User manual
Waves Modern Mix Tools - Mastering

User Manual for Waves Modern Mix Tools - Mastering Software Plug-In Bundle

• Product category: Virtual Processor Plug-Ins Waves
• Brand: Waves
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Waves Virtual Processor Plug-Ins

Product description

• Waves PuigTec EQs - Program and Midrange EQ Plug-Ins (Native/SoundGrid, Download) PuigTec EQ from Waves provides a pair of EQ plug-ins that used together provide a full-range, vintage EQ chain. Both original Pultec hardware units on which the plug-ins have been modeled, continue to this day to be mainstays at high-end studios.
  
  The EQP-1A is known for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The distinctive midrange tonal characteristics of the MEQ-5 make it the perfect complement to the EQP-1A.
  • Modeled on a rare vintage Pultec EQs
  • EQP-1A offers its signature resonant low shelf boost
  • MEQ-5 is the midrange complement to EQP-1A
  • Up to 24-bit/96 kHz resolution*
    *For TDM use, Accel card required for all sample rates
  • Mono and stereo components
  • SoundGrid license compatible with MultiRack Native, StudioRack Native, MultiRack SoundGrid, StudioRack SoundGrid, and eMotion ST Mixer
• IK Multimedia Quad Comp - Multi-Band Compressor (Download) The IK Multimedia Quad Comp - Multi-Band Compressor (Download) is a dynamic processor plug-in that features up to four selectable frequency bands with adjustable compression per band. This enables you to process part of a signal's frequency spectrum without affecting other sounds within the spectrum. Each compression band features an adjustable threshold, compression ratio, attack time, release time, and gain level. The software also allows you to select the slope of the frequency crossovers to limit the influence of artifacts between bands.
  
  Often the compressor will be placed on a stereo master bus to control peaks in program material, but can also be used to control inconsistent dynamics in solo tracks such as vocals and bass.
  
  In the user interface, a display indicates the amount of gain reduction per band as well as the overall Left and Right stereo output levels. The bands can be linked and each band can be soloed or bypassed to observe the effects of the compression. A mid side button enables mid-side compression wherein the mid channel is the mono sum of the sound stage and the side channel is the difference between the left and right channels. A master bypass switch allows you to A/B the effect of the processing on the entire signal, and a reset switch can be used to restore the original settings.
  
  The plug-in is fully compatible with native 32- and 64-bit applications on both Mac OS X (Universal Binary) and Windows (XP/Vista/7/8) computers. It supports VST, RTAS, AAX, and Audio Units plug-in formats. It can also be used with the T-RackS CS standalone application (sold separately).
• FabFilter Pro-L 2 Limiter Software Plug-In The Pro-L 2 Limiter Software Plug-In from FabFilter is a major update to the Pro-L Limiter plug-in. It adds four additional limiting algorithms: Modern for general all-purpose limiting, Aggressive for EDM and rock music, Bus specific for drums and individual track limiting, and Safe, which avoids distortion at all costs. The plug-in works for Mac or Windows computers and can be used for mixing and mastering audio applications such as studio recording, post production, and more.Combined with true peak metering and extensive loudness metering, it is compliant with the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards. Support for surround audio with flexible channel linking makes FabFilter Pro-L 2 much more versatile in multi-channel scenarios, with up to 32x linear phase oversampling. Other features like a DC offset filter, external side chain triggering for stem mastering, and a unity gain option ensure that Pro-L 2 is a solution to any mastering challenge.Furthermore, the real-time level display is offered with several display modes, including an infinite mode that shows all audio for an entire session. Significant gain reduction is highlighted with peak labels to give additional insight into the limiting process. The Pro-L2 interface has been carefully redesigned with an optimized workflow. Finally, the plug-in is available in VST, VST3, Audio Units, AAX Native, and AudioSuite formats, in both 64- and 32-bit, as well as RTAS in 32-bit.
  • Features transparent sound combined with maximum loudness
  • Eight carefully tuned limiting algorithms with true peak limiting
  • Up to 32 x linear-phase oversampling to minimize aliasing and inter-sample peaks
  • Low CPU usage
  • Accurate output and gain-reduction metering, including true peak metering
  • Various meter scale settings, including K-System support
  • Surround support, including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking
  • Highly-informative real-time level display
  • Optional DC offset filter
  • External side chain triggering for stem mastering
  • Unity-gain option to easily listen to the effect of the current limiting at unity-gain level
  • Audition limiting to listen to the difference between the input and output signal
  • Adjustable look-ahead, attack, and release settings to fine-tune the sound of the algorithms
  • Separate, freely-adjustable channel linking for both the transient and release stages
  • Professional dithering with three different noise-shaping algorithms
  • Adapts automatically to stereo, mono, and surround channel layouts
  • Full screen mode for precise adjustments and insightful metering
  • Multiple interface sizes: Medium, large, and extra large, as well as a separate compact mode
  • Retina support on Mac OS X and high-DPI support on Windows
  • GPU-powered graphics acceleration
  • Supports common Pro Tools hardware control surfaces
  • Available in VST, VST 3, Audio Units, AAX Native and AudioSuite formats, in both 64- and 32-bit, as well as RTAS in 32-bit

• PuigTec EQs - Program and Midrange EQ Plug-Ins (Native/SoundGrid, Download) dcqavtzycvtrqytxwyqbrffzyfezxwwsx

• IK Multimedia - Quad Comp - Multi-Band Compressor (Download)

• FabFilter - Pro-L 2 Limiter Software Plug-In

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Technical parameters

• Waves PuigTec EQs - Program and Midrange EQ Plug-Ins (Native/SoundGrid, Download)

  System Requirements

  Mac Intel Core i3, i5, i7, Xeon OS X 10.9.5 to 10.11.4 10.8.5 for Pro Tools 10 only 4 GB RAM 4 GB free hard drive space 1024x768 minimum screen resolution (1280x1024, 1600x1024 recommended) USB displays are not supported as the primary display For Native plug-in use, host software that supports AAX Native, Audio Units, RTAS, AudioSuite, VST, or VST3 formats Windows Intel Core i3, i5, i7, Xeon Windows 7 SP1, Windows 8.1, Windows 10 (all 64-bit) 4 GB RAM 4 GB free hard drive space 1024x768 minimum screen resolution (1280x1024, 1600x1024 recommended) For Native plug-in use, host software that supports AAX Native, RTAS, AudioSuite, VST, or VST3 formats

• IK Multimedia Quad Comp - Multi-Band Compressor (Download)

  Mac Requirements	64-bit CPU 32- or 64-bit Mac OS X 10.6 or later 1.5 GHz Intel Processor or higher CPU 1 GB RAM High speed Internet connection for electronic download
  Mac Compatibility	Audio Units, VST, RTAS, AAX (32- and 64-bit)
  PC Requirements	32- and 64-bit Intel Pentium 4 2.4 GHz or Intel Core Duo or AMD Athlon 64 1 GB of RAM Windows XP, Windows Vista, Windows 7, or Windows 8 High speed Internet connection for electronic download
  PC Compatibility	VST, RTAS, AAX (32- and 64-bit)

• FabFilter Pro-L 2 Limiter Software Plug-In

  Windows Requirements	32-bit: Windows 8, 7, Vista or XP 64-bit: Windows 8, 7 or Vista (x64) VST 2/3 host or Pro Tools
  Mac OS X Requirements	32-bit: Mac OS X 10.5 or later 64-bit: Mac OS X 10.6 or later AU or VST 2/3 host or Pro Tools Intel processor

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