User manual
Zynaptiq REPAIR Bundle - Audio Restoration

User Manual for Zynaptiq REPAIR Bundle - Audio Restoration and Enhancement Software Suite

• Product category: Virtual Processor Plug-Ins Zynaptiq
• Brand: Zynaptiq
• Description and content of package
• Technical information and basic settings
• Frequently asked questions – FAQ
• Troubleshooting (does not switch on, does not respond, error message, what do I do if...)
• Authorized service for Zynaptiq Virtual Processor Plug-Ins

Product description

• UNVEIL 1.6 De-Reverberation and Signal Focusing Processor Plug-In (Download) The UNVEIL 1.6 De-Reverberation & Signal Focusing Processor Plug-In from Zynaptiq is a real-time Audio Unit, VST 2.4, and RTAS/AAX compatible plug-in that can boost or attenuate the reverb level on mono or stereo tracks. It is based on Zynaptiq's proprietary Mixed-Signal Audio Processing, or MAP technology, which works by internally isolating sonically important elements in a mix, and then allowing you to increase or decrease them. The UNVEIL also uses a model of the human auditory system to isolate the elements we perceive as reverb, and then separating those elements from the mix.
  
  The 64-bit UNVEIL can be used in a variety of audio applications, including mixing, mastering, and audio for film. Film mixers can clean up dialog or location sound that might have been previously unusable, removing those elements that often cause noise or muddiness. Mastering engineers can remove reverb from over-saturated mixes, and since it works on mono sources as well as stereo, mixing engineers can easily use the UNVEIL on individual tracks.
  • Audio engineers can attenuate reverb in recordings
  • Film mixers and dialog editors can remove reverb from dialog and location sound
  • Music producers can turn vintage drum-loops rich in reverb into dry recordings, and vice-versa
  • Foley artists can remove ambience from sub-optimally captured sounds
  • Mix and mastering engineers can bring key mix elements into focus by attenuating components commonly referred to as "mud"
• UNFILTER - Adaptive Tonal Contour Linearization Plug-In (Download) UNFILTER from Zynaptiq is a versatile frequency response tool with a broad range of applications. The real-time plug-in is able to automatically remove filtering effects, such as comb filtering, resonance, or excessive equalization. Applications include audio post for film sound, music production and mastering, broadcast and ENG, sound design, and forensics. The plug-in can also apply a detected filter response to another signal, or export it to disk as an impulse response.
  
  When doing post-production for film sound, the automatic recognition of frequency response anomalies is extremely useful for cleaning up production sound, and especially for enhancing the intelligibility of dialog. In music production and mastering, fine-tuning the frequency response of a signal is one of the most commonly encountered tasks. While recordings of acoustic instruments and live performances can often exhibit unwanted peaks and notches. Here the high-precision filtering engine makes it a very flexible solution for these issues.
  
  For broadcasting audio, it is important to maintain a consistent and balanced audio spectrum, to ensure optimal performance of all down-stream systems, and to provide a high-quality, consistent and non-fatiguing listening experience to the audience. As the acoustic properties of the footage used can vary strongly to say the least, this is no trivial task. Electronic News Gathering (ENG) often requires using small, portable and inconspicuous devices, and/or low bandwidth transmission systems. The software's adaptive processing aids in making even the most difficult footage usable.
  
  The ability to completely reshape the spectral contour of a signal, extract the filter response from a sound and apply it to a different file, and to solo the noisy components contained in a sound makes it an excellent tool for designing new sounds. When applied to the field of forensics, the plug-in can assist in extracting information from recordings in multiple ways. Intelligibility of speech recordings can be greatly enhanced, the filtering effects of microphone occlusion can be removed, and sounds buried beneath others can be made more audible.
  General
  • • Automatically detect and remove resonances, equalization, roll-offs and the effects of comb filtering from musical, location, dialog and surveillance recordings
    • Apply the measured filter response to other signals to place them in the same "acoustic world"
    • Export the measured filter response to or import it from a linear- or minimum-phase impulse response file (WAV)
    • Mastering grade adaptive, free-form and graphic equalization
    • Extremely steep 96dB/octave shelving high-pass filter
    • Output limiter for unsupervised use in batch processing applications
    • Time-efficient workflow and UI
  Sound for Picture
  • • Remove comb-filtering caused by multiple "open" microphones being mixed to one iso track, or by proximity to reflective surfaces
    • Remove resonances caused by room geometry or using shotgun microphones near off-axis reflective surfaces
    • Remove recording path roll-offs and lavalier microphone chest resonance
    • Increase level separation between dialog and background sounds
    • Make ADR blend better with production dialog
    • Synthesize room tone to fill editing gaps or to layer with ADR by applying a measured filter response to noise
    • Make crowd atmos, walla or dense ambience collide less with dialog
    • Manipulate apparent distance of background sounds by emphasizing room filtering effects
    • Enhance SFX and foley recordings
    • Speed up any equalization and low-cut filtering task
    • Improve mix translation to non-standardized playback environments, like TVs or PCs, by removing resonances that would add up with the frequency response of the playback system
    • Save hours of expensive mixing stage time
  Music Production and Mastering
  • • Remove resonances and other frequency response issues from recordings of acoustic instruments or live performances
    • Remove EQ or filtering "printed" to tracks delivered for mix-down or mastering
    • Remove guitar cabinet coloration, or apply it to a DI guitar
    • Apply corrective EQ to any source within seconds
    • Exaggerate a sound's coloration to more firmly place it in its own frequency "window"
    • Remove low-mid buildup from sub-mixes and mixes without losing the "body" of the sound
    • Balance the spectrum of one or multiple songs
    • Capture the frequency response of outboard EQ or other signal paths and apply it or store it as impulse response (WAV)
    • Accentuate the natural low end on acoustic bass drums
    • Remove spectral peaks caused by corpus resonance, for example on bass or acoustic guitars
    • Apply a track's measured filter response to overdubs made with a different recording setup to make them blend better
  Sound Design
  • • Extract a filter response curve from a sound and apply it to another
    • Remove the natural corpus resonance from a sound and apply a different one
    • Open or close synthesizer low-pass filters after the fact
    • Bring out aspects of a sound normally hidden behind other features
    • Synthesize drones, hiss or rumble by extracting a filter response from an example sound and applying it to noise or other broad-band quasi-/cyclo-stationary sounds
    • Use NOISE MONITOR to isolate the noisy components of a sound
    • Generate multiple object state sounds from one file for game-audio
    • Animate the frequency response of static sounds to make them more "alive"
    • Improve translation to consumer playback systems like gamer PCs
    • Generally fine-tune the frequency response of a sound with unprecedented precision
  Broadcast and ENG
  • • Apply adaptive equalization to time-varying audio content, such as mixed music audio streams
    • Enhance intelligibility of speech recordings by removing resonances and signal path related roll-offs
    • Improve translation to consumer playback devices by removing non-linearity that would add up with those of the playback system
    • Reduce the coloration imparted by transmission through telephones, megaphones, intercoms, P.A. systems etc.
    • Increase intelligibility of speech recorded using low-fidelity or covertly worn recording devices
    • Increase the separation of speech from background sounds
  Forensics
  • • Increase intelligibility of speech recorded using low-quality, occluded or damaged audio equipment
    • Make sounds buried beneath other sounds more audible
    • Increase separation between speech and background sounds
    • Reduce the filtering effects caused by telephone transmissions
    • Remove resonances and filtering effects caused by an intermediate medium, such as walls or windows
• UNCHIRP Codec Artifact Removal & Transient Retrieval Plug-In (Download) UNCHIRP from Zynaptiq is a codec artifact removal and transient retrieval plug-in that is designed for removing artifacts associated with lossy audio encoding and other FFT (Fast Fourier Transform) based processes, such as spectral de-noising. Reduce musical noise, suppress high frequency chirping and warbling sounds, fix transient smearing, and restore lost high frequencies using UNCHIRP's artifact suppression and transient enhancement functions. If you need to salvage poorly encoded music or vocals, or material that has been de-noised too strongly, UNCHIRP can help you remove the unwanted artifacts and improve transient definition, thereby improving audio quality.
  
  The plug-in supports AU, VST 2.4, RTAS, AAX Native, and AudioSuite plug-in formats on Mac and VST 2.4, RTAS, AAX Native, and AudioSuite plug-in formats on PC.
  Features:
  • • Suppression of high frequency "chirping" artifacts
    • Reduction of "musical noise" artifacts
    • Transient Synthesis to augment or replace smeared, over-limited or otherwise compromised transients
    • Psycho-Acoustically optimized Treble Boost circuit with Enhance and Excite modes
    • Break-Point Curve Editor based frequency-dependent processing
    • Side-only algorithm mode for working with joint-stereo encoded material
    • HD algorithm mode for increased quality processing with higher CPU load (off-line processing recommended)
    • SYNC parameter allows processing to be synchronized to signal transients for increasing clarity
    • Output limiter for unsupervised use in batch processing applications
    • Workflow and UI designed for efficiency

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Technical parameters

• UNVEIL 1.6 De-Reverberation and Signal Focusing Processor Plug-In (Download)

  Supported Formats	Mac: AU (32/64-bit), AAX (including AudioSuite), RTAS, VST (32/64-bit) Windows: AAX (including AudioSuite), RTAS, VST (32/64-bit)
  Processor	32/64-bit
  Apple System Requirements	OSX 10.5.8 or newer Intel CPU with at least 2 cores AU, Steinberg VST 2.4, or Avid RTAS/AAX compatible host software Internet connection for software activation
  Windows System Requirements	Windows XP SP3, Windows Vista or Windows 7 CPU with at least 2 cores Steinberg VST 2.4 (32-bit) or Avid RTAS/AAX compatible host software Internet connection for software activation

• UNFILTER - Adaptive Tonal Contour Linearization Plug-In (Download)

  System Requirements

  Mac Intel CPU with at least 2 cores OS X 10.6.x or newer Host software that supports Audio Units (32-/64-bit), AAX Native (32-bit), AudioSuite, RTAS, or VST (32-/64-bit) plug-in formats Internet connection for software activation (not necessarily computer where plug-in resides) Windows CPU with at least 2 cores Windows XP, Vista, or Windows 7 Host software that supports AAX Native (32-bit), AudioSuite, RTAS, or VST (32-/64-bit) plug-in formats Internet connection for software activation (not necessarily computer where plug-in resides)

• UNCHIRP Codec Artifact Removal & Transient Retrieval Plug-In (Download)

  Formats	On Mac OS X:Apple Audio Units (32/64bit)Avid RTASAvid AAX Native including AudioSuite (32/64-bit)Steinberg VST 2.4 (32/64-bit) On Windows:Avid RTASAvid AAX Native including AudioSuite (32/64-bit)Steinberg VST 2.4 (32/64-bit)
  Mac System Requirements	Apple Mac computerOS X 10.6.x or newerIntel CPU with at least 2 coresApple AU (Audio Units), Steinberg VST 2.4 or Avid RTAS/AAX compatible host softwareFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.5Internet connection for software activation (though not necessarily on the computer used for audio)
  Windows System Requirements	Windows XP SP3, Windows Vista or Windows 7CPU with at least 2 coresSteinberg VST 2.4 or Avid RTAS/AAX compatible host softwareFor AAX Native 32-bit, the minimum required Pro Tools version is 10.3.5Internet connection for software activation (though not necessarily on the computer used for audio)

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