pole or cables
  • Aluminum frame allows access to the gear from six directions
  • Inside lining made from bright blue brushed polyester for easier equipment viewing
• ORCA Audio Bag Harness The ORCA Audio Bag Harness is a ventilated harness to help distribute the weight while carrying an audio mixer. An internal cable and pouch for a battery or power bank are built-in to the harness. The harness features aluminum buckles for connection to any Orca audio bag and can be adapted for different users. The EVA skeleton and mesh fabric allows for ventilation.
  • Internal cable and pouch for battery or power bank
  • Ventilated using EVA skeleton with mesh fabric
  • Aluminum buckles provide strength and connect to any Orca audio bag
  • Sliding system fits any operator of any size

• 633 6-Input Compact Field Mixer and 10-Track Digital Recorder dreqqvrfxwrezwa
• Limited 2-Year Warranty

• ORCA - OR-30 Audio / Mixer Bag

• ORCA - Audio Bag Harness

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Technical parameters

• Sound Devices 633 6-Input Compact Field Mixer and 10-Track Digital Recorder

  Connectors

  3 x XLR 3-pin Female Inputs 3 x TA3 (mini-XLR) inputs 2 x XLR 3-pin male outputs (left and right) 1 x 1/4" headphone jack 2 x TA3 outputs (Aux 1 and Aux 2) 1 x 1/8" stereo output (Aux 3 and Aux 4) 1 x RTN output 1 x Timecode output 1 x 4-pin Hirose power connector

  Frequency Response	10 to 40,000 Hz ±0.5 dB -3 dB at 65,000 Hz (192,000 Hz sampling rate reference at 1,000 Hz)
  THD + Noise	0.09% max (1,000 Hz, 22 to 22,000 Hz BW, fader at 0, 0 dBu output)
  Equivalent Input Noise	-126 dBu (-128 dBV) maximum (22 to 22,000 Hz bandwidth, flat filter, trim control fully up)
  Input Type	XLR Mic: active balanced for use with ≤600 Ω microphones, 4,000 Ω actual, 12 V or 48 V phantom power, 10 mA max XLR AES: AES3 or AES42 (10 V power), SRC XLR Line: active-balanced for use with ≤2,000 Ω outputs, 10,000 Ω TA3 Line: active-balanced for use with ≤ 2,000 Ω outputs, 10,000 Ω actual RTN (3.5 mm): unbalanced stereo for use with ≤ 2,000 Ω outputs, 30,000 Ω actual
  Maximum Input Level	XLR Mic: 0 dBu (0.78 Vrms) XLR Line: +40 dBu (80 Vrms) RTN (3.5 mm): +24 dBu (12.4 Vrms)
  Maximum Gain	Mic-In-to-Line-Out: 91 dB Mic-In-to-Aux-Out, -10 Out: 77 dB Line-In-to-Line-Out: 39 dB
  High-Pass Filter	Sweepable 80 to 240 Hz 12 dB/octave at 80 Hz 6 dB/octave at 240 Hz
  Microphone Power	Each analog input is selectable 12 V phantom through 680 Ω resistors, 10 mA per mic available 48 V phantom through 6,800 Ω, 10 mA per mic available
  Limiting	Analog input limiters (inputs 1 through 3) Affects microphone preamp output only (Trim stage): +16 dBu Ratio: 20:1 Attack time: 1 ms Release time: 500 ms Digital input limiters (inputs 1 through 6) Post-fader +6 dBu to +18 dBu threshold (adjustable Ratio: 20:1 Attack time: 1 ms Release time: 500 ms
  AES	AES42 Mode 1: provides +10 V digital phantom power

  Output Type	XLR Line: active balanced for use with ≥ 600 Ω inputs XLR -10: active balanced for use with ≥ 10,000 Ω inputs XLR Mic: active balanced for use with ≥ 600 Ω inputs TA3 Active balanced Mic/Line: pin-2 and 3 driven, for use with ≥ 3,000 Ω inputs Aux X3 and X4 (3.5 mm): unbalanced, stereo, for use with ≥ 6,000 Ω inputs Headphones (1/4"): unbalanced, stereo, for use with 8 to 2,000 Ω headphones
  Output Impedance	XLR and TA3 balanced outputs: 100 Ω at line setting 3,200 Ω at -10 setting 150 Ω at mic setting TA3 balanced outs: 1,000 Ω at Mic and line settings Aux X3, X4 (3.5 mm): 100 Ω Headphones (1/4"): 100 Ω
  Line Output Level	Clipping: 20 dBu minimum with 10,000 Ω load
  Maximum Output Level	Line: +20 dBu (7.8 Vrms) -10: +6 dBu (1.5 Vrms) Mic: -20 dBu (0.078 Vrms) Aux 3/4: +6 dBu (1.5 Vrms)
  Limiting	Affects the outputs of the mixer Threshold selectable from +4 dBu to +18 dBu, 1 dB steps Ratio: 20:1 Attack time: 1 ms Release time: 500 ms
  Maximum Gain	Typical: Trim, Fader, Master, Phones, RTN fully up Mic-level input Master outs (XLR) at line: 91 dB Master outs (XLR) at -10: 77 dB Master outs (XLR) at mic: 51 dB X3, X4 Outs (3.5 mm): 77 dB Headphones (1/4"): 107 dB Line-level input Master outs (XLR) at line: 51 dB Master outs (XLR) at -10: 37 dB Master outs (XLR) at mic: 11 dB X3, X4 Outs (3.5 mm): 37 dB Headphones (1/4"): 67 dB RTN Headphones (1/4"): 5 dB
  AES3 Output	Transformer-balanced AES Out A, B, on XLR 110 Ω, 2 V p-p AES and S/PDIF compatible with RCA adaptor
  Sampling Frequency	44,100 Hz 47,952 Hz 48,000 Hz 48,048 Hz 88,200 Hz 96,000 Hz 192,000 Hz
  Bit Depth	24-bit
  Dynamic Range	114 dB, A-weighted, typical
  Recording storage	SD, SDXC, SDHC card Please see manufacturer's site for a list of approved cards FAT32 or exFAT formatted, will format media on-board CompactFlash (CF) FAT32 formatted for CF and SD < 32 GB exFat for SD cards > 32 GB Formats cards in-unit
  File Type	Record: WAV (Broadcast Wave File format), polyphonic or MP3 Playback: WAV (Broadcast Wave File format), polyphonic or MP3
  Timecode	Modes supported: Off, Rec Run, Free Run, 24h Run, External Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND Accuracy: Ambient generator, 0.2 ppm (0.5 frame in 24 hr) Timecode input: 20,000 Ω impedance, 0.3 V to 3.0 V p-p (-17 dBu to +3 dBu) Timecode output: 1,000 Ω impedance, 3.0 V p-p (+12 dBu)
  Accuracy	Sample/Timecode: ± 0.2 ppm (0.5 frames per 24 hours)
  Power	External: 10 to 18 V on locking 4-pin Hirose connector, pin 4 = +, pin 1 = - 2 x Removable 7.2 V (nominal) Sony L-type Li-ion, operational from 6.5 to 8.5 V Internal 6 x AA (LR6) batteries, 1.2 to 1.6 V nominal (NiMH rechargeable compatible)
  Temperature	Operating: -4 to 140° F (-20 to 60° C) Storage: -40 to 185° F (-40 to 85°C)
  Humidity (Non-condensing)	0 to 90% relative humidity
  Dimensions (H x W x D)	2.2 x 9.4 x 5.6" (6.0 x 24 x 14 cm)
  Weight	2.56 lb (1.10 kg)

  Box Dimensions (LxWxH)	16.15 x 11.0 x 5.25"

• ORCA OR-30 Audio / Mixer Bag

  Internal Dimensions	L x W x H: 10.2 x 4.7 x 6.9" (26.0 x 12.0 x 17.5 cm)
  External Dimensions	L x W x H:12.2 x 10.2 x 7.7" (31.0 x 26.0 x 19.5 cm)
  Weight	3.91 lb (1.75 kg)

  Box Dimensions (LxWxH)	13.1 x 11.3 x 8.6"

• ORCA Audio Bag Harness

  Dimensions	L x W: 29.1 x 26.4" (74.0 x 67.0 cm)
  Weight	1.47 lb (0.67 kg)

  Box Dimensions (LxWxH)	12.2 x 8.2 x 4.3"

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