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User Manual for Vienna Symphonic Library MIR RoomPack 4 - The Sage Gateshead Click to enlarge the picture
Contents of the user manual for the Vienna Symphonic Library MIR RoomPack 4
- Product category: Virtual Processor Plug-Ins Vienna Symphonic Library
- Brand: Vienna Symphonic Library
- Description and content of package
- Technical information and basic settings
- Frequently asked questions – FAQ
- Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
- Authorized service for Vienna Symphonic Library Virtual Processor Plug-Ins
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User manual for the Vienna Symphonic Library MIR RoomPack 4 contain basic instructions
that need to be followed during installation and operation.
Before starting your appliance, the user manual should be read through carefully.
Follow all the safety instructions and warnings, and be guided by the given recommendations.
User manual is an integral part of any Vienna Symphonic Library product,
and if it is sold or transferred, they should be handed over jointly with the product.
Following the instructions for use is an essential prerequisite for protecting
health and property during use, as well as recognition of liability on the part of the manufacturer
for possible defects should you make a warranty claim. Download an official Vienna Symphonic Library user manual in which you will find instructions on how to install, use, maintain and service your product.
And do not forget – unsuitable use of a Vienna Symphonic Library product will considerably shorten its lifespan!
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Product description The Vienna MIR RoomPack 4 - The Sage Gateshead from Vienna Symphonic Library is a collection of impulse responses for use with the company's Vienna MIR PRO and MIR 24 convolution reverb products. The pack features 14,000 impulse responses from two large halls and a smaller performance and rehearsal hall.
The Sage Gateshead is a landmark building in the northeast of England that boasts outstanding acoustics due to its curved glass construction and a shell-like stainless steel roof. The large auditorium is equipped with ceiling panels that can be raised and lowered, changing the sound profile of the room. A special "spongy" concrete mix was used in the construction, with a higher-than-usual air capacity to improve the acoustics. - Hall One
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- Wood-paneled auditorium boasting world-class acoustics and a seating capacity of up to 1,640
- Designed to the highest international standards, it was intended as an acoustically perfect space, loosely modeled on the renowned Musikverein in Vienna
- Equipped with ceiling panels that may be raised and lowered, as well as curtains drawn across the ribbed wooden side walls, changing the sound profile to suit any type of music - from recitals and chamber music to large symphony orchestras; from folk, jazz, rock/pop to music from around the world
- Four different main microphone positions - one of them on the stage, two in the auditorium, and one on the first balcony at the back of the hall
- The second balcony is also available for instruments and other signal sources
- Venue was captured with almost 6,700 impulse responses
- Hall Two
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- Distinctive ten-sided theater with a capacity of up to 400 visitors, offering a more informal and intimate environment that makes it ideal for smaller ensembles, bands and solo artists
- Using state-of-the-art remote-controlled wall panels, the reverberation time of the hall may be adjusted to a considerable degree, which can be emulated easily with the Reverb Time Scaling feature in Vienna MIR PRO/MIR PRO 24
- Four different main microphone positions - one on the stage, two in the auditorium, and one about six meters above the main floor on the second balcony in the back of the hall
- Venue has been captured with over 2,400 impulse responses
- Northern Rock Foundation Hall
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- Sound-isolated rehearsal space for the Northern Sinfonia orchestra of the Sage Gateshead with a modern wood paneled sound stage
- Provides a homogeneous, sparkling reverb, while maintaining perfect acoustical balance and contour
- The length of the reverb tail can be shaped extensively using the wall-covering motorized curtains, which can be emulated using the Reverb Time Scaling feature in Vienna MIR PRO/MIR PRO 24
- The space is rendered corner to corner, from two different viewing angles, providing four main microphone positions
- Instruments may be placed anywhere in the hall, even in audience positions, with no restrictions
- Over 5,700 impulse responses were recorded to capture the entire venue
Table of Contents
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Technical parametersVienna Symphonic Library VSLR04 Specs | System Requirements | Vienna MIR PRO or MIR PRO 24 convolution reverb software |
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