User manual
Tascam DR60D MKII 4-Track Solid-State Recorder

User Manual for Tascam DR60D MKII 4-Track Solid-State Recorder & Senal SCS-98 Stereo Mic Kit

• Product category: Portable Digital Recorders Tascam
• Brand: Tascam
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Tascam Portable Digital Recorders

Product description

• Tascam DR-60DmkII 4-Channel Portable Recorder for DSLR Designed to cater to the needs of DSLR audio for video recording, the DR-60DmkII 4-Channel Portable Recorder for DSLR from Tascam is the latest generation of their popular audio recording device. Capable of recording 4 channels of audio simultaneously in up to 24-bit/96 kHz WAV/BWF files, the DR-60DmkII boasts Tascam's High Definition Discrete Architecture (HDDA) preamps and a Cirrus Logic analog-to-digital converter chip for accurate and pristine audio capture. It features 2 combination XLR/TRS microphone/line-level inputs with selectable phantom power, and a stereo 1/8" microphone input, capable of handling high-output microphones and supplying plug-in power.
  
  A built-in digital mixer gives you control over panning and level for each track, and allows you to insert a limiter or high-pass filter in addition to setting individual channel delay for distance adjustment. The DR-60DmkII gives you multiple output options as well. The dedicated camera out features adjustable level control to cater to DSLRs that lack input level control. The 1/8" line output can be used to feed a mixer or secondary recorder, while your monitoring is handled by a dedicated 1/8" headphone jack.
  
  The device records to SD and SDHC cards and is powered by 4 AA batteries, or an optional battery pack or AC adapter. A 2.5mm remote control input allows you to integrate an optional remote or footswitch control.
  HDDA Mic Preamps
  • Quality mic preamps are a necessity for quality sound. The DR-60DmkII's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and parts, approved after months of evaluation testing by Tascam. The HDDA's circuit achieves a high equivalent-input noise (EIN) of -120 dBu for low input noise. The DR-60DmkII mic preamps have been upgraded from their predecessor for up to 64 dB of gain with XLR input jacks for greater cable compatibility.
    A Cirrus Logic AD converter is used to ensure detailed recording from any input signal
  A Variety Inputs and Outputs with Internal Mixing
  • The DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation.
    
    3 sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder. Finally, a Headphone Out is available for direct monitoring. Each of these outputs has its own level control, and the Camera Out can be attenuated to microphone level without the need for an attenuating cable
    
    The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a limiter or hi-pass filter (40/80/120 Hz), and set individual channel delay from the user setup. The DR-60DmkII is ready to use right out of the box with its external, non-menu-intensive controls
  Multiple Record Modes for On-Set Challenges
  • Mono/Dual Mono Mode: For single source microphones, like using a shotgun together with a clip-on lavaliere mic
  • Stereo/Dual Stereo Mode: These modes are designed for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording
  • 4CH Mode: This mode records all four microphone inputs to their own tracks
  • Dual Mono And Dual Stereo Mode: Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6 to -12 dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn't distorted
  Custom Designed for DSLR Shooters
  • Every aspect of the DR-60DmkII is designed specifically for DSLR audio for video recording. The keys of the unit are designed specifically for quiet operation to eliminate handling noise. The Slate feature is designed to mark tracks easily while in production. The input and output layout is designed for versatile use. The device can be used under a camera, on a rig or strapped around a solitary sound engineer
  Dedicated Camera Output
  • The Camera Out connector sends the mix from the DR-60DmkII to your camera. An adjustable level control is provided, as many DSLR cameras lack an input control. The camera audio gets a clean mix from the DR-60DmkII to assist syncing tracks in post
  Slate-Tone Generator
  • The internal slate-tone generator produces various tones for easy track making and recognition. Slate tones can be generated two ways:
  • Automatic: Tones are added to the head or the head and tail of each clip (from 0.5 - 3 s)
  • Manual: Push the Slate button to record a tone
  Channels 3 & 4 Support High-Output Microphones
  • The channel 3/4 input connector supports a high-level maximum input, up to +10 dBV. Many microphones designed for use with video cameras have a high-level output and a 1/8" (3.5 mm) output connector. Plug-in power is also available for microphones that need it
  Tripod Mounting on Top and Bottom
  • The DR-60DmkII can be placed between a DSLR Camera and a tripod, or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a (removable) tripod bracket is mounted on the top
  Lightweight Body Designed for Rugged Portability
  • The DR-60DmkII's body was manufactured with very rigid plastic for a durable but lightweight design. Tascam understands how important weight is to steady camera movement when filmmaking. In addition to its light weight, the DR-60DmkII is extremely compact. Only 5.25" wide, the DR-60DmkII won't interfere with camera operation. All batteries can be replaced without removing the device from the camera or tripod/rig
  • Record to SD/SDHC card (Up to 32GB)
  • Record Modes: Mono, Stereo, Dual Mono, Dual Stereo, 4-Channel
  • Recording format: 44.1/48/96 kHz, 16 or 24-bit, WAV/BWF
  • Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
  • Two combo XLR/TRS inputs support +4 dBu mic/line level input
  • Phantom power to channels 1/2 (24 V or 48 VDC on XLRF)
  • Plug-in power and high-output mic input supported on inputs 3-4
  • Camera Out connector for output from the DR-60DmkII mixer (adjustable gain)
  • Camera In connector for sound monitoring from the camera
  • Independent adjustable line out and headphone jacks
  • 50mW/channel headphone amplifier
  • Tripod-mounting socket (bottom) and mounting-screw attachment (top)
  • Handles protect the screen and can be used to attach a shoulder strap
  • Soft-Touch Rubber Keys for silent operation
  • Hold switch to prevent accidental operation
  • QUICK button feature for easy access to various functions
  • 128x64 pixel LCD with backlight
  • USB 2.0 connection for high-speed transferring of files
  • Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
  • Internal mixer: Pan and Level controls
  • Low-cut filter (40/80/120 Hz)
  • Limiter (1/L and 2/R can be selected for linked operation)
  • Delay function for microphone distance adjustment (up to 150 ms)
  • M-S decode function
  • Slate-tone generator (Auto/Manual)
  • Selectable duration of slate tone from four positions (0.5/1/2/3 s, when auto-generated)
  • Selectable slate-tone generation. (3 positions: Off/Head/Head+Tail, when auto-generated)
  • File naming format can be set to use a user-defined word or date
  • Dual-recording function allows two files to be recorded simultaneously at different levels
  • Auto-record function can automatically start and stop recording at set level
  • Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
  • Self-timer function for solo recording
  • New file starts recording automatically without interruption when maximum file size is reached
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • Jump back and play function
  • Equalizer function for playback, and level-alignment function to enhance the perceived overall sound pressure
  • Resume function to memorize the playback position before the unit is turned off
  • Mark function up to 99 points per audio track
  • Divide function
  UPC: 043774031023
• Senal SCS-98 DSLR/Video Stereo Microphone The Senal SCS-98 DSLR/Video Stereo Microphone features a matched pair of cardioid condenser capsules that are arranged in an XY pattern to achieve accurate, natural stereo imaging. This makes it ideal for location recording, broadcast applications, live performances and capturing soundscapes in outdoor environments.
  
  Compact and lightweight, the SCS-98 attaches to your camera's shoe mount and plugs directly into its audio input, or your portable recorder's microphone input, to capture pristine audio with realistic stereo imaging for your video productions.
  
  The 80 Hz high-pass filter helps prevent the microphone from picking up disruptive low-frequency noise, while the three-level gain switch provides a +10 dB boost, 0 dB unity gain, or a -10 dB pad. The -10 dB pad can be used for recording louder sound sources without distortion, while the +10 dB boost can be used to achieve a higher gain signal to avoid having to use the noisy preamps aboard many cameras and camcorders, resulting in a much cleaner recording.
  
  The SCS-98 also boasts a dual shockmount design. The two back electret condenser capsules are enclosed within a rubber decoupling system inside the microphone. This, combined with the integrated shockmount, isolates the microphone from handling noise, providing maximum isolation from vibrations and mechanical noise. The SCS-98 also features an integrated shoe-mount with a 1/4"-20 threaded socket, which lets you mount it onto a camera or boompole. In addition, a male 1/4"-20 to female 3/8" adapter is also included. The durable, 7" coiled output cable is terminated with a 1/8" (3.5mm) stereo output connector and is shielded for maximum protection against interference.
  • Professional quality recording for DSLR or camcorder
  • Matched pair of condenser capsules in XY stereo configuration
  • Compact, lightweight design
  • Switchable 80 Hz high-pass filter
  • Three-level gain switch (-10 dB, 0 dB, +10 dB)
  • Integrated shock mount and shoe mount with ¼"-20 threaded socket for use with boom pole
  • 7" coiled output cable with 3.5mm stereo output connector
  • Power LED glows momentarily to indicate that power is on and battery is charged, and turns off to conserve power
  • Runs on a single AAA battery (not included)
  • Approximately 100 hours of operation time
  • Foam windscreen included
  • Male 1/4"-20 to female 3/8" adapter included
  UPC: 847628574731

• DR-60DmkII 4-Channel Portable Recorder for DSLR yuyssddefxdaxqffyyrrfvttbetcyuddb
• Mini USB Cable
• Limited 1-Year Warranty
• Limited 90-Day Warranty for Labor

• Senal - SCS-98 DSLR/Video Stereo Microphone

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Technical parameters

• Tascam DR-60DmkII 4-Channel Portable Recorder for DSLR

  Number of Tracks	4
  Max Sample Rate/Resolution	96 kHz / 24-Bit
  Built-In Speaker	No
  Memory Card Support	SD (64 MB to 2 GB) SDHC (4 to 32 GB)

  Sample Rates	WAV: 44.1 / 48 / 96 kHz
  Bit Depth	16/24-Bit
  Timecode	No

  Analog I/O	1 x 2.5 mm TRS Remote Input 1 x 1/8" / 3.5 mm TRS Camera Output 1 x 1/8" / 3.5 mm TRS Line Output 2 x Combo XLR / 1/4" TRS Input 1 x 1/8" / 3.5 mm TRS Mic Input 1 x 1/8" / 3.5 mm TRS Camera Input 1 x 1/8" / 3.5 mm TRS Headphone Output
  Phantom Power	+24 / 48 V ± 4 V
  Phantom Power Current	10 mA per Channel
  Plug-In Power	Yes
  Host Connection	1 x Mini-USB (USB 2.0)

  Frequency Response	Line Outputs, Mic/Line Inputs: 20 Hz to 20 kHz +0.5/-2 dB (at 48 kHz, JEITA) 20 Hz to 40 kHz +0.5/-3 dB (at 96 kHz, JEITA)
  Gain Range	Mic/Line Inputs: +11 dB to +64 dB Mic Inputs: +3 dB to +26 dB
  Max Input Level	Mic Inputs: 0 dBu Line Inputs: +24 dBu 1/8" Inputs: +10 dBV Camera Inputs: +6 dBV
  Max Output Level	Camera Outputs: -30 dBV Line Outputs: +10 dBV
  Headphone Output Power	50 mW per Channel
  Impedance	Mic Inputs: 2 kOhms Line Inputs: 10 kOhms Inputs: 10 kOhms Camera Outputs: 200 Ohms Line Outputs: 200 Ohms
  SNR	≥92 dB
  THD	<0.02%
  EIN	-120 dBu

  Power Options	Batteries, USB Bus Power, AC/DC Power Adapter
  Battery Type	4 x AA 4 x AA
  Approximate Battery Life	WAV 44.1 kHz/16-Bit: 2.5 Hours (Alkaline, 2 Channels, Phantom On) 4.5 Hours (Alkaline, 2 Channels, Phantom Off) 3.25 Hours (NiMH, 2 Channels, Phantom On) 5 Hours (NiMH, 2 Channels, Phantom Off)

  Operating Temperature	32 to 140°F / 0 to 40°C
  Dimensions	5.2 x 3.7 x 3.1" / 133.0 x 93.2 x 78.0 mm
  Weight	1.1 lb / 510.0 g (without Batteries)

  Box Dimensions (LxWxH)	7.874 x 6.929 x 5.748"

• Senal SCS-98 DSLR/Video Stereo Microphone

  Transducer Type	Back electret condenser
  Pattern	XY stereo cardioid
  Frequency Response	50 Hz to 18 kHz
  Sensitivity	-69 dB ±3 dB (0 dB = 1 V/microbar at 1 kHz indicated by open circuit)
  Gain Selection	-10, 0, +10 dB
  Output Impedance	200 ohms ±30% (at 1 kHz)
  Connector	Right-angle 3.5 mm stereo male
  Power Requirement	One AAA battery (not included)
  Cable	Fixed, 7" / 17.8 cm (2" / 5.1 cm straight + 3" / 7.6 cm coiled + 2" / 5.1 cm straight)
  Dimensions	5 x 1.8 x 2.8" / 12.7 x 4.5 x 7.2 cm
  Weight	5.4 oz / 152 g

  Box Dimensions (LxWxH)	9.055 x 4.803 x 2.835"

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