User Manual for Sound Devices 664 Six-Channel Portable Production Mixer and Porta Brace Case Kit Click to enlarge the picture
Contents of the user manual for the Sound Devices 664 Six-Channel Portable Production
- Product category: Field Mixers Sound Devices
- Brand: Sound Devices
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for Sound Devices Field Mixers
|
User manual for the Sound Devices 664 Six-Channel Portable Production contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any Sound Devices product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official Sound Devices user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a Sound Devices product will considerably shorten its lifespan!
|
Product description The Sound Devices 664 Six-Channel Portable Production Mixer and Porta Brace Case Kit from prepares you for the professional field recording world. This exceptional quality mixer/recorder and the Porta Brace padded case, which features cable management and vinyl windows, will get the job done for you day after day. The case also features allocated space for the Sound Devices CL-6 Input Expander.
The 664 Six-Channel Portable Production Mixer with Integrated Recorder from Sound Devices has an unprecedented amount of functionality from a unit that can be battery operated. It starts with a low-noise, transformerless preamplifier section, continues to an intuitive mixing surface, adds a host of digitally-controlled routing features, allows room for analog inserts and aux busses, and finally terminates with versatile, plentiful output connectivity. By the way, the 664 can be configured to record digital audio to CompactFlash or an SD Card from any point in that signal flow.
The Sound Devices 664 has an input board that features six balanced XLR connections. Within the firmware, they can be selected to accept microphone or line level signals. Additionally, inputs 1 and 6 can configured to accept AES digital signals. Each channel has a direct output on an independent TA3 connector. There is also an input for a slate microphone, if you don't wish to use the 664's internal slate mic. Two headphone outputs are also provided.
The black Mixer Combination Case from Porta Brace is a well-padded, well-protected case for your Sound Devices 664/CL-6 mixer. This case comes with a removable RM-Multi Wireless Mic Case for added flexibility while in the field.
The MXC-664 is made of 1000D Cordura nylon and comes with a touch fastened front flap for rapid access to the contents. It also features vinyl windows for easy reading of dials and switches. The suede shoulder strap enables you to carry the case either over your shoulder or around your neck. At only 1.0 lb, this case won't add much weight to your gear load but will make your work more efficient. The case is made in the USA and backed by a one-year limited warranty from Porta Brace. The kit also includes the Senal SMH-1000 closed-back professional monitor headphones. Note: Please note that not all memory cards are approved to work with this device. Please check manufacturer's website for a list of approved cards. - Sound Devices 664 Six-Channel Portable Production Mixer with Integrated Recorder The 664 Six-Channel Portable Production Mixer with Integrated Recorder from Sound Devices has an unprecedented amount of functionality from a unit that can be battery operated. It starts with a low-noise, transformerless preamplifier section, continues to an intuitive mixing surface, adds a host of digitally-controlled routing features, allows room for analog inserts and aux busses, and finally terminates with versatile, plentiful output connectivity. By the way, the 664 can be configured to record digital audio to CompactFlash or an SD Card from any point in that signal flow.
The Sound Devices 664 has an input board that features six balanced XLR connections. Within the firmware, they can be selected to accept microphone or line level signals. Additionally, inputs 1 and 6 can configured to accept AES digital signals. Each channel has a direct output on an independent TA3 connector. There is also an input for a slate microphone, if you don't wish to use the 664's internal slate mic. Two headphone outputs are also provided.
The physical mixing surface of the 664 has the basic features you'd expect, such as trim pots, panning and level knobs. But it also has more advanced features, like sweepable high-pass filters and pre-fader listen switches on each channel.
The 664 has very flexible routing options within its LCD-based menu. When a channel's pre-fader listen switch is pushed to the right, it brings up that channel's menu options. Input level, pre/post track routing, aux buss routing, mix routing and polarity can all be adjusted. Channels can be paired in left/ride or mid/side modes. Phantom power can also be engaged at either 48V or 12V.
The Sound Devices 664 has many output options, from its balanced XLR main outputs to the unbalanced 1/8" stereo tape output. It can even send and receive word clock and timecode signals. Two Aux outputs on TA3 connectors allow custom track groups to be routed to external devices. The outputs can even be set to send AES digital signals of each buss and channel.
The 664 has an integrated recording system that tracks WAV files at up to 24-bit/48.048kHz resolution to CompactFlash or SD cards. The whole device can be powered by five AA batteries or an optional DC adapter. Note: Please note that not all memory cards are approved to work with this device. Please check manufacturer's website for a list of approved cards. - Sound Devices 664 - Additional Features
-
- Dedicated COM send/return
- Three camera audio returns
- Dual headphone jacks
- USB type B port for keyboard connection
- X1 and X2 aux busses
- Transflective LCD screen
- Metalized, gasketed carbon fiber chassis
UPC: 859108005284 - Porta Brace Mixer Combination Case (Black) The black Mixer Combination Case from Porta Brace is a well-padded, well-protected case for your Sound Devices 664/CL-6 mixer. This case comes with a removable RM-Multi Wireless Mic Case for added flexibility while in the field.The MXC-664 is made of 1000D Cordura nylon and comes with a touch fastened front flap for rapid access to the contents. It also features vinyl windows for easy reading of dials and switches. The suede shoulder strap enables you to carry the case either over your shoulder or around your neck. At only 1.0 lb, this case won't add much weight to your gear load but will make your work more efficient. The case is made in the USA and backed by a one-year limited warranty from Porta Brace.
- Flaps, vinyl windows, protective covering
- Durable, 1000-denier Cordura; fully padded
- Cable openings for ease of management
- Lightweight - only 1.0 lb
- Simple design leads to ease of use
- Accepts optional Porta Brace Audio Harness
- Compatibility
- Sound Devices 664/CL-6
UPC: 877547019600 - Senal SMH-1000 Professional Field and Studio Monitor Headphones The SMH-1000 Professional Field and Studio Monitor Headphones from Senal feature a classic closed-back, over-the-ear, collapsible design. With features like interchangeable cables, a refined frequency response, wire guides, superior comfort, and durable materials, the SMH-1000 is ideal for studio and field applications.
Equipped with 40mm neodymium drivers at 58-Ohm impedance, the SMH-1000 headphones are designed to be loud enough when attached to low powered devices such as mobile phones and mp3 players, yet robust enough to handle studio headphone amps without distortion.The over-ear, closed-back design is intended to help block unwanted outside noise, which is useful in professional field recording and studio monitoring scenarios where isolation is critical.
The headphones are designed with an EQ curve that's been tailored for a slightly enhanced low end that allows field engineers to detect wind noise more effectively, and for studio engineers to monitor bass and sub bass frequencies. The high frequency response has been extended to accurately reproduce spatial detail. There is also a pronounced but smooth midrange that reduces ear fatigue over prolonged periods, while maintaining focus on vocal and dialogue intelligibility.
Designed for flexibility as well as great sound, the SMH-1000 makes use of twist-lock detachable cabling. There are two detachable cables included in each box that can be used interchangeably. There is a stretchable 4 to 10' coiled cable that provides better mobility and reach, that also helps prevent snags from pulling the headphones off of your head. This can be useful when navigating through gear-cluttered recording studio environments. There is also a 3' straight cable that is useful when less slack is ideal, such as when using a waist-mounted field recorder or mixer, or when using your mobile device.
The SMH-1000 has been built with convenience, practicality and comfort in mind as well. The headphones have a collapsible folding mechanism for compact storage and transport. They also have wire guides to keep the ear-cup wires from pinching. Furthermore, they are fitted with a padded headband and soft, replaceable ear cushions to maximize comfort during extended listening. - An excellent choice for commercial recording, broadcast, home studios, and live and location sound. Also great for home and portable entertainment.
- Over-ear, closed-back (circumaural) stereo headphone design to help block unwanted environmental noise. Ideal for use in professional applications such as studio or field recording.
- Detachable, twist-locking 10' coiled cable and 3' straight cable included. Replacement cables also available from Senal.
- Enhanced low end designed to allow field engineers to detect wind noise effectively, and for studio engineers to monitor bass and sub bass frequencies.
- Pronounced but smooth midrange tailored to reduce ear fatigue over prolonged periods while maintaining focus on vocal and dialog intelligibility.
- Extended high frequency response designed to reproduce spatial detail accurately. Gradual roll off at 14 kHz allows for accurate low level monitoring and hearing protection.
- Padded headband and soft, replaceable ear cushions. Replacement cushions are available for purchase.
- Easy storage via collapsible folding mechanism.
UPC: 847628015821 In the Box - 664 Six-Channel Portable Production Mixer with Integrated Recorder aysxxrbdcbyarfzrtbwtcaaeaeudawdava
- Limited 2-Year Warranty
- Porta Brace - Mixer Combination Case (Black)
- Senal - SMH-1000 Professional Field and Studio Monitor Headphones
Table of Contents
|
Upload User Manual
Have you got an user manual for the Sound Devices 664 Six-Channel Portable Production Mixer and Porta Brace Case Kit in electronic form? Please send it to us and help us expand our library of instruction manuals.
Thank you, too, on behalf of other users.
To upload the product manual, we first need to check and make sure you are not a robot. After that, your "Submit Link" or "Upload File" will appear.
Technical parameters - Sound Devices 664 Six-Channel Portable Production Mixer with Integrated Recorder
| | | Inputs | 6 x XLR balanced - Mic/Line
1 x TA3 - Slate Mic In | | AES Digital Audio Inputs | XLR inputs 1 and 6 can accept AES3 or AES42 signals (10V power), SRC | | Return | 1 x 1/8" TRS stereo input - Return B | | Outputs | 2 x XLR balanced - Master Outs L/R (Can also send AES3 digital signals)
2 x TA3 balanced - X1 and X2 (Line, -10, or Mic)
2 x TA3 balanced - Balanced Outs (Line, -10, or Mic level)
6 x TA3 balanced - Direct Outs | | Other Connectors | 2 x 10-pin connector
Each has a pair of transformer-isolated outputs and a stereo unbalanced Return input. Output levels are selectable between Line, -10, and Mic | | Headphone Outputs | 1 x 1/4" TRS stereo
1 x 1/8" TRS stereo mini | | COM Ports | 1 x TA3 - COM Send
1 x TA3 - COM Return | | Word Clock I/O | 1 x 5-pin LEMO connector - Timecode I/O
1 x BNC - Word Clock In
1 x BNC - Word Clock Out | | Link Input/Output | 1 x 5-pin connector (links to Sound Devices 664, 552, 302, 442, or MixPre mixers) | | Stereo Tape Outputs/Type | 1 x TA3 stereo unbalanced tape level output
1 x 1/8" TRS stereo unbalanced tape level output | | Compact Flash Slot | Compatible with Type I and Type II cards; high-speed UDMA cards are recommended for higher track count recording | | SD Card Slot | Accepts SD / SDHC / SDXC cards, high-speed class 10 cards are recommended
Please see manufacturer's site for a list of approved cards | | USB Port | 1 x USB type B (for factory use and keyboard connection with adapter) | | | | Input Impedances | XLR Mic: 4kΩ : for use with ≤ 600Ω mics
XLR Line: 10kΩ : for use with ≤ 2kΩ outputs
Returns: 30kΩ : for use with ≤ 2kΩ outputs | | Maximum Input Level | XLR Mic: 0 dBu (0.78 Vrms)
XLR Line: +40 dBu (80 Vrms)
Returns: +24 dBu (12.4 Vrms) | | High-Pass Filter | Sweepable 80 Hz to 240 Hz, -12 dB/oct @ 80 Hz, -6 dB/octave @ 240 Hz | | Limiter | Individual input limiters on both trim and fader stages
+16 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 500 mS release time | | Output Impedances | Line: 100Ω : for use with ≥ 600Ω inputs
-10: 3.2kΩ : for use with ≥ 10kΩ inputs
Mic: 150Ω : for use with ≥ 600Ω inputs | | Clipping Level | Line Outputs: (1% THD) 20 dBu minimum with 10k load | | Maximum Output Level | Line: +20 dBu (7.8 Vrms)
-10: +6 dBu (1.5 Vrms)
Mic: -20 dBu (0.078 Vrms)
Tape Outs: +6 dBu (1.5 Vrms) | | Limiter | Analog output limiter: threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time, 500 mS release time | | Maximum Gain | Mic-In-to-Line-Out: 93 dB
Mic-In-to-Aux-Out @ -10dBV: 79 dB
Line-In-to-Line-Out: 39 dB | | Frequency Response | 20 Hz to 50 kHz ±0.5 dB | | THD + Noise | 0.09% max (1 kHz, 22 Hz to 22 kHz BW, fader at 0, 0 dBu output) | | Equivalent Input Noise | -126 dBu (-128 dBV) max (22 Hz to 22 kHz bandwidth, flat filter, trim control fully up) | | | | Recording Tracks | 10 tracks (6 inputs, 4 output buses) | | A/D Conversion | 24-bit | | Sampling Rates | 44.1, 47.952, 48, 48.048 kHz | | Dynamic Range (Typical) | 114 dB, A-weighted | | Digital Outputs | AES3 transformer-balanced, in pairs; 1-2 XLR-L, 3-4 XLR-R, 5-6, multi-pin 1, 7-8, multi-pin 2, 110Ω, 2 V p-p, AES and S/PDIF compatible | | File System Format | FAT32 formatted, will format memory cards on-board, WAV (Broadcast Wave File format) polyphonic | | Accuracy | ± 0.2 ppm (0.5 frames per 24 hours) | | Timecode | Modes Supported: off, Rec Run, Free Run, 24h Run, External
Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
Accuracy: Ambient Generator, 0.5 frames in 24 hr
Time Code Input: 20kΩ impedance, 0.3 V to 3.0 V p-p (-17 dBu to +3 dBu)
Time Code Output: 1kΩ impedance, 3.0V p-p (+12 dBu)
Word In/Out: square wave; 10k/75Ω, 1-5V p-p input; 75Ω, 3.3V p-p output, at SR | | | | Power Supply | Isolated 10-18 V on locking 4-pin Hirose connector (sold separately) | | Battery Operable | Accepts 5 x AA (LR6) batteries, 1.2 to 1.5V nominal (NiMH rechargeable compatible) | | Operating Temperature Range | -4 to 140°F (-20 to 60°C), up to 90% relative humidity | | Storage Temperature Range | -40 to 185°F (-40 to 85°C) | | Dimensions (H x W x D) | 2.1 x 12.6 x 7.8" (5.3 x 32 x 19.8 cm) | | Weight | 4.75 lb (2.15 kg) | | | | Box Dimensions (LxWxH) | 16.2 x 11.0 x 5.3" | - Porta Brace Mixer Combination Case (Black)
| Material | 1000-denier Cordura nylon
Fully padded | | Type of Closure | Touch fastened flap | | Carrying/Transport Options | Suede shoulder strap | | Exterior Dimensions | 20.5 x 4.5 x 9.0" (52.1 x 11.4 x 22.9 cm) | | Interior Dimensions | 12.5 x 2.25 x 7.0" (31.8 x 5.7 x 17.8 cm) | | Weight | 1.0 lb (0.5 kg) | | | | Box Dimensions (LxWxH) | 16.1 x 9.5 x 6.5" | - Senal SMH-1000 Professional Field and Studio Monitor Headphones
| | | Driver Size | 1.6" / 40 mm | | Magnet Type | Neodymium | | Design | Over-Ear (Circumaural) | | Earcup Style | Closed-Back | | | | Frequency Response | 10 Hz to 20 kHz | | Sensitivity | 102 dB at 1 kHz / 1 mW | | Impedance | 58 Ohms | | Maximum Power Handling | 1000 mW | | Total Harmonic Distortion (THD) | 1% | | | | Audio Connector | 1/8" (3.5 mm) | | Adapter (Included) | 1/4" (6.3 mm) | | | | Box Dimensions (LxWxH) | 9.1 x 8.8 x 3.8" |
Rating100% users recommend this product to others. And what about you?
This product has already been rated by 54 owners. Add your rating and experience with the product.
Discussion
Ask our technicians if you have a problem with your settings,
or if anything is unclear in the user manual you have downloaded.
You can make use of our moderated discussion.
The discussion is public and helps other users of our website who may be encountering similar problems.
The discussion is empty - enter the first post
Post a new topic / query / comment:
|
|
